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Agota Kristof: The Book of Lies

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Agota Kristof The Book of Lies

The Book of Lies: краткое содержание, описание и аннотация

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An omnibus of novels: The Notebook – The Proof – The Third Lie These three internationally acclaimed novels have confirmed Agota Kristof's reputation as one of the most provocative exponents of new-wave European fiction. With all the stark simplicity of a fractured fairy tale, the trilogy tells the story of twin brothers, Claus and Lucas, locked in an agonizing bond that becomes a gripping allegory of the forces that have divided "brothers" in much of Europe since World War II. Kristof's postmodern saga begins with The Notebook, in which the brothers are children, lost in a country torn apart by conflict, who must learn every trick of evil and cruelty merely to survive. In The Proof, Lucas is challenging to prove his own identity and the existence of his missing brother, a defector to the "other side." The Third Lie, which closes the trilogy, is a biting parable of Eastern and Western Europe today and a deep exploration into the nature of identity, storytelling, and the truths and untruths that lie at the heart of them all. "Stark and haunting." – The San Francisco Chronicle; "A vision of considerable depth and complexity, a powerful portrait of the nobility and perversity of the human heart." – The Christian Science Monitor.

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He smiles and says:

"You're right. Excuse me, I won't do it anymore. It's just because of the exhaustion."

Exercise in Fasting

We announce to Grandmother:

"Today and tomorrow we won't eat. We'll only drink water."

She shrugs her shoulders:

"I couldn't care less. But you'll work as usual."

"Of course, Grandmother."

The first day, she kills a chicken and roasts it in the oven. At midday, she calls us:

"Come and eat!"

We go to the kitchen, it smells very good. We're a bit hungry, but not too much. We watch Grandmother carve up the chicken.

She says:

"It smells good. Can you smell how good it smells? Do you want a leg each?"

"We don't want anything, Grandmother."

"That's a pity, because it's really very good."

She eats with her hands, licking her fingers and wiping them on her apron. She gnaws and sucks the bones.

She says:

"Very tender, this young chicken. I can't imagine anything betteï."

We say:

"Grandmother, since we've been in your house, you have never cooked a chicken for us."

She says:

"I've cooked one today. Now's your chance."

"You knew we didn't want anything to eat today or tomorrow."

"That's not my fault. This is just more of your damn nonsense."

"It's one of our exercises. To get us used to bearing hunger."

"Then get used to it. Nobody's stopping you."

We leave the kitchen and go out to do our chores in the garden. By the end of the day, we are really very hungry. We drink a lot of water. In the evening, we find it hard to get to sleep. We dream of food.

Next day, at midday, Grandmother finishes the chicken. We watch her eating it in a kind of fog. We're no longer hungry. We feel dizzy.

In the evening, Grandmother makes pancakes with jam and cream cheese. We feel sick and have stomach cramps, but as soon as we go to bed, we fall into a deep sleep. When we get up, Grandmother has already left for the market. We want to have our breakfast, but there is nothing to eat in the kitchen. No bread, no milk, no cheese. Grandmother has locked everything away in the cellar. We could open it, but we decide not to touch anything. We eat raw tomatoes and cucumbers with salt.

Grandmother comes back from the market and says: "You haven't done your work this morning." "You should have woken us up, Grandmother." "You should have woken yourselves up. But just this once, I'll give you something to eat all the same."

She makes us a vegetable soup with what she brings back from the market, as usual. We don't eat much. After the meal, Grandmother says:

"It's a stupid exercise. And bad for the health."

Grandfather's Grave

One day, we see Grandmother leave the house with her sprinkling can and her gardening tools. But instead of going to the vineyard, she sets off in a different direction. We follow her at a distance to find out where she is going.

She goes into the cemetery. She stops in front of a grave and puts down her tools. The cemetery is deserted. There is nobody but Grandmother and us.

Hiding behind bushes and tombstones, we get closer and closer. Grandmother is shortsighted and hard of hearing. We can observe her without her knowing.

She pulls up the weeds on the grave, digs with a spade, rakes the soil, plants flowers, fetches water from the well, and comes back to water the grave.

When she has finished her work, she gathers her tools together, then kneels down in front of the wooden cross, but sitting back on her heels. She joins her hands over her belly as if to say a prayer, but what we hear are mainly oaths:

"Shit… bastard… pig… scum… demon…"

When Grandmother leaves, we go see the grave: it is very well maintained. We look at the cross: the name written on it is Grandmother's. It is also Mother's maiden name. The Christian name is double, with a hyphen, and those two Christian names are our own Christian names.

On the cross, there are also dates of birth and death. We calculate that Grandfather died at the age of forty-four, twenty-three years ago.

In the evening, we ask Grandmother:

"What was our Grandfather like?"

She says:

"What? You don't have a Grandfather."

"But we used to have."

"No, never. He was already dead when you were born. So you never had a Grandfather."

We ask:

"Why did you poison him?"

She asks:

"What are you talking about?"

"People say you poisoned Grandfather."

"People say… people say… Let them tell their tales."

"You didn't poison him?"

"Leave me alone, sons of a bitch! Nothing was proved! People will say anything."

We go on:

"We know you didn't like Grandfather. So why do you look after his grave?"

"For that very reason! Because of what people say. To stop them telling their tales! And how do you know I look after his grave, eh? You've been spying on me, sons of a bitch, you've been spying on me again! May the devil take you!"

Exercise in Cruelty

It's Sunday. We catch a chicken and cut its throat as we have seen Grandmother do. We bring the chicken into the kitchen and say:

"You must cook it, Grandmother."

She starts shouting:

"Who gave you permission? You have no right! I give the orders here, you little shits! I won't cook it! I'd rather croak first!"

We say:

"All right. We'll cook it ourselves."

We start to pluck the chicken, but Grandmother snatches it from our hands:

"You don't know how to do it! You filthy little bastards, you'll be the death of me, you're God's punishment on me, that's what you are!"

While the chicken is cooking, Grandmother cries:

"It was the most beautiful one. They took the most beautiful one on purpose. It was just ready for the Tuesday market."

As we eat the chicken, we say:

"It's very good, this chicken. We'll eat chicken every Sunday."

"Every Sunday? Are you crazy? Do you want to ruin me?"

"We shall eat a chicken every Sunday, whether you like it or not."

Grandmother starts crying again:

"But what have I done to them? Woe is me! They want to kill me. A poor old defenseless woman. I don't deserve this. And I've been so good to them!"

"Yes, Grandmother, you are good, very good. So it is out of goodness that you will cook a chicken for us every Sunday."

When she calms down a bit, we say to her again:

"When there's something to be killed, you must fetch us. We'll do it."

She says:

"You like that, eh?"

"No, Grandmother, as a matter of fact, we don't like it. It's for that reason that we must get used to it."

She says:

"I see. It's a new exercise. You're right. It's good to know how to kill when you have to."

We begin with fish. We pick them up by the tail and bang their heads against a stone. We soon get used to killing animals intended to be eaten: chickens, rabbits, ducks. Later, we kill animals that it would not have been necessary to kill. We catch frogs, nail them down on a board, and slit their bellies open. We also catch butterflies and pin them to a piece of cardboard. Soon we have a fine collection.

One day we hang our cat, a ginger tom, from the branch of a tree. As he hangs, he stretches and grows enormous. He has spasms and convulsions. When he isn't moving anymore, we cut him down. He lies sprawled on the grass, motionless, then suddenly gets up and runs off.

Ever since then, we sometimes see him at a distance, but he no longer comes near the house. He doesn't even come to drink the milk we put in front of the door on a little plate.

Grandmother says:

"That cat is getting wilder and wilder."

We say:

"Don't worry, Grandmother, we'll take care of the mice."

We make traps and drown the mice we catch in boiling water.

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