Two senses aren’t enough for contact with the world, and as a result places visited as a tourist tend to be experienced as blurry silent areas spotted with flashes of light. A window box bursting with purple-veined white crocuses; the shouting, anger-gorged red face of a taxi driver; a handful of hot fish-and-chips wrapped in the News of the World -these rare moments of sensation stand out in Fred’s memory of the past month like colored snapshots against the gray blotting-paper of an old photograph album. Appropriately-for what tourists take home are, typically, snapshots.
Tourists also bring back special meretricious objects called “souvenirs”-which as the word suggests are not so much actual things as embodied memories; and like all memories somewhat exaggerated and distorted. Souvenirs have little in common with anything actually made for and used by the natives-who’s ever seen a real Greek woman in a headscarf bordered by fake tinny gold coins, or a French fisherman wearing the kind of Authentic Fisherman’s Smock sold in tourist shops? But these false symbolic objects are meant to indemnify the tourist for having been, for weeks or months, cut off from an authentic experience of the world, from physical contact with other human beings-
Yeh, that’s where it’s at. If Roo were here, he wouldn’t be having these theories, probably. His state of mind is unnatural, the grayness of London projection. What he probably ought to do is find someone who would not replace Roo or make him forget her-that’s impossible-but distract him and warm him.
Preceded by a rush of chilly air, a hollow roar, the inbound Underground train arrives. It is more than half empty, for it’s after six in the evening and most travelers are on their way home to the suburbs. Several of the people in the car glance with interest at Fred as he sits down. Directly across from him a pretty young woman in a dark-green wool cape gives him a half smile as their eyes meet, and then looks down at her book. Here, and not for the first time, is a good example of what Fred probably needs in London, but he doesn’t feel able to do anything about it.
Two things stand in the way of his taking any useful action. One is inexperience. Unlike most moderately attractive or positively unattractive men, Fred has never learnt to pick up women. He has never had to learn, because since he was very young there have always been plenty of females among his acquaintance who were ready, even eager, to know him better. It wasn’t his looks alone that interested them, but his high spirits, his good manners, his casual and modest skill in sports, his excellent but never arrogant intelligence. All he has ever had to do, really, is indicate a choice.
Even now, when his spirits are so low, there is no doubt that Fred could pick up women if he tried-that any initial awkwardness would be overlooked by most of those he might approach. But there is another and worse problem. Every woman or girl Fred sees in London has something wrong with her: she is not Roo. He knows it’s stupid and counterproductive to go on feeling this way about somebody who has cut you out of her life, to go on remembering and fantasizing As his childhood friend Roberto Frank said once, all you get from carrying a torch is sore fingers.
If Roberto were here now, instead of teaching French in Wisconsin, he would advise Fred to move in on the girl in the green cape and try to score tonight. As far back as junior high Roberto had begun recommending casual sex as a panacea. “What you need is a good fast fuck,” he would declare when any chum complained of being bummed out because of a cold, a sprained ankle, too much homework, unsympathetic parents, a bike or a car on the fritz-or any sort of jealousy, infidelity, or sexual reluctance on the part of a current steady. Since then, Roberto has collected women as he once collected baseball cards, always preferring quantity to quality: in grade school he once traded Mickey Mantle to Fred for three obscure and inept Red Sox. It is his contention that the world is full of good-looking horny women who are interested in a no-strings relationship. “I’m not saying you have to sweet-talk them or pull a fast one. When I meet a mama who turns me on, I lay it on the line. If she doesn’t want to play by those rules, okay; so long, no hard feelings.” Fred doesn’t agree. In his experience, no matter what is said in the preliminary negotiations, there are always strings. After even one or two dates he often felt like a tomcat entangled in an emotional ball of red yarn.
Yeh, Fred thinks, but maybe Roberto is right in a way, maybe if he could meet somebody-
The train stops at Tottenham Court Road. Fred gets off to change to the Northern Line, and so does the young woman in the green cape; he notices that she has been reading Joseph Conrad’s Chance . He quickens his pace, for he is a Conrad fan; then, uncertain of what he’s going to say to her, slows down. The young woman gives him a regretful backward glance as she turns toward the stairs to the southbound platform.
An opening remark has formed in Fred’s mind, and he starts to follow her in order to deliver it; but then he remembers that he is supposed to be on his way to supper in Hampstead with Joe and Debby Vogeler, who will take it badly if he doesn’t turn up. The Vogelers, who were in graduate school with him, are the only people of his own age he knows in London, and their continued good will is therefore important. Fred’s other acquaintances here consist of several middle-aged friends of his parents, and a member of his own department: an aging spinster named Virginia Miner who is also on leave and working in the British Museum. Toward the former he feels a polite obligation, but no social enthusiasm; in the case of Professor Miner his instinct is toward avoidance. Although she has never had a serious conversation with him on any topic, Professor Miner will presently vote on whether Fred is allowed to stay on at the University or cast into outer joblessness. She is known to be eccentric and touchy, and is also a devout Anglophile. In any encounter Fred probably has more of a chance of alienating her than of pleasing her; and if he admits his depression and his dislike of London and of the British Museum, her opinion of him, whatever it may be now, will sink. On top of all this, he doesn’t know whether he should address her as Professor Miner, Miss Miner, Ms. Miner, Virginia, or Vinnie. In order to avoid offense, he accepted her invitation to a “drinks party” later this week, but he plans to call up and say he is sick-no, he corrects himself, ill -to say you are sick in this country means you are about to vomit.
Another reason for not disappointing Joe and Debby is that they will give him a free dinner-and since Debby is a competent if unimaginative cook, a good one. For the first time in his life, Fred is broke. He hadn’t known how expensive London would be, or how long it would take his salary checks to clear. The flat he and Roo had rented by mail costs too much for one person, and he has never learnt to cook. At first he ate out, in cheaper and cheaper restaurants and pubs, to the detriment of his budget and digestion; now he exists mainly on bread and cheese, canned beans, soup, boiled eggs, and paper cartons of orange juice. If his financial situation gets desperate, he can cable or write his parents for money, but this will suggest a childish improvidence. After all, for Christ’s sake, he is nearly twenty-nine and has a Ph.D.
“Have some more chocolate pie,” Debby says.
“No thanks.”
“It doesn’t taste right, does it?” A vertical dent appears in Debby’s round face, between her nearly invisible eyebrows.
“No, it was great, it’s just that-”
“The crust is different, I think,” says Joe, delivering this opinion with his usual philosophical detachment.
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