Don DeLillo - Point Omega

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It's hardly a new experience to emerge from a Don DeLillo novel feeling faintly disturbed and disoriented. This is both a charm and a curse of much of his fiction, a reason he is so exciting to some readers and so irritating to others (notably George Will). And in the 117-page Point Omega, DeLillo's lean prose is so spare and concentrated that the aftereffects are more powerful than usual.Reading it is akin to a brisk hike up a desert mountain-a trifle arid, perhaps, but with occasional views of breathtaking grandeur. There is no room for false steps, and even the sure-footed will want to double back now and then to check for signs they might have missed along the way.Holding down the book's center is a pair of inward-looking men: Jim Finley, a middle-aged filmmaker who, in the words of his estranged wife, is too serious about art but not serious enough about life; and the much older Richard Elster, a sort of Bush-era Dr. Strangelove without the accent or the comic props.We join them at Elster's rustic desert hideaway in California, where Elster has retreated into the emptiness of time and space following his departure from the Bush-Cheney team of planners for the Iraq War. Elster had been recruited to serve as a sort of conceptual guru, but he left in disillusionment after plans for the haiku war he preferred bogged down in numbers and nitty gritty.Finley hopes to coax Elster into sharing that experience while the camera rolls. He envisions a minimalist work in which Elster will speak in one continuous take while standing against a blank wall in Brooklyn.Anyone recalling the Bush aide who anonymously boasted in 2004 that the Administration would create our own reality to reshape the post 9-11 world will easily detect echoes of that dreamy hubris in Elster's big declarations. As the two men float ever further from the moorings of the cities they left behind, the going gets a little tedious. One suspects DeLillo is setting them up for a fall, especially when Elster maintains they're closing in on the omega point, a concept postulating an eventual leap out of our biology, as Elster puts it, an ultimate evolution in which brute matter becomes analytical human thought.DeLillo delivers on this threat with a visit by Elster's twenty-something daughter, Jessie. From there, the dynamics of human tensions and tragedy take over, laying bare the vanity of intellectual abstraction, and making the omega point loom like empty words on a horizon of deadly happenstance.Along the way, DeLillo is at his best rendering micro-moments of the inner life. That's all the more impressive seeing as how Elster himself seemingly warns off the author from attempting any such thing, by saying in the first chapter, The true life is not reducible to words spoken or written, not by anyone, ever.From time to time, at least, DeLillo proves him wrong.

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"First name Dennis."

"This is all I heard, first name. I wake up, just now, it is Dennis," she said.

At night the rooms were clocks. The stillness was nearly complete, bare walls, plank floors, time here and out there, on the high trails, every passing minute a function of our waiting. I was drinking, he was not. I wouldn't let him drink and he didn't seem to care. Sunsets were nothing more than dying light now, the dimming of chance. For weeks there had been nothing to do but talk. Now nothing to say.

The name sounded ominous, Jessica, sounded like formal surrender. I was the man who'd stood in the dark watching while she lay in bed. Whatever Elster's sense of implication, the nature of his guilt and failure, I shared it. He sat opening and closing his hand. When he heard helicopters beating down out of the sun, he looked up, surprised, always, then remembered why they were there.

We were often testing locations for cell phone reception, one of us facing one way, one of us the other, inside the house, outside, calling and getting calls, phone to one ear, free hand to the other, he is on the deck, I am forty yards down the path. I tried not to watch us when we did this. I wanted to stay within it, where the dance was a practical matter. I wanted to be free of seeing.

I began to use the old handweights he'd found earlier. I stood in my room lifting and counting. I called the park rangers and the sheriff. I could not forget what the sheriff had said. People come to the desert to commit suicide. I knew I had to ask Elster if she'd ever showed tendencies. Jessica. Was she seeing a doctor? Did she take antidepressants? Her airline kit was still in the bathroom we'd shared. I found nothing, talked to her father, called her mother, learned nothing from either that might indicate a drift in that direction.

I lifted the handweights one at a time, then both at once, twenty reps one way, ten the other, lifting and counting, on and on.

I led him out to the deck and put him in a chair. He was in pajamas and old tennis shoes, unlaced, his eyes seeming to trace a single thought. This is where he fixed his gaze now, not on objects but thoughts. I stood behind him with a pair of scissors and a comb and told him it was time for a haircut.

He turned his head slightly, in inquiry, but I repositioned it and began to trim his sideburns. I talked as I worked. I talked in a kind of audiostream, combing and cutting through the tangled strands on one side of his head. I told him this was different from shaving. The day would come when he'd want to shave and he'd have to do it himself but the hair on his head was a question of morale, his and mine. I said many empty things that morning, matter-of-factly, half believing. I removed the wormy rubberband from the weave of braided hair at the back of his neck and tried to comb and trim. I kept skipping to other parts of the head. He spoke about Jessie's mother, her face and eyes, his admiration, voice trailing off, low and hoarse. I felt compelled to trim the hair in his ears, long white fibers curling out of the dark. I tried to unsnarl every inch of matted vegetation before I cut. He spoke about his sons. You don't know this, he said. I have two sons from the first marriage. Their mother was a paleontologist. Then he said it again. Their mother was a paleontologist. He was remembering her, seeing her in the word. She loved this place and so did the boys. I did not, he said. But this changed over the years. He began to look forward to his time here, he said, and then the marriage broke up and the boys were young men and that was all he was able to say.

I stood to the side, head tilted, and studied my handiwork. I'd forgotten to drape a towel over his upper body and there were cuttings everywhere, hair on his face, neck, lap and shoulders, hair in his pajamas. I said nothing about the sons. I just kept cutting. If I had to give him a shower, I'd give him a shower. I'd stick his head in the kitchen sink and wash his hair. I'd scrub out the sour odor he carried with him. I told him I was almost done but I wasn't almost done. Then I realized there was something else I'd forgotten, some sort of brush to whisk away all this hair. But I didn't go inside to find one. I just kept cutting, combing out and cutting.

The call came early. Searchers had found a knife in a deep ravine not far from an expanse of land called the Impact Area, entry prohibited, a former bombing range littered with unexploded shells. They'd secured a perimeter around the object and were expanding the search. The ranger was careful not to refer to the knife as a weapon. Could be a hiker's or camper's, any number of uses. He set the approximate location of a dirt road that approached the site and when we finished talking I found Elster's map and quickly spotted the Impact Area, a large swatch of geometry with squared-off borders. There were thin wavery lines to the west-canyons, washes and mine roads.

Elster was in his room sleeping and I leaned over the bed and listened to him breathe. I don't know why I closed my eyes when I did this. Then I checked his medicine cabinet to make sure the number of pills and tablets in various bottles had not diminished by a noticeable amount. I made coffee, set a place for him and left a note saying I'd gone into town.

Blade seemed free of blood, the ranger had said.

I drove toward town and then veered east for a time and finally down toward the area in question. I left the paved road and followed a rutted track into a long sandy wash. Soon there were tall seamed cliff walls crowding the car and it wasn't long before I reached a vehicle dead end. I put on my hat, got out and felt the heat, the brunt, the force of it. I opened the trunk and raised the top of the cooler where a couple of water bottles lay in melted ice. I didn't know how far I was from the search site and tried to call the ranger but there was no signal. I moved around squat boulders dislodged from the heights by flash flooding or seismic events. The rough path here looked and felt like crumbled granite. Every so often I'd stop and look up and see a sky that seemed confined, compressed. I spent long moments looking. The sky was stretched taut between cliff edges, it was narrowed and lowered, that was the strange thing, the sky right there, scale the rocks and you can touch it. I started walking again and came to the end of the tight passage and into an open space choked at ground level with brush and stony debris and I half crawled to the top of a high rubble mound and there was the whole scorched world.

I looked out into blinding tides of light and sky and down toward the folded copper hills that I took to be the badlands, a series of pristine ridges rising from the desert floor in patterned alignment. Could someone be dead in there? I could not imagine this. It was too vast, it was not real, the symmetry of furrows and juts, it crushed me, the heartbreaking beauty of it, the indifference of it, and the longer I stood and looked the more certain I was that we would never have an answer.

I had to get out of the sun and skidded back down to flat land and a wedge of shade, where I took the water bottle out of my back pocket. I tried again to call the ranger. I wanted him to tell me where I was. I wanted to know where he was, with precise directions this time. I wanted to reach the scene just to see, to feel what was there. I assumed the knife was on its way to a crime lab somewhere in the county. I assumed the sheriff had acted on the information I'd given him about the phone calls that Jessie's mother had been getting from the Blocked Caller. Dennis. I thought of him as Dennis X. Was there legal cause to trace the phone calls? Did the mother remember the man's name correctly? Would the father still be in bed, swallowed by memories, immobilized, when I walked into the house? The water was lukewarm and chemical, broken down to molecules, and I drank some and poured the rest over my face and down my shirt.

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