Robert Pirsig - Lila. An Inquiry Into Morals

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Zen and the Art of Motorcycle Maintenance Robert M. Pirsig

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The next slips were the GRIT slips. These were for days when he woke up in a foul mood and could find nothing but fault everywhere. He knew from experience that if he threw stuff away on these days he would regret it later, so instead he satisfied his anger by just describing all the stuff he wanted to destroy and the reasons for destroying it. The GRIT slips would then wait for days or sometimes months for a calmer period when he could make a more dispassionate judgment.

The next to the last group was the TOUGH category. This contained slips that seemed to say something of importance but didn’t fit into any topic he could think of. It prevented getting stuck on some slip whose place might become obvious later on.

The final category was JUNK. These were slips that seemed of high value when he wrote them down but which now seemed awful. Sometimes it included duplicates of slips he had forgotten he’d written. These duplicates were thrown away but nothing else was discarded. He’d found over and over again that the junk pile is a working category. Most slips died there but some reincarnated, and some of these reincarnated slips were the most important ones he had.

Actually, these last two piles, JUNK and TOUGH, were the piles that gave him the most concern. The whole thrust of the organizing effort was to have as few of these as possible. When they appeared he had to fight the tendency to slight them, shove them under the carpet, throw them out the window, belittle them, and forget them. These were the underdogs, the outsiders, the pariahs, the sinners of his system. But the reason he was so concerned about them was that he felt the quality and strength of his entire system of organization depended on how he treated them. If he treated the pariahs well he would have a good system. If he treated them badly he would have a weak one. They could not be allowed to destroy all efforts at organization but he couldn’t allow himself to forget them either. They just stood there, accusing, and he had to listen.

The hundreds of topics had organized themselves into larger sections, the sections into chapters, and chapters into parts; so that what the slips had organized themselves into finally was the contents of a book; but it was a book whose organization was from the bottom up rather than from the top down. He hadn’t started with a master idea and then selected in joe-fashion only those slips that would fit. In this case, Joe, the organizing principle, had been democratically elected by the slips themselves. The JUNK and TOUGH slips didn’t participate in this election, and that created an underlying dissatisfaction. But he felt that you can’t expect a perfect system of organization of anything. He’d kept the JUNK pile as small as possible without deliberately suppressing it and that was the most anyone could ask.

A description of this system makes it all sound a lot easier than it actually was. Often he got into a situation where incoming TOUGH slips and the JUNK slips would indicate his whole system of making topics was wrong. Some slips would fit in two or three categories and other slips would fit into no categories at all and he began to see that he would have to tear the whole system of organization apart and begin to reorganize it differently, because if he didn’t, the JUNK pile and the TOUGH pile and the GRIT pile would start howling at him louder and louder until he had to do it.

Those were bad days, but sometimes the new reorganization would leave the JUNK piles and the TOUGH piles bigger than they were when he started. Slips that had fit the old organization now didn’t fit the new one, and he began to see that what he had to do now was go back and redo it all over again the old way. Those were the really bad days.

Sometimes he would start to make a PROGRAM procedure that would allow him to go back where he started, but in the process of making it he saw that the PROGRAM procedure needed modification so he started to modify that, but in the process of modification he saw that the modification needed modification, so he started to modify that, but then he saw that even that was no good, and then just about at this time the phone would ring and it would be someone wanting to sell him something or congratulate him on the previous book he had written or invite him to some conference or get him to lecture somewhere. They were usually well-intended callers, but when he was done with them he would just sit there, blocked.

He began to think that if he just got away from people on this boat and had enough time it would come to him, but it hadn’t worked out as well as he’d hoped. You just get other kinds of interruptions. A storm comes up and you worry about the anchor. Or another yacht pulls up and they come over and want to socialize. Or there’s a drunken party down on the dock… on and on…

He got up, went over to the pilot berth, got some more charcoal briquets and put them on the coal stove. It was getting nice and warm now.

He picked up one of the trays and looked at it. The front of it showed rust through the paint. You couldn’t keep anything of steel from rusting on a boat, even stainless, and these boxes were ordinary mild-steel sheet metal. He would have to make some new ones out of marine plywood and glue when he had the time. Maybe when he got South.

This tray was the oldest one. It had slips he hadn’t looked at for more than a year now.

He brought it over to the table with him.

The first topic, at the very front of the tray, was DUSENBERRY. He looked at it nostalgically. At one time he had thought DUSENBERRY was going to be at the center of the whole book.

After a while he took a blank pad from the back of the tray and wrote on the top slip, PROGRAM, and then under it, Hang up everything until Lila gone. Then he tore the slip off the note pad and put the slip in the front of the PROGRAM pile and put the note pad in the back of the tray. It was important, he’d found, to write a PROGRAM slip for what you are currently doing. It seems unnecessary at the time you are writing it but later when interruptions have interrupted interruptions which have interrupted interruptions you’re glad you did it.

The GRIT slips had been saying for months that DUSENBERRY had to go but he never seemed to be able to get rid of it. It just stayed there for what seemed to be sentimental reasons. Now it had been shoved into lesser and lesser importance by incoming slips and was just hanging on, teetering on the edge of the JUNK pile.

He took the whole DUSENBERRY topic section out. The slips were getting brown around the edges and the ink was turning brown too, on the first slip.

It said: Verne Dusenberry, Assoc. Prof., English Dept., Montana State College. Died, brain tumor, 1966, Calgary, Alberta.

He’d made the slip, probably, so he’d remember the year.

3

Nineteen-sixty-six. My God, how the years had sped up.

He wondered what Dusenberry’d be like now if he’d lived. Not much, maybe. There were signs before he died that he was going downhill, that he’d been at the peak of his powers at about the time Phædrus knew him in Bozeman, Montana, where they both were members of the English department.

Dusenberry was born in Bozeman and had graduated from the college there, but after twenty-three years on the faculty his assignment was just three sections of freshman composition; no literature courses, no advanced composition courses of any kind. Academically he had long before been placed on the TOUGH pile of scholars whom the department would just as soon have gotten rid of. Tenure was all that saved him from the JUNK pile. He had little to do with the rest of the department socially. Other members seemed to be in various degrees of alienation from him.

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