Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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Again, as with the cops, the feeling of unreality, the slipping into the forms established by fiction. Shortly after I graduated from college, that being still the era of the draft, and not being the resistant type, I yielded to the inevitable and volunteered myself (virtually alone among my graduating class I believe) as a draftee. They made me into a medic rather than an infantryman, and I ended up in the Twelfth Evac Hospital in Cu Chi, in South Vietnam. Unlike my S.S. grandfather, I was an entirely undistinguished soldier, being what was then known as a rear-area-motherfucker, or white mouse, but I did see an ammo dump spectacularly explode after being hit by an enemy rocket, and I recall all the witnesses thereto, in order to validate the experience, repeatedly using the phrase “it was just like the movies.” Thus, although life is by and large unthrilling, when we do find ourselves in the sort of situation upon which thrillers dote we cannot really experience it, because our imaginations are occupied by the familiar tropes of popular fiction. And the result of this is a kind of dull bafflement, and the sense that whatever it is cannot really be happening. We actually think that phrase: this can’t be happening to me .

Back at the office, I obtained the safe-deposit box key from the place where Ms. Maldonado keeps it, having waited for her to be away from her desk. I retreived the Bulstrode envelope and took it back to my office. Ms. Maldonado looked at me inquiringly when I returned her key, but I did not offer to explain, nor did she ask. I said I wanted to be undisturbed until further notice and locked my office door.

I am no expert, but the papers from the envelope looked genuinely old. Of course, they would, if forgeries, but clearly someone believed in their validity, assuming Bulstrode had been tortured to reveal their whereabouts. There were two separate series of papers, both clearly in English, although using a style of handwriting I could not easily read, except for the shortest of words. One was marked up in what looked like soft pencil.

I put the papers into a fresh manila envelope and shredded the old one, after which I returned them to the bank. Then back to business for the rest of the afternoon. The next day, my diary tells me, I had lunch with Mickey Haas. We do, or did this, on average once a month or so, with him usually making the call, as he did this time as well. He suggested Sorrentino’s near my place, and I said I would send Omar to pick him up. This is our usual practice when he comes downtown. Sorrentino’s is one of a large number of nearly interchangeable Italianoid restaurants that dot the side streets of midtown on the East Side of Manhattan, and which live by serving somewhat overpriced lunches to people like me. The more prosperous denizens of this great mass of Manhattan office space each have a favorite Sorrentino’s; it is much like being at home, but with no domestic stress. They all smell the same, they all have a maître d’ who knows you, and what you like to eat and drink, and at lunch they all seat at least two interesting-looking women upon which the solitary middle-aged diner can rest his eyes and exercise his imagination.

Marco (the maître d’ who knows me in particular) seated me in my usual table in the right rear and brought me, unbidden, a bottle of his private rosso di Montalcino , a bottle of San P., and a plate of anchovy bruschetta for nibbles while I waited. After about half a glass of the delicious wine, Mickey walked in. He has gained a good deal of mass over the years, as I have, although I am afraid that his consists almost entirely of fat cells. His chin has clearly doubled, where mine retains something of its former line. His hair, however, is still thick and curling, unlike mine, and his mien confident. On this occasion I recall that he appeared uncharacteristically haggard, or maybe haunted would be a better word. The skin under his eyes was bruised looking, and the eyes were bloodshot and pinched. He was not exactly twitching, but there was something wrong. I’ve known the man for years and he was not right.

We shook, he sat down and immediately poured himself a glass of wine, of which he drank half in one go. I asked him whether anything was wrong and he stared at me. Wrong? I just had a colleague murdered, he said, and asked me hadn’t I heard and I told him I had.

Reading this over, I just decided that from now on I’m going to concoct dialogue, like journalists seem to do with impunity nowadays, because it is a pain in the ass to paraphrase what people say. The fellow who invented the quotation mark was no fool; if only he had established the copyright! Thus:

I asked, “Whendid you hear about it?”

“My secretary called me in Austin,” he said. “I’d just given my paper at the morning session, and of course, I had my cell off and as soon as I turned it on there was Karen’s message. I flew back right away.” He drank off his glass and poured another. “Can I have a real drink? I’m turning into an alcoholic behind this.”

I gestured to Paul, our waiter, who was there in an instant. Mickey ordered a gimlet.

“And then when I got back, chaos, needless to say. The university was going ballistic, with the implication from my chairman, that asshole, that somehow it was my fault for obtaining the appointment for someone of dubious moral status.”

“Was he?”

Mickey flushed at this and snapped back, “The point is that he was also one of the great Shakespeare scholars of his generation. Our generation. And his only crime was that he was duped by a swindler, which could have happened to any one of the people who now condemn him, including my fucking chairman. Do you know this story?”

I assured him that I had perused the available material on the Web.

“Right, a fucking catastrophe. But that wasn’t what the police were interested in. They had the nerve to imply that he was living, how did they delicately put it? An irregular lifestyle. By which they meant to imply that he was queer, and that his being queer had something to do with his death.” He drank down the remains of his gimlet. Paul floated over and asked if he wanted a refill and also presented him with a menu nearly the size of a subway billboard. He glanced at it without interest, which confirmed my earlier impression that he was seriously distraught: Mickey loves food; he loves to eat it, and talk about it, and cook it, and recall it.

“What are you having?” he asked.

“What am I having, Paul?” I inquired of the waiter. It has been years since I ordered anything off the menu here.

Carciofialla giudia, gnocchi alla romana, osso buco. The osso buco is very good today.”

Mickey handed back the menu. “I’ll have that too.”

When Paul left, Mickey continued, “They had some theory he got involved in rough trade. I mean the police imagination, right? They see Brit and gay and it’s some rent boy he hired to tie him up and it went too far.”

“Not possible?”

“Well of course anything’s possible, but I happen to know that Andy had a discreet long-term relationship with a fellow don at Oxford. His tastes did not run that way.”

“He might have changed. One never can tell.”

“One can, in this case. Jake, I have known the man for over twenty years.” He took a drink from his second gimlet. “I mean it’d be like finding out you were chasing boys.”

“Or you,” I said, and after a moment we both laughed.

He said, “Oh, God, we shouldn’t be laughing. The poor bastard! Only I’m damn glad I was a thousand miles away when it happened. The cops were looking at me with uncomfortable interest, sniffing me for the telltale signs of perverted inversion.”

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