Edward Forster - Maurice

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Роман «Морис» был создан в 1912 (тогда же была написана новелла Томаса Манна «Смерть в Венеции»), но, согласно воле писателя, был опубликован лишь спустя год после его кончины — в 1971 году. Книга рассказывает о любовных взаимоотношениях двух друзей, студентов Кембриджского университета, принадлежащих к английской аристократии и среднему классу. В ней описывается пуританская атмосфера викторианской Англии, классовое расслоение современного Форстеру общества. Всемирную известность роману принесла его экранизация режиссером Джеймсом Айвори в 1987 году.

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"It… it was advertised." The trembling spread all over his body, and his clothes stuck to him. He seemed to be back at school, defenceless. He was certain that the rector had guessed, or rather that a wave of recognition had passed. A man of the world would have suspected nothing — Mr Ducie hadn't — but this man had a special sense, being spiritual, and could scent out invisible emotions. Asceticism and piety have their practical side. They can generate insight, as Maurice realized too late. He had assumed at Penge that a white-faced parson in a cassock could never have conceived of masculine love, but he knew now that there is no secret of humanity which, from a wrong angle, orthodoxy has not viewed, that religion is far more acute than science, and if it only added judgement to insight would be the greatest thing in the world. Destitute of the religious sense himself, he never yet encountered it in another, and the shock was terrific. He feared and hated Mr Borenius, he wanted to kill him.

And Alec — when he arrived, he would be flung into the trap too; they were small people, who could take no risk — far smaller, for instance, than Clive and Anne — and Mr Borenius knew this, and would punish them by the only means in his power.

The voice continued; it had paused for a moment in case the victim chose to reply.

"Yes. To speak frankly, I am far from easy about young Scudder. When he left Penge last Tuesday to go to his parents as he told me, though he never reached them till Wednesday — I had a most unsatisfactory interview with him. He was hard. He resisted me. When I spoke of Confirmation he sneered. The fact being — I could not mention this to you if it weren't for your charitable interest in him — the fact being that he has been guilty of sensuality." There was a pause. "With women. In time, Mr Hall, one gets to recognize that sneer, that hardness, for fornication extends far beyond the actual deed. Were it a deed only, I for one would not hold it anathema. But when the nations went a whoring they invariably ended by denying God, I think, and until all sexual irregularities and not some of them are penal the Church will never reconquer England. I have reason to believe that he spent that missing night in London. But surely — that must be his train."

He went below, and Maurice, utterly to pieces, followed him. He heard voices, but did not understand them; one of them might have been Alec's for all it mattered to him. "This too has gone wrong" began flitting through his brain, like a bat that returns at twilight. He was back in the smoking-room at home with Clive, who said, "I don't love you any more; I'm sorry," and he felt that his life would revolve in cycles of a year, always to the same eclipse. "Like the sun… it takes a year…" He thought his grandfather was speaking to him; then the haze cleared, and it was Alec's mother. "It's not like Licky," she gibbered, and vanished.

Like whom? Bells were ringing, a whistle blew. Maurice ran up on deck; his faculties had returned, and he could see with extraordinary distinctness the masses of men sorting themselves, those to stop in England, those to go, and he knew that Alec was stopping. The afternoon had broken into glory. White clouds sailed over the golden waters and woods. In the midst of the pageant Fred Scudder was raving because his unreliable brother had missed the last train, and the women were protesting while they were hustled up the gangways, and Mr Borenius and old Scudder were lamenting to the officials. How negligible they had all become, beside the beautiful weather and fresh air.

Maurice went ashore, drunk with excitement and happiness. He watched the steamer move, and suddenly she reminded him of the Viking's funeral that had thrilled him as a boy. The parallel was false, yet she was heroic, she was carrying away death. She warped out from the quay, Fred yapping, she swung into the channel to the sound of cheers, she was off at last, a sacrifice, a splendour, leaving smoke that thinned into the sunset, and ripples that died against the wooded shores. For a long time he gazed after her, then turned to England. His journey was nearly over. He was bound for his new home. He had brought out the man in Alec, and now it was Alec's turn to bring out the hero in him. He knew what the call was, and what his answer must be. They must live outside class, without relations or money; they must work and stick to each other till death. But England belonged to them. That, besides companionship, was their reward. Her air and sky were theirs, not the timorous millions' who own stuffy little boxes, but never their own souls.

He faced Mr Borenius, who had lost all grasp of events. Alec had completely routed him. Mr Borenius assumed that love between two men must be ignoble, and so could not interpret what had happened. He became an ordinary person at once, his irony vanished. In a straightforward and rather silly way he discussed what could have befallen young Scudder and then repaired to visit friends in Southampton. Maurice called after him, "Mr. Borenius do look at the sky — it's gone all on fire," but the rector had no use for the sky when on fire, and disappeared.

In his excitement he felt that Alec was close to him. He wasn't, couldn't be, he was elsewhere in the splendour and had to be found, and without a moment's hesitation he set out for Boat-house, Penge. Those words had got into his blood, they were part of Alec's yearnings and blackmailings, and of his own promise in that last desperate embrace. They were all he had to go by. He left Southampton as he had come to it — instinctively — and he felt that not merely things wouldn't go wrong this time but that they daren't, and that the universe had been put in its place. A little local train did its duty, a gorgeous horizon still glowed, and inflamed cloudlets which flared when the main glory faded, and there was even enough light for him to walk up from the station at Penge through quiet fields.

He entered the estate at its lower end, through a gap in the hedge, and it struck him once more how derelict it was, how unfit to set standards or control the future. Night was approaching, a bird called, animals scuttled, he hurried on until he saw the pond glimmering, and black against it the trysting place, and heard the water sipping.

He was here, or almost here. Still confident, he lifted up his voice and called Alec.

There was no answer.

He called again.

Silence and the advancing night. He had miscalculated.

"Likely enough," he thought, and instantly took himself in hand. Whatever happened he must not collapse. He had done that enough over Clive, and to no effect, and to collapse in this graying wilderness might mean going mad. To be strong, to keep calm, and to trust — they were still the one hope... But the sudden disappointment revealed to him how exhausted he was physically. He had been on the run ever since early morning, ravaged by every sort of emotion, and he was ready to drop. In a little while he would decide what next should be done, but now his head was splitting, every bit of him ached or was useless and he must rest.

The boathouse offered itself conveniently for that purpose. He went in and found his lover asleep. Alec lay upon piled up cushions, just visible in the last dying of the day. When he woke he did not seem excited or disturbed and fondled Maurice's arm between his hands before he spoke. "So you got the wire," he said.

"What wire?"

"The wire I sent off this morning to your house, telling you…" He yawned, "Excuse me, I'm a bit tired, one thing and another… telling you to come here without fail." And since Maurice did not speak, indeed could not, he added, "And now we shan't be parted no more, and that's finished."

46

Dissatisfied with his printed appeal to the electors — it struck him as too patronizing for these times — Clive was trying to alter the proofs when Simcox announced, "Mr Hall." The hour was extremely late, and the night dark; all traces of a magnificent sunset had disappeared from the sky. He could see nothing from the porch though he heard abundant noises; his friend, who had refused to come in, was kicking up the gravel, and throwing pebbles against the shrubs and walls.

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