Роберт Уоррен - All the king's men

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All the King's Men portrays the dramatic political ascent and governorship of Willie Stark, a driven, cynical populist in the American South  during the 1930s. The novel is narrated by Jack Burden, a political reporter who comes to work as Governor Stark's right-hand man. The trajectory of Stark's career is interwoven with Jack Burden's life story and philosophical reflections: "the story of Willie Stark and the story of Jack Burden are, in one sense, one story."

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Then Willie stood up all alone by the table, saying, "My friends," and turning his alabaster face precariously from one side to the other, and fumbling in the right side pocket of his coat to fish out the speech.

While he was fumbling with the sheets, and looking down at them with a slightly bemused expression as though the stuff before him in a foreign language, somebody tugged at my sleeve. There was Sadie.

"How was it?" she asked.

"Take a look and guess," I replied.

She gave a good look up to the platform, and then asked, "How'd you do it?"

"Hair of the dog."

She looked up to the platform again. "Hair, hell," she said, "he must have swallowed the dog."

I inspected Willie, who stood up there sweating and swaying and speechless, under the hot sun.

"He's on the ropes," Sadie said "Hell, he's been on 'em all morning," I said, "and lucky to have 'em."

She was still looking at him. It was much the way she had looked at him the night before when he lay on the bed in my room, out cold, and she stood by the side of the bed. It wasn't pity and it wasn't contempt. It was an ambiguous, speculative look. Then she said, "Maybe he was born on 'em."

She said in a tone which seemed to imply that she had settled that subject. But she kept on looking up there at him in the same way.

The candidate could still stand, at least with a thigh propped against the table. He had called them his friends in two or three ways and had said he was glad to be there. Now he stood there clutching the manuscript in both hands, with his head lowered like a dehorned cow beset by a couple of fierce dogs in the barnyard, while the sun beat on him and the sweat dropped. Then he took a grip on himself, and lifted his head.

"I have a speech here," he said. "It is a speech about what this state needs. But there's no use telling you what this state needs. You are the state. You know what you need. Look at your pants. Have they got holes in the knees? Listen to your belly. Did it ever rumble for emptiness? Look at your crop. Did it ever rot in the field because the road was so bad you couldn't get it to market? Look at your kids. Are they growing up ignorant as you and dirt because there isn't any school for them?

Willie paused, and blinked around at he crowd. "No," he said, "I'm not going to read you any speech. You know what you need better'n I could tell you. But I'm going to tell you a story."

And he paused, steadied himself by the table, and took a deep breath while the sweat dripped.

I leaned toward Sadie. "What the hell's the bugger up to?" I asked "Shut up," she commanded, watching him.

He began again. "It's a funny story," he said. "Get ready to laugh. Get ready to bust your sides for it is sure a funny story. It's about a hick. It's about a red-neck, like you all, if you please. Yeah, like you. He grew up like any other mother's son on the dirt roads and gully washes of a north-state farm. He knew all about being a hick. He knew what it was to get up before day and get cow dung between his toes and feed and slop and milk before breakfast so he could set off by sunup to walk six miles to a one-room, slab-sided schoolhouse. He knew what it was to pay high taxes for that windy shack of a schoolhouse and those gully-washed red-clay roads to walk over–or to break his wagon axle or stringhalt his mules on.

"Oh, he knew what it was to be a hick, summer and winter. He figured if he wanted to do anything he had to do it himself. So he sat up nights and studied books and studied law so maybe he could do something about changing things. He didn't study that law in any man's school or college. He studied it nights after a hard day's work in the field. So he could change things some. For himself and for the folks like him. I am not lying to you. He didn't start out thinking about all the other hicks and how he was going to do wonderful thing for them. He started out thinking of number one, but something came to him on the way. How he could not do something for himself and not for other folks or for himself without the help of other folks. It was going to be all together or none. That came to him.

"And it came to him with the powerful force of God's own lightening on a tragic time back in his own home county two years ago when the first brick schoolhouse ever built in his county collapsed because it was built of politics-rotten brick, and it killed and mangled a dozen poor little scholars. Oh, you know that story. He had fought the politics back of building that schoolhouse of rotten brick but he lost and it fell. But it started him thinking. Next time would be different.

"People were his friends because he had fought that rotten brick. And some of the public leaders down in the city knew that and they rode up to his pappy's place in a big fine car and say how they wanted him to run for Governor.

I plucked Sadie's arm. "You think he's going to–"

"Shut up," she said savagely.

I looked toward Duffy up there on the platform back of Willie. Duffy's face was worried. It was red and round and sweating, and it was worried.

"Oh, they told him," Willie was saying, "and that hick swallowed it. He looked in his heart and thought he might try to changes things. In all humility he thought how he might try. He was just a human, country boy, who believed like we have always believed back here in the hills that even the plainest, poorest fellow can be Governor if his fellow citizens find he has got the stuff and the character for the job.

"Those fellows in the striped pants saw the hick and they took him in. They said how MacMurfee was a limber-back and a deadhead and how Joe Harrison was the tool of the city machine, and how they wanted that hick to step in and try to give some honest government. They told him that. But–" Willie stopped, and lifted his right hand clutching the manuscript to high heaven–"do you know who they were? They were Joe Harrison's hired hands and lickspittles and they wanted to get a hick to run to split MacMurfee's hick vote. Did I guess this? I did not. No, for I heard their sweet talk. And I wouldn't know the truth this minute if that woman right there–" and he pointed down to Sadie–"if that woman right there–"

I nudged Sadie and said, "Sister, you are out of a job."

"–if that fine woman right there hadn't been honest enough and decent enough to tell the foul truth which stinks in the nostrils of the Most High!"

Duffy was on his feet, edging uncertainly toward the front of the platform. He kept looking desperately toward the band as though he might signal them to burst into music and then at the crowd as though he were trying to think of something to say. Then he edged toward Willie and said something to him.

But the words, whatever they were, were scarcely out of his mouth before Willie had turned on him. "There!" Willie roared. "There!" And he waved his right hand, the hand clutching the manuscript of his speech. "There is the Judas Iscariot, the lickspittle, the nose-wiper!"

And Willie waved his right arm at Duffy, clutching the manuscript which he had not read. Duffy was trying to say something to him, but Willie wasn't hearing it, for he was waving the manuscript under Duffy's retreating nose and shouting, "Look at him! Look at him!"

Duffy, still retreating, looked toward the band and waved his arms at them and shouted, "Play, play! Play the 'Star-Spangled Banner'!"

But the band didn't play. And just then as Duffy turned back to Willie, Willie made a more than usually energetic pass of the fluttering manuscript under Duffy's nose and shouted, "Look at him, Joe Harrison's dummy!"

Duffy shouted, "It's a lie!" and stepped back from the accusing arm.

I don't know whether Willie meant to do it. But anyway, he did it. He didn't exactly shove Duffy off the platform. He just started Duffy doing a dance along the edge, a kind of delicate, feather-toed, bemused, slow-motion adagio accompanied by arms pinwheeling around a face which was like a surprised custard pie with a whole scooped in the middle of the meringue, and the hole was Duffy's mouth, but no sound came out of it. There wasn't a sound over that five-acre tract of sweating humanity. They just watched Duffy do his dance.

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