Роберт Уоррен - All the king's men

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All the King's Men portrays the dramatic political ascent and governorship of Willie Stark, a driven, cynical populist in the American South  during the 1930s. The novel is narrated by Jack Burden, a political reporter who comes to work as Governor Stark's right-hand man. The trajectory of Stark's career is interwoven with Jack Burden's life story and philosophical reflections: "the story of Willie Stark and the story of Jack Burden are, in one sense, one story."

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I took a card out of my pocket and gave it to him. He looked at the card for a minute, holding it off near arm's length as though he were afraid it would spit in his eye, the he turned it over and looked at the back side a minute till he was dead sure it was blank. Then he laid the hand with the card in it back down on his stomach, where it belonged, and looked at me. "You done come a piece," he said.

"That's right," I said.

"What you come fer?"

"To see what's going on about the schoolhouse," I said.

"You come a piece," he said, "to stick yore nose in somebody else's bizness."

"That's right," I agreed cheerfully, "but my boss on the paper can't see it that way."

"It ain't any of his bizness either."

"No," I said, "but what's the ruckus about, now I've come all that piece?"

"It ain't any of my bizness. I'm the Sheriff."

"Well, Sheriff," I said, "whose business it it?"

"Them as is tending to it. If folks would quit messen and let 'em"

"Who is _them?

__"Commissioners," the Sheriff said. "The County Commissioners, the voters of Mason County done elected to tend to their bizness and not take no butten-in from nobody."

"Yeah, sure–the Commissioners. But who are they?"

The Sheriff's little wise eyes blinked at me a couple of times, then he said, "The constable ought to lock you up fer vagruncy."

"Suits me," I said. "And the _Chronicle__ would send up another boy to cover my case, and when the constable pinched him the _Chronicle__ would send up another one to cover that case, and after a while you'd get us all locked up. But it might get in the papers."

The Sheriff just lay there, and out of his big round face his little eyes blinked. Maybe I hadn't said anything. Maybe I wasn't there.

"Who are the Commissioners?" I said. "Or maybe they are hiding out?"

"One of 'em is setten right there," the Sheriff said, and rolled his big round head on his shoulders to indicate one of the other fellows. When the head had fallen back into place, and his fingers had let go my card, which wafted down to the floor in the gentle breeze from the fan, the little eyes blinked again and he seemed to sink below the surface of the roiled waters. He had done his best, and now he had passed the ball.

"Are you a Commissioner?" I asked the fellow just indicated. He was just another fellow, made in God's image and wearing a white shirt with a ready-tied black bow tie and jean pants held up with web galluses. Town from the waist up, country from the waist down. Get both votes.

"Yeah," he said.

"He's the head man," another fellow said, reverently, a little old squirt of a fellow with a bald knotty old head and a face he himself couldn't recollect from one time he looked in the mirror to the next, the sort of a fellow who hangs around and sits in a chair when the big boys leave one vacant and tries to buy his way into the game with a remark like the one he had just made.

"You the Chairman?" I asked the other fellow.

"Yeah," he said.

"You mind telling me your name?"

It ain't no secret," he said. "It is Dolph Pillsbury."

"Glad to know you, Mr. Pillsbury," I said and held out my hand. Not getting up, he took it as though I had offered him the business end of a cottonmouth moccasin in shedding time.

"Mr. Pillsbury," I said, "you are in a position to know the situation in regard to the schoolhouse contract. No doubt you are interested in having the truth of that situation made public."

"There ain't any situation," Mr. Pillsbury said.

"Maybe there isn't any situation," I said, "but there's been a right smart racket."

"Ain't any situation. Board meets and takes a bid what's been offered. J. H. Moore's bid, the fellow's name."

"Was that fellow Moore's bid low?"

"Not egg-zackly."

"You mean it wasn't low?"

"Well–" Mr. Pillsbury said, and his face was shadowed by an expression which might have been caused by a gas pain, "well, if'n you want to put it that a-way."

"All right," I said, "let's put it that way."

"Now look a-here–" and the shadow passed from Mr. Pillsbury's face and he sat up in his chair as suddenly as though he had been stuck by a pin–"you talk like that, and ain't nuthen done but legal. Ain't nobody can tell the Board what bid to take. Anybody can come along and put in a little piss-ant bid, but the Board doan have to take it. Naw-sir-ee. The Board takes somebody kin do the work right."

"Who was it put the little piss-ant bid in?"

"Name of Jeffers," Mr. Pillsbury said peevishly, as at an unpleasant recollection.

"Jeffers Construction?" I asked.

"Yeah."

"What's wrong with Jeffers Construction?"

"The Board picks the fellow kin do the work right, and it ain't nobody's bizness."

I took out my pencil and a pad of paper, and wrote on it. Then I said to Mr. Pillsbury, "How's this?" And I began to read to him: "Mr. Dolph Pillsbury, Chairman of the Board of County Commissioners of Mason County, stated that the bid of J. H. Moore for the construction of the Mason County School was accepted, even though it was not the low bid, because the Board wanted somebody 'who could do the work right.' The low bid, which was submitted by the Jeffers Construction Company, was rejected, Mr. Pillsbury stated. Mr. Pillsbury started further–"

"Now look a-here–" Mr. Pillsbury was sitting very straight up as though it were not a pin this time but a hot tenpenny and in the brown–"now look a-here, I didn't state nuthen. You write it down and claim I stated it. Now you look a-here–"

The Sheriff heaved massively in the chair and fixed his gaze upon Mr. Pillsbury. "Dolph," he said, "tell the bugger to git out of here."

"I didn't state nuthen," Dolph said, "and you git out!"

"Sure," I said, and put the pad in my pocket, "but maybe you can kindly tell me where Mr. Stark is?"

"I knowed it," the Sheriff exploded and dropped his feet off the desk with a noise like a brick chimney, and heaved up in the chair and glared apoplectically at me. "That Stark, I knowed it was that Stark!"

"What's wrong with Stark?" I asked.

"Jesus Gawd!" roared the Sheriff, and his face went purple with congestion of language which couldn't get out.

"He's biggety, that's what he is," Mr. Dolph Pillsbury offered. "Gits in the courthouse and gits biggety, he–"

"He's a nigger-lover," the little old bald, knotty-headed fellow submitted.

"And him, him–" Mr. Pillsbury pointed at me with an air of revelation–"I bet he's a nigger-lover, comen up here and sahayen round, I bet he–"

"No sale," I said. "I like mine vanilla. But now you've raised the subject, what's nigger-loving got to do with it?"

"That's it!" Mr. Pillsbury exclaimed, like the man overboard seizing the plank. "That Jeffers Construction now, they–"

"You, Dolph," the Sheriff bellowed at him, "why don't you shut up and tell him to git out!"

"Git out," Mr. Pillsbury said to me, obediently but without great vigor.

"Sure," I replied and went out and walked down the hall.

_They ain't real__, I thought as I walked down the hall, _nary one__. But I knew they were. You come into a strange place, into a town like Mason City, and they don't seem real, but you know they are. You know the went wading in the creek when they were kids, and when they were bigger they used to go out about sunset and lean on the back fence and look across the country at the sky and not know what was happening inside them or whether they were happy or sad, and when they got grown they slept with their wives and tickled their babies to make them laugh and went to work in the morning and didn't know what they wanted but had their reasons for doing the things they did, and then when they got old they lost their reasons for doing anything and sat on the bench in front of the harness shop and had words for the reasons other people had but had forgotten what the reasons were. And then they will lie in bed some morning just before day and look up at the ceiling they can scarcely see because the lamp is shaded with a pinned-on newspaper and they don't recognize the faces around the bed any more because the room is full of smoke, or fog, and it makes their eyes burn and gests in the throat. Oh, they are real, all right, and it may be the reason they don't seem real to you is that you aren't very real yourself.

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