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Роберт Уоррен: All the king's men

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All the King's Men portrays the dramatic political ascent and governorship of Willie Stark, a driven, cynical populist in the American South  during the 1930s. The novel is narrated by Jack Burden, a political reporter who comes to work as Governor Stark's right-hand man. The trajectory of Stark's career is interwoven with Jack Burden's life story and philosophical reflections: "the story of Willie Stark and the story of Jack Burden are, in one sense, one story."

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Three days later I got the registered letter from Sadie Burke. It read: Dear Jack: Just so you won't think I am going to welch on what I said I would do I am enclosing the statement I said I would make. I have got it witnessed and notarized and nailed down as tight as you can nail anything down and you can do anything with it you want for it is yours. I mean this. It is your baby, just like I said.

As for me I am getting out of here. I don't mean just getting out of this cross between an old folks' home and a booby-hatch, but out of this town and out of this state. I can't stand it round here and I'm pulling out. I'll be gone a long way and I'll be gone a long time and maybe somewhere the climate will be better. But my cousin (Mrs. Sill Larkin, 2331 Rousseau Ave.) who is the nearest thing to a relative I got will have some kind of address for me sometime, and if you ever want to contact me just write me care of her. Wherever I am I'll do what you say. I'll come if you say come. I don't want you thinking I am going to welch. I don't care who knows anything. I'll do anything you say about that piece of business.

But if you take my advice about that piece of business you will let it drop. This is not because I love Duffy. I hope you will give him an earful and let him wet his pants. But my advice is to let it drop. First, you cannot do anything in law. Second, if you use it politically the best you can get will be to keep Duffy from being re-elected, and you know as well as I do he will never get nominated even. The boys will never nominate him for they know he is a dummy even by their standards. He was just something the Boss kept around. Springing this stuff won't hurt the gang any. I will just give them an excuse to get rid of Duffy. If you want to get the gang you got to let them dig their own grave like they sure will now the Boss is gone. But third, it is sure going to be rough on that Stanton dame if you break this stuff. She may be so noble and high-toned like you said that she will want you to do it, but you are a sap if you do. She has maybe had plenty to put up with already in her way, and you would be a sap to crucify her just because you got some high-faluting idea you are an Eagle Scout and she is Joan of Arc. You would be a sap to tell her even. Unless you are so blabber mouthed you have done it already. Like you maybe have. I am not going on to say she is my best friend but she has had her troubles like I said and you might give her a break.

Remember I am not welching. I am just giving you my advice.

Keep your tail over the dashboard.

Sincerely yours,

SADIE BURKE

I read through Sadie's statement. It said everything there was to say, and each page was signed and witnessed. Then I folded up. It was no good to me. Not because of the advice which Sadie had given me. Her letter made sense, all right. That is, the part about Duffy and the gang. But something had happened. To hell with them all, I thought. I was sick of it all.

I looked down at the letter again. So Sadie had called me an Eagle Scout. But that wasn't news, either. I had called myself worse names than that the night after I had seen Duffy and was walking down the street under the stars. But it touched the sore place and made it throb. It throbbed the worse because I knew that it wasn't a secret sore place. Sadie had known about it. She had seen through me. She had read me like a book.

There was only one wry piece of consolation in the thought. At least, I had not had to wait for her to read me. I had read myself to myself that night walking down the street, full of beans and being an Eagle Scout, when the yellow, acid taste had all at once crawled up to the back of my mouth.

What had I read? I had read this: When I found out about Duffy's killing the Boss and Adam I had felt clean and pure, and when I kicked Duffy around I felt like a million because I thought it let me out. Duffy was the villain and I was the avenging hero. I had kicked Duffy around and my head was big as a balloon with grandeur. Then all at once something happened and the yellow taste was in the back of my mouth.

This happened: I suddenly asked myself why Duffy had been so sure I would work for him. And suddenly I saw the eyes of the little squirt-face newspaperman at the cemetery gate on me, and all the eyes that had looked at me that way, and suddenly I knew that I had tried to make Duffy into a scapegoat for me and to set myself off from Duffy, and my million-dollar meal of heroism backfired that yellow taste into my gullet and I felt caught and tangled and mired and stuck like an ox in a bog and a cat in flypaper. It wasn't simply that I again saw myself as party to that conspiracy with Anne Stanton which had committed Willie Stark and Adam Stanton to each other and to their death. It was more than that. It was as though I were caught in a more monstrous conspiracy whose meaning I could not fathom. It was as though the scene through which I had just lived had been a monstrous and comic miming for ends I could not conceive and for an audience I could not see but which I knew was leering from the shadow. It was as though in the midst of the scene Tiny Duffy had slowly and like a brother winked at me with his oyster eye and I had known he knew the nightmare truth, which was that we were twins bound together more intimately and disastrously than the poor freaks of the midway who are bound by the common stitch of flesh and gristle and the seepage of blood. We were bound together forever and I could never hate him without hating myself or love myself without loving him. We were bound together under the unwinking eye of Eternity and by the Holy Grace of the Great Twitch whom we must all adore.

And I heaved and writhed like the ox or the cat, and the acid burned my gullet and that was all there was to it and I had everything and everybody and myself and tiny Duffy and Willie Stark and Adam Stanton. To hell with them all, I said impartially under the stars. They all looked alike to me then. And I looked like them.

That was the way it was for quite a while.

I did not go back to the Landing. I did not want to see Anne Stanton. I did not even open a letter she wrote me. It lay on my bureau where I saw it every morning. I did not want to see anybody I knew. I hung around town and sat in my room or sat in bars which I had never frequented and sat in movies in the front row, where I could admire the enormous and distorted shadows which gesticulated and struck or clutched or clung and uttered asseverations which reminded you of everything which you had ever remembered. And I sat for hours in the newspaper room of the public library, the place like railway stations and missions and public latrines is where the catarrhal old men and bums go and where they sit to thumb the papers which tell about the world in which they live for a certain number of years or to sit and wheeze and stare while the gray rain slides down the big windowpanes above them.

It was in the newspaper room of the library that I saw Sugar-Boy. It was such an improbable place to encounter him that at first I scarcely accepted the evidence of my eyes. But there he was. The rather largish head hung forward as though its weight were too much for the little stem of a neck, and I could see how thin and pink like a baby's the skin was over the skull in the areas where the hair had prematurely gone. His short arms in sleeves of wrinkled blue serge lay symmetrically out before him on the table, like a brace of stuffed sacks of country sausage laid on a butcher's counter. The pale, chubby hands curled innocently on the varnished yellow oak of the table. He was looking at a picture magazine.

Then one of the hands, the right hand, with the quick, flickering motion which I remembered, dropped below the level of the table–to the side pocket of his coat, I presumed–and returned with a cube of sugar which he popped into his mouth. The flickering motion of the hand reminded me, and I wonder if he was still carrying a gun. I looked at the left side toward the shoulder, but I couldn't tell. Sugar-Boy's blue serge coat was always a size too big for him.

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