Kate Atkinson - Started Early, Took My Dog

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A day like any other for security chief Tracy Waterhouse, until she makes a purchase she hadn't bargained for. One moment of madness is all it takes for Tracy 's humdrum world to be turned upside down, the tedium of everyday life replaced by fear and danger at every turn.
Witnesses to Tracy 's Faustian exchange in the Merrion Centre in Leeds are Tilly, an elderly actress teetering on the brink of her own disaster, and Jackson Brodie, who has returned to his home county in search of someone else's roots. All three characters learn that the past is never history and that no good deed goes unpunished.
Kate Atkinson dovetails and counterpoints her plots with Dickensian brilliance in a tale peopled with unlikely heroes and villains. Started Early, Took My Dog is freighted with wit, wisdom and a fierce moral intelligence. It confirms Kate Atkinson’s position as one of the great writers of our time.

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And then suddenly Tilly was looking at herself, as if the television were a mirror. A cruel, distorting mirror. She looked terrible. Overweight, mad. That awful Brillo wig. Of course, she was watching Collier , she realized that. She hadn’t entirely lost her marbles. Yet.

On screen, she was pottering around a kitchen, putting a roast dinner in front of Vince Collier, telling him he didn’t eat properly, that he needed to settle down with a nice girl. Tilly had never made a roast dinner in her life. ‘Don’t nag, Mum,’ Vince said. ‘You know you’re the only woman for me.’

To be honest, she didn’t look well. Intimations of mortality. Time’s wingèd chariot and all that. She wasn’t ready to die yet. She imagined Phoebe giving the oration at her funeral, talking about her ‘dear friend’, everyone sad for five minutes. She would be a footnote for a few years and then nothing. An unsatisfactory afterlife on Alibi and ITV3. Mind you, she had, apparently, already joined the ranks of the might-be-deads. There was a woman on set the other day, Tilly had no idea who she was, a journalist probably – middle-aged, the gushy sort, wide-eyed and faux-innocent. When she was introduced to Tilly she said, ‘Gosh, I thought you were dead!’ Just like that. How rude.

‘Don’t worry, Till,’ Julia said. ‘I put a nasty curse on her. She’ll be dead long before you.’

Julia was nice, like a normal person. More or less. Knew how to have a conversation, didn’t just talk at you, like everyone else seemed to do. And Julia always had something interesting to say, which is more than you could say for poor Saskia who, when it came right down to it, was only interested in herself. Her photo had been in the Mail last week, awful rag, on the arm of a man – some rugby player – coming out of a restaurant. ‘ Collier star Saskia Bligh.’ Showed it to everyone. Twittering on about it. Twitter! Her phone was never out of her hand. She twittered, she said, ‘Do you?’ Showed Tilly on her phone. A technological step too far. Tilly didn’t even know how to turn a computer on, wrong generation, of course. Twittering just seemed to be people telling other people what they were doing – getting in the shower, making coffee. Who on earth wanted to know these things?

‘Tweets,’ Saskia said. Well exactly. Babble and twitter. Full of sound and fury, signifying nothing. People couldn’t cope with empty space any more, they had to fill it up with anything that came to hand. There was a time when people kept their thoughts to themselves. Tilly liked that time. They had a blue budgerigar when she was small. Tweety-pie. It was hard to be fond of a budgerigar. Her father accidentally stood on it. Her mother said she didn’t see how you could stand on a budgerigar. Too late now to get to the bottom of what had really happened. Tilly wanted to bury it but Father put it on the fire. A pyre. She could still see its little body, the feathers flaring. She hadn’t particularly liked the bird but she had felt sorry for it and gave some time over to crying for it. Shame. Tilly didn’t want to be cremated. Thrown on the fire. She should write that down somewhere, make a will, make it clear. She’d had a horror of fire ever since Hull was bombed when she was a child. Although, of course, being buried alive would be no fun either.

Marjorie Collier was knitting now, waiting for Vince to phone her. The camera kept well away from the actual knitting. Tilly had no idea how to knit so she did a lot of sighing and resting of the needles on her lap. She was pleased with how convincing it looked. It was all pretence. Acting was, let’s face it, just plain daft. Everything was daft these days. Everything was pretence. Nothing was real any more. Baseless fabric. And so on.

Came to with a start again and struggled into a sitting position and put the bedside light on. Clambered out of bed, shuffled into her slippers and went downstairs. Sat for a while at the table, she was sure she was looking for something but she couldn’t remember what. There was a fruit bowl on the table, apples and bananas rotting quietly. Saskia never ate and Tilly forgot to. She’d offered Saskia a Polo mint yesterday and she recoiled as if Tilly was peddling heroin.

She was hungry. Fancied something delicious. Douglas used to take her for afternoon tea at the Dorchester sometimes. Lovely.

Surely something could be done about the little suffering children. All of them. Tilly would lead a crusade, the children’s crusade, no, that was something different, wasn’t it? Fighting the infidel. You still saw it, boy soldiers in Africa, she’d seen a programme on the telly. It used to be the Arabs who were the infidels, now it was us. She picked up an apple, the skin was wrinkled and it felt soft in her hand. Decomposing. That was what was happening to her mind. It was decomposing.

‘Jesus, Tilly,’ Saskia said. ‘What are you doing?’

‘I am baking,’ Tilly announced grandly. ‘In fact, I am making a cake.’

‘You’re covered in flour,’ Saskia said. ‘The kitchen’s covered in flour. Every single pot and pan is out. It looks like a bomb’s gone off in here.’

‘Oh no, I can assure you bombs make much more mess,’Tilly said. ‘I was in Hull, you know, during the war.’

‘Do you know what time it is, Tilly?’

Tilly looked at the kitchen clock. ‘It’s three o’clock,’ she said helpfully. Teatime. A nice pot of tea and a dainty slice of cake would go down a treat. Mother was a good baker, an excellent pastry hand and made lovely sponge cakes, soft as clouds. Mother despaired of Tilly in the kitchen. You’ll never get a husband if you can’t cook . Well, she’d show her. Invite her round for tea and-

‘Three in the morning , Tilly,’ Saskia said crossly. ‘Three o’clock in the morning .’

‘Ah,’ Tilly murmured. ‘I thought it was awfully dark.’ She found that she had tears running down her demented old cheeks. It was the beginning of the end.

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He fell asleep and then woke from a nightmare. In the nightmare he was being chased by a torso, the headless, limbless body of a woman, part Venus de Milo, part dressmaker’s dummy. Jackson knew that really it was his sister. It was always his sister. She might be incorporeal now but she lived vividly in his dreams.

Jackson’s sister had been saving up for a dummy when she died. Niamh had made a lot of her own clothes. Jackson could still remember the evening dress she had been making for herself for her firm’s Christmas do. She had come to Leeds to buy the emerald green satin material. The dress was knee-length and she had stood on the kitchen table in the shoes she planned to wear and made Jackson pin up the hem. He had circled around her, measuring from the table-top to her knee, using the smooth triangle of tailor’s chalk from her sewing basket to mark the dress with little crosses.

He had experienced a strange, intimate acquaintance with both the emerald satin and his sister’s legs encased in fine-denier stockings. Their mother, not one given to compliments, never having received any herself, used to comment occasionally on Niamh’s lovely figure and shapely legs. Jackson’s mother, their father said, had legs like bedposts. If their mother hadn’t been dead for six months she would have been the one pinning up the hem. ‘A girl needs her mother,’ Niamh said, and because she was sad he didn’t say, ‘So does a boy.’ And anyway she knew that.

‘This will be easier when I have a dummy,’ she said, twirling around, trying to see the hem. Jackson thought a dummy was something that you sucked. Or one of his brother’s friends. ‘No,’ Niamh laughed, ‘a dressmaker’s dummy. You adjust it so it has your measurements.’

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