Edward Forster - Maurice

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Роман «Морис» был создан в 1912 (тогда же была написана новелла Томаса Манна «Смерть в Венеции»), но, согласно воле писателя, был опубликован лишь спустя год после его кончины — в 1971 году. Книга рассказывает о любовных взаимоотношениях двух друзей, студентов Кембриджского университета, принадлежащих к английской аристократии и среднему классу. В ней описывается пуританская атмосфера викторианской Англии, классовое расслоение современного Форстеру общества. Всемирную известность роману принесла его экранизация режиссером Джеймсом Айвори в 1987 году.

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In no case could the exaltation have lasted. He was like one whose ears have been syringed; for the first few hours he hears super-normal sounds, which vanish when he adjusts himself to the human tradition. He had not gained a sense, but rearranged one, and life would not have appeared as a holiday for long. It saddened at once, for on his return Maurice was waiting for him, and a seizure resulted: like a fit, it struck at him from behind the brain. He murmured that he was too tired to talk, and escaped, and Maurice's illness gave him a further reprieve, during which he persuaded himself that their relations had not altered, and that he might without disloyalty contemplate women. He wrote affectionately and accepted the invitation to recruit, without misgivings.

He said he caught cold in the car; but in his heart he believed that the cause of his relapse was spiritual: to be with Maurice or anyone connected with him was suddenly revolting. The heat at dinner! The voices of the Halls! Their laughter! Maurice's anecdote! It mixed with the food — was the food. Unable to distinguish matter from spirit, he fainted.

But when he opened his eyes it was to the knowledge that love had died, so that he wept when his friend kissed him. Each kindness increased his suffering, until he asked the nurse to forbid Mr Hall to enter the room. Then he recovered and could fly to Penge, where he loved him as much as ever until he turned up.

He noticed the devotion, the heroism even, but his friend bored him. He longed for him to go back to town, and actually said so, so near the surface had the rock risen. Maurice shook his head and stopped.

Clive did not give in to the life spirit without a struggle. He believed in the intellect and tried to think himself back into the old state. He averted his eyes from women, and when that failed adopted childish and violent expedients. The one was this visit to Greece, the other — he could not recall it without disgust. Not until all emotion had ebbed would it have been possible. He regretted it deeply, for Maurice now inspired him with a physical dislike that made the future more difficult, and he wished to keep friends with his old lover, and to help him through the approaching catastrophe. It was all so complicated. When love flies it is remembered not as love but as something else. Blessed are the uneducated, who forget it entirely, and are never conscious of folly or pruriency in the past, of long aimless conversations.

25

Clive did not wire, nor start at once. Though desirous to be kind and training himself to think reasonably of Maurice, he refused to obey orders as of old. He returned to England at his leisure. He did wire from Folkestone to Maurice's office, and expected to be met at Charing Cross, and when he was not he took a train on to the suburbs, in order to explain as quickly as possible. His attitude was sympathetic and calm.

It was an October evening; the falling leaves, the mist, the hoot of an owl, filled him with pleasing melancholy. Greece had been clear but dead. He liked the atmosphere of the North, whose gospel is not truth, but compromise. He and his friend would arrange something that should include women. Sadder and older, but without a crisis, they would slip into a relation, as evening into night. He liked the night also. It had graciousness and repose. It was not absolutely dark. Just as he was about to lose his way up from the station, he saw another street lamp, and then past that another. There were chains in every direction, one of which he followed to his goal.

Kitty heard his voice, and came from the drawing-room to welcome him. He had always cared for Kitty least of the family — she was not a true woman, as he called it now — and she brought the news that Maurice was away for the night on business. "Mother and Ada are in church," she added. "They have had to walk because Maurice would take the car."

"Where has he gone?"

"Don't ask me. He leaves his address with the servants. We know even less about Maurice than when you were last here, if you think that possible. He has become a most mysterious person." She gave him tea, humming a tune.

Her lack of sense and of charm produced a not unwelcome reaction in her brother's favour. She continued to complain of him in the cowed fashion that she had inherited from Mrs Hall.

"It's only five minutes to church," remarked Clive.

"Yes, they would have been in to receive you if he had let us know. He keeps everything so secret, and then laughs at girls."

"It was I who did not let him know."

"What's Greece like?"

He told her. She was as bored as her brother would have been, and had not his gift of listening beneath words. Clive remembered how often he had held forth to Maurice and felt at the end an access of intimacy. There was a good deal to be saved out of the wreck of that passion. Maurice was big, and so sensible when once he understood.

Kitty proceeded, sketching her own affairs in a slightly clever way. She had asked to go to an Institute to acquire Domestic Economy, and her mother would have allowed her, but Maurice had put his foot down when he heard that the fees were three guineas a week. Kitty's grievances were mainly financial: she wanted an allowance. Ada had one. Ada, as heiress-apparent, had to "learn the value of money. But I am not to learn anything." Clive decided that he would tell his friend to treat the girl better; once before he had interfered, and Maurice, charming to the core, had made him feel he could say anything.

A deep voice interrupted them; the churchgoers were back. Ada came in, dressed in a jersey, tam o'shanter, and gray skirt; the autumn mist had left a delicate bloom upon her hair. Her cheeks were rosy, her eyes bright; she greeted him with obvious pleasure, and though her exclamations were the same as Kitty's they produced a different effect. "Why didn't you let us know?" she cried. "There will be nothing but the pie. We would have given you a real English dinner."

He said he must return to town in a few minutes but Mrs Hall insisted he should sleep. He was glad to do this. The house now filled with tender memories, especially when Ada spoke. He had forgotten she was so different from Kitty.

"I thought you were Maurice," he said to her. "Your voices are wonderfully alike."

"It's because I have a cold," she said, laughing.

"No, they are alike," said Mrs Hall. "Ada has Maurice's voice, his nose, by which of course I mean the mouth too, and his good spirits and good health. Three things, I often think of it. Kitty on the other hand has his brain."

All laughed. The three women were evidently fond of one another. Clive saw relations that he had not guessed, for they were expanding in the absence of their man. Plants live by the sun, yet a few of them flower at night-fall, and the Halls reminded him of the evening primroses that starred a deserted alley at Penge. When talking to her mother and sister, even Kitty had beauty, and he determined to rebuke Maurice about her; not unkindly, for Maurice was beautiful too, and bulked largely in this new vision.

The girls had been incited by Dr Barry to join an ambulance class, and after dinner Clive submitted his body to be bound. Ada tied up his scalp, Kitty his ankle, while Mrs Hall, happy and careless, repeated "Well, Mr Durham, this is a better illness than the last anyhow."

"Mrs Hall, I wish you would call me by my Christian name."

"Indeed I will. But Ada and Kitty — not you."

"I wish Ada and Kitty would too."

"Clive, then!" said Kitty.

"Kitty, then!"

"Clive."

"Ada — that's better." But he was blushing. "I hate formalities."

"So do I," came the chorus. "I care nothing for anyone's opinion — never did," and fixed him with candid eyes.

"Maurice on the other hand," from Mrs Hall, "is very particular."

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