Emily Winslow - The Whole World

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At once a sensual and irresistible mystery and a haunting work of psychological insight and emotional depth, The Whole World marks the beginning of a brilliant literary career for Emily Winslow, a superb, limitlessly gifted author.
Set in the richly evoked pathways and environs of Cambridge, England, The Whole World unearths the desperate secrets kept by its many complex characters – students, professors, detectives, husbands, mothers – secrets that lead to explosive consequences.
Two Americans studying at Cambridge University, Polly and Liv, both strangers to their new home, both survivors of past mistakes, become quick friends. They find a common interest in Nick, a handsome, charming, seemingly guileless graduate student. For a time, the three engage in harmless flirtation, growing closer while doing research for professor Gretchen Paul, the blind daughter of a famed novelist. But a betrayal, followed by Nick's inexplicable disappearance, brings long-buried histories to the surface.
The investigation raises countless questions, and the newspapers report all the most salacious details – from the crime that scars Polly's past to the searing truths concealed in photographs Gretchen cannot see. Soon the three young lovers will discover how little they know about one another, and how devastating the ripples of long-ago actions can be.

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“I saw him today,” I said, reflecting her happiness. “On Chesterton Road. I really saw him!”

The money would come out of the bank tomorrow. I would leave a living Nick, and dead Harry and dead Gretchen, behind. I’d only been imagining things. They couldn’t really follow me.

Tap, tap, tap…

All my muscles squeezed together hard.

I shook myself. That was just the noise of Alexandra’s heels on the stairs. She was clattering down them because a car was pulling up.

I checked my hair in the dresser mirror. I wiped my mouth. I followed her down to see Nick one last time.

Tap, tap, tap.

Gretchen had no power over me anymore. I knew the sound for what it was: knocking on a door.

Why would Nick knock on his own door?

The stairs decanted me back into the living space. It was a big room, for everything all at once: for sitting and eating and putting on coats. Only the kitchen had a full-height interior wall, for more cabinet space, I guess. I ducked into that kitchen, behind that wall.

Alexandra opened the door to a man. She said, “Morris!” and hugged him. Morris. That was the name of Polly’s policeman.

“Alexandra,” he said. “I need to see Nick. Is he here?”

“Is he alive? Is he really alive?” She jumped in place: bounce, bounce.

The policeman said yes. There were tears and squeals and stuff out of her, but he made her focus.

“Is Nick not here?”

“I think he and Mum are out looking for me.”

Her clothes were rumpled and stretched in a way that made things pretty obvious. “Did you come home last night?”

“I was at a party. I slept at my friend Hannah’s house. I didn’t tell Mum.”

“Well, we need to call her now, all right? I need to speak to Nick.”

She came into the kitchen to use the phone on the counter, and Morris followed. I edged myself out the kitchen’s other end, onto the living room side of the wall. I bumped into a suitcase. It cracked open and leaked a tie.

“They’re on their way,” Alexandra told him, after talking to her mom. “Dad flew home early, from New York overnight. He’s upstairs asleep.”

“Really?” I blurted. That was a mistake. Before that the policeman hadn’t realized I was there.

“This is Nick’s friend,” Alexandra said, sweetly, gallantly. She was happy. She wanted us all to be best friends. She didn’t even know my name.

But he did. “Liv?” he asked, and it was totally not fair because he hadn’t even bothered to meet me when Nick was gone. He’d fobbed me off on the assistant cop, the sergeant. “No,” I said, denying it all. But he must have seen photos of all Nick’s friends, or maybe spied on us, because he knew. He knew who I was.

“Why don’t you go upstairs and wake your dad?” he suggested to Alexandra, but looking only at me.

I’d slipped the sandwich knife off the table, just in case. But it’s not like I was going to use it.

I moved toward the door. The policeman put himself between me and it.

So it was his fault.

I got hold of Alexandra’s arm. “What are you doing?” she said. The knife jumped out of my pocket and pressed into her neck.

The policeman froze.

“It’s all right, Liv,” he said evenly.

“I’m not doing anything.”

“Let her go.”

This is what makes me so angry: I wasn’t even going to do anything.

He made this kind of leap at me, shoving his hand between my hand and Alexandra’s neck. I moved as a reflex, not meaning to hurt him, but I sliced him across his knuckles.

I’ve spent a lot of time looking at hands; they’re the hardest of all body parts to draw. This one was big and had blood on it, first just straight across, then also sliding down each finger, like clothes hanging from a laundry line.

He shoved Alexandra away with it, and she fell against the table. Orange peels popped up off plates; the two coffee cups toasted with a clink before wobbling over. There was blood on her shirt now, from him. I scrambled to the door but it opened in. I had to back up to open it all the way. I felt like I lost entire minutes, maybe hours, pulling that door back.

I plunged into the outside headfirst. He grabbed me around the middle with that one good arm. I elbowed him off me, but somehow I was back in the doorway, and he blocked my exit on the stoop.

I held my hands up. One of them still had the knife in it.

Out of nowhere, his good hand yanked me around, right around, like we were square dancing. This opened up his whole torso. His white shirt was this huge field.

It felt weird putting the knife in. His body was too soft and too hard at the same time. I didn’t want it to be like this. It was like touching a guy you don’t really like because you have to or else he’ll yell at you or say things about you. I didn’t push hard or move it around. I just rubbed it across, but the sharpness went in anyway. The knife did that. I was just pushing him away.

When our positions were fully reversed, I saw that Alexandra had a vase over her head, a huge urn from next to the fireplace. She looked like she was carrying water back from a well. She’d been about to smash my skull in, except that the policeman had heaved me away.

“What the hell did you do that for?” Alexandra shouted. She wasn’t angry at me. She was angry at him, for pulling me out of her range and so making himself vulnerable.

She couldn’t balance the weight of it any longer. It shattered on the concrete stoop. We all jumped at the impact.

“What did you do that for?” I echoed, really curious. He sagged to one side, with the good hand kind of on his hip, I think holding him up. His shirt wasn’t white anymore. His cut hand hung down, limp at the end of his arm.

That good hand shot out and pulled my arm hard, twisting it behind me. We both went down, me front first. His weight on my back hurt. My cheek pressed into the concrete. I wiggled and whined. I thought it was a siren at first, but it was me.

His breathing was rough. He told me right in my ear that I didn’t have to say anything, but that if I withheld something that would later be used in my defense, that would be a problem. He told Alexandra that there were handcuffs in his pocket and to get them on me, which she did, fumbling and I think freaking out. One of my hands was under me, and she had to dig it out. The other one was still held behind my back, under the policeman’s chest, and held tight in his good fist. It was slippery from him bleeding on me. The cuffs were cold and she pinched my skin on purpose. “Bitch,” I said.

“Keep still.” That was the cop.

“I didn’t do anything,” I insisted. It was hard to breathe down there.

“We know about Gretchen, Liv. And Harry and the birds. It’s over. Stop struggling.”

“I didn’t-” But I didn’t get the chance to say that I hadn’t hurt the birds. I’d only found them that way, but I didn’t get to make that clear because a car turned the corner. Nick was home.

It was the car I’d seen on Chesterton Road, and the woman driving it must be his mother. He didn’t see us yet. He was looking at her. He’d notice her change in expression any second, but for this moment he was only happy.

When we’d all first become friends together, me and him and Polly, we’d gone to the Fitz a lot. That was always my idea. Once we borrowed one of the kids’ play kits they have: games and puzzles based on various galleries. Nick carried the plastic box, a clear tool-type box. Inside, the first game we picked up had been a kind of birdwatching in the ceramics gallery.

I’d never paid much attention to ceramics before. The whole point of these games is that they make kids pay attention to things they otherwise might not have. It works for adults too. There was a set of binoculars we shared between the three of us, and we prowled that gallery looking at every little piece to find representations of the half-dozen birds listed in the challenge. We horsed around, and made bird calls at each other, and tussled over the binoculars. That day, more than any other, is what I saw in his face in the car. Any moment he would look and see me and his face would get complicated. But for that moment in the car, and that whole afternoon in the Fitz, he’d been plain happy.

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