Роберт Уоррен - All the king's men

One thing was certain: The sound of that chant hoarsely rising and falling was to be the cause of nothing, nothing at all. I stood in the window of the Capitol and hugged that knowledge like a precious and thorny secret, and did not think anything.

I watched the fat man get out of the black limousine and mount the bandstand. I saw the crowd shift and curdle and thin and dissolve. I looked across beyond the now lonely and occupationless policemen, beyond the statues–frock coats, uniforms, buckskin–to the great lawn, which was empty and bright in the spring sunshine. I spewed out the last smoke from my cigarette and flicked the butt out the open window and watched it spin over and over to the stone steps far below.

Willie Stark was to stand on those steps at eight o'clock that night, in a flood of light, looking small at the top of the great steps with the mountainous heave of the building behind him.

That night the people pressed up to the very steps, filling all the shadow beyond the sharply defined area of light. (Lighting apparatus had been mounted on the pedestals of two statues, one buckskin, one frock coat.) They called and chanted, "Willie–Willie–Willie," pressing at the cordon of police at the foot of the steps. Then, after a while, out of the tall doorway of the Capitol, he appeared. Then, as he stood there, blinking in the light, the words of the chant disappeared, and there was a moment of stillness, and then there was only the roar. It seemed a long time before he lifted his hand to stop it. Then the roar seemed to die away, slowly, under the downward pressure of his hand.

I stood in the crowd with Adam Stanton and Anne Stanton and watched him come out on the steps of the Capitol. When it was over–when he had said what he had to say to the crowd and had gone back inside leaving the new, unchecked roar of voices behind him–I told Anne and Adam good night and went to meet the Boss.

I rode with him back to the Mansion. He hadn't said a word when I joined him at the car. Sugar-Boy worked through the back streets, while behind us we could still hear the roaring and shouting and the protracted blatting of automobile horns. Then Sugar-Boy shook himself free into a quiet little street where the houses sat back from the pavement, lights on inside them now and people in the lighted rooms, and where the budding boughs interlaced above us. At the corners where the street lamps were you could catch the hint of actual green on the boughs. Sugar-Boy drove up to the rear entrance of the Mansion. The Boss got out and went into the door. I followed him. He walked down the back hall, where we met nobody, and then into the big hall. He paced right across the hall, under the chandeliers and mirrors, past the sweep of the stairway, looked into the drawing room, crossed the hall again to look into the back sitting room, then again to look into the library. I caught on, and quit following him. I just stood in the middle of the big hall and waited. He hadn't said he wanted me, but he hadn't said he didn't. In fact he hadn't said anything. Not a word.

When he turned from the library into the hall again, a white-coated Negro boy came out of the dining room. "Boy," the Boss asked, "you seen Mrs. Stark?"

"Yassuh."

"Where, dammit?" the Boss snapped. "You think I'm asking for my health?"

"Naw, suh, I didn't think nuthin, I–"

"Where?" the Boss demanded in a tone to set the chandelier tingling.

After the first paralysis, the lips began to work in the black face. In the beginning without effect. Then a sound was detectable. "Upstairs–she done gone upstairs–I reckin she done gone to bed–she–"

The Boss had headed up the stairs.

He came back almost immediately, walked past me without a word, and back to the library. I trailed along. He flung himself down on the big leather couch, heaved his feet off the floor to the leather, and said, "Shut the God-damned door."

I shut the door, he leaned back on the cushions, at about a thirty-degree angle from horizontal, and glumly studied his knuckles. "You would have thought she might wait up for me tonight," he said finally, still studying the knuckles. Then, looking at me, "She's gone to bed. Gone to bed and locked her door. Said she had a headache. I go upstairs and there id Tom sitting in the room across from her room doing his schoolwork. Before I lay hand to the knob of her door, he comes out and says, 'She don't want to be bothered.' Like I was a delivery boy. 'I'm not going to bother her,' I said to him, 'I'm just going to tell her what happened.' He looked at me and said, 'She's got a headache, and she don't want to be bothered.' " He hesitated, looked at the knuckles again, then back to me, and said with a hint of defensiveness in his tone, "All I was going to do was tell her how it came out tonight."

"She wanted you to throw Byram to the wolves," I said. "Did she want you to throw yourself to the wolves?"

"I don't know what the hell she wants," he said. "I don't know what the hell any of 'em want. A man can't tell. But you can tell this, if any man tried to run things the way they want him to half the time, he'd end up sleeping on the bare ground. And how would she like that?"

"I imagine Lucy could take it," I said.

"Lucy–" he said, and looked sort of surprised, as though I had introduced a new topic in the conversation. Then I recollected that Lucy's name hadn't been mentioned. Sure, he had been talking about Lucy Stark, he knew that and I knew that. But as soon as the name _Lucy__ was mentioned, to take the place of that _she__, somehow it was different. It was as though she had walked into the room, and looked at us.

"Lucy–" he repeated. Then, "All right–Lucy. She could take it. Lucy could sleep on the bare ground, and eat red beans, but it wouldn't change the world a damned bit. But can Lucy understand that? No, Lucy cannot." He was, apparently,, taking a relish in using the name now, in saying _Lucy__ instead of _She__, as though he proved something about something, or about her, or about himself, by saying it, by being able to say it. "Lucy," he was saying, "she could sleep on the bare ground. And that's exactly what she's going to raise Tom to do, too, if she has her way. She'd have him so the six-year kids will be plugging him with nigger-shooters, and then no bothering to run. He's a good stout boy–plays a good game of football, bet he makes the team when he gets to college–but she's going to ruin him. Make him a sissy. Looks like I say a word to the boy and you can just see her face freeze. I called up here tonight to get Tom to come down and see the crowd. Was going to send Sugar-Boy to get him because I wasn't going to have time to get home. But would she let him go? No, sir. Said he had to stay home and study. Study," he said. Then, "Didn't want him down there, that was it. Me and the crowd."

"Take it easy," I said. "That's the way all women treat their kids. Besides, you got to be a big-shot by hitting your books."

"He's smart, smart enough without being a sissy," he said. "He makes good grades in school, and, by God, he better. Sure, I want him to study. And he better, but what I don't get is–"

There was a racket out in the hall, voice, then a knock at the door.

"See who it is," the Boss said.

I opened the door and in stormed the familiar faces, somewhat flushed, Tiny Duffy's in the lead. They ringed round the Boss and wheezed and shoved and chortled. "We fixed 'em!–We damned well fixed 'em!–You're telling it, we stopped that clock!–It'll be a long time till next time!" While the Boss lay back on the cushions at his thirty-degree angle, with his feet propped on the leather, and his eyes flickering around from face to face, under the half-lowered lids, you got the notion he was spying through a peephole. He hadn't said a word.