Maeve Binchy - Tara Road

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Danny was tired when they got up to leave. 'Will we go to Quentin's tonight?' Barney suggested.

'No. A family dinner. Long arranged.'

'Never mind, I just thought it would be relaxing to drop into Tara Road, have a drink, a shower, and then just the two of us head off and sort out the financial problems of the world.'

'It would have been,' Danny said.

Then they both looked at each other in alarm. They had both actually forgotten that Danny didn't live in Tara Road any more.

Possibly that was what made Danny drive home that way. It was only slightly out of his way to cut through that neighbourhood. As he looked out at the house that had been his home Danny Lynch saw a tall slim woman in dark jeans and a white shirt, quite striking in a sporty kind of way, digging urgently at the undergrowth in his front garden. On the tarmacadam drive was a huge sheet of plastic that held what she had already hacked out.

'What the hell does she think she's doing?' he said, slowing down immediately.

'Drive on, Danny.' Bernadette's voice was calm but insistent.

'No I won't. She's tearing my garden to bits.'

'Drive on a little bit further anyway so that she won't see you.'

'She'll see me, by God she'll see me. I'm not letting her get away with that.'

But he did go on further, and parked near Rosemary's house.

'Don't go in, you're upset.'

'But she'll have the whole place cut down,' he protested.

'Don't upset her. She might storm back to America.'

'Good.'

'Then there'd be nowhere for the children to go on holiday,' said Bernadette.

'They're having a bloody holiday with us next week on the Shannon, isn't that enough for them?' But he took her advice and drove home.

'I brought you Martinis in honour of the visiting American,' Colm said. It proved to be a great success.

Marilyn told them about her happy day in the garden, she was never happier than when up to her elbows in earth. If the other two thought that she might have checked with Ria before embarking on it they said nothing. And of course it was quite possible that she had. Gertie told them about a man in the launderette who came there every Saturday and washed an entire bag of women's black lacy underwear. Quite unconcerned as people saw him taking them out and folding them neatly into a big carrier bag. Gertie said that she'd love to be able to tell these little things to Jack but that sadly you never knew how he would take them, he might come rushing in and calling the man a pervert. And if the other two thought it was a poor life if you couldn't even tell your husband a pleasant story about work they gave no hint of it.

And when a good-looking blonde began to sing 'Someone to Watch Over Me', they told Marilyn that this was about the most troublesome woman in Dublin and that she had been known to cause spectacular scenes in her time.

'She's a good singer, though,' Marilyn said, struggling to be fair and looking at the girl who played and sang as if every word had a huge meaning for her.

'Bit of a high-risk factor. I always tell Colm but when does anyone listen to me?' Rosemary said in a tone that suggested almost everyone else listened to her and was wise to do so.

'Maybe he just likes giving her a chance, Colm's great at helping the underdog,' Gertie said.

'She doesn't look like much of an underdog to me,' Marilyn volunteered. At that moment Danny Lynch and his party came into the restaurant and they were settled at a table across the room. Marilyn recognised them immediately from the photographs on the walls and in the wallet Ria had sent her. 'Is that Ria's husband?' she asked very directly. And the other two nodded glumly.

Until this stage in the meal Ria had not been spoken of at all. Now her whole personal story was here in the restaurant and they couldn't skirt around it any more. A glamorous, well-made-up woman in a black sequinned jacket was being very much the centre of things, pointing at where people were to sit.

'She doesn't look like a twenty-two-year-old to me, she's my age if she's a day,' Marilyn whispered.

'You're not going to believe this, Marilyn, but that's the twenty-two-year-old's mother,' whispered Rosemary.

'Mother!' said Marilyn in disbelief.

Then she saw, beside the two animated children familiar from their pictures, the waif in the shapeless blue jumper and skirt. A pale child with long straight hair who could definitely be taken for Annie's not very much older sister. Marilyn felt a pain that was almost physical to think that Ria Lynch had to endure this. Danny Lynch was still the excitable boy that he had been all those years ago. And Ria loved him deeply still. How could anyone bear the pain of losing a man to this, this strange unformed young girl? No wonder poor Ria had run three thousand miles away to get over the grief of it all.

Orla began to sing 'The Man I Love'. Colm frowned. He frowned even more deeply when she went straight into 'They're Singing Songs of Love but Not for Me'. 'Cool it, Orla,' he said as he passed with the steaks for Monto's table.

'Pure Gershwin, boss, as you suggested. Coming up with "Nice Work if You Can Get It". That should set a few hearts fluttering, don't you think?'

'You have a reasonably nice voice but you don't have all that much of a career. And while you're at it, if you go on like you're going on tonight, forget the Horse Show next month.'

'Be fair, Colm. You said Cole Porter and Gershwin. George I've done, they liked it. I'm coming up to Cole now. "I Get a Kick outa You". "I've Got You under My Skin". "The Lady Is a Tramp". Can I help it, boss, if the titles have a bit of innuendo? I don't write them, I'm only singing them at your request.'

'Don't be a fool, Orla, please.'

'Hey, who are you to ask me not to be a fool? A man who's in love with his sister. Great bloody role model, Colm Barry.'

'I warn you, you'll be so very, very sorry tomorrow. I'll still have a restaurant, you won't have a job or a chance of ever getting one in Dublin.'

'Do you remember something we used to hear every week called "One Day at a Time"? Okay, this is my day, this is my time.' Her eyes were too bright.

'Don't do it, Orla.'

'He left me, he could have had me and he went for an old trout in a sequinned jacket.'

'That's not who's with Danny.'

'He's holding her bloody arm, who else is he with? The others are children.'

'The one in the blue sweater; the black sequins is his mother-in-law.'

She looked over again, astounded. 'You're making it up.'

'I'm not, but you're not going to have a chance to check it.'

'She's under the age of consent, it's not legal. Any more than you and Caroline are.' She was standing up now, prepared to go over to Danny Lynch's table.

'Orla, sit down, this minute. Play. Don't sing. Play "Smoke Gets in Your Eyes".'

'It's the kind of shitty philosophy you believe in.'

'Play it, Orla, or leave. Now.'

'You and whose army will make me?'

'Monto's army.' He looked over at their table. Six rough vulgar men whom he disliked intensely.

'They like me, why would they throw me out?'

'I'd ask them nicely.'

'And I'd tell Monto that you're screwing his wife.'

'And who would believe you, Orla? Out-of-control weakling that you are.’

'Hey, where's the solidarity tonight?'

'Where did you put it? The drink? I was on to you the moment you came in, I checked your grapefruit juice.'

She threw her head back at him and laughed. 'It's in the flower vase, you fool. First line of defence. Half-bottle of vodka in with the carnations.'

He picked up the vase and emptied the contents into an empty wine bucket and indicated to a waiter to take it away.

'What will I do with it, Mr Barry?'

'Down the drain outside. Save the flowers, wipe the stems.'

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