Лорен Оливер - Before I Fall

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What if you had only one day to live? What would you do? Who would you kiss? And how far would you go to save your own life?  Samantha Kingston has it all: the world's most crush-worthy boyfriend, three amazing best friends, and first pick of everything at Thomas Jefferson High—from the best table in the cafeteria to the choicest parking spot. Friday, February 12, should be just another day in her charmed life.  Instead, it turns out to be her last.  Then she gets a second chance. Seven chances, in fact. Reliving her last day during one miraculous week, she will untangle the mystery surrounding her death—and discover the true value of everything she is in danger of losing.

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“Um…can I help you with something?” One of the girls inches forward a couple of feet. She’s twisting her hands together and looks absolutely petrified.

Juliet’s rose is thin and young, delicately tinged with pink. All of its petals are closed. It hasn’t bloomed yet.

“I need roses,” I say. “Lots of them.”

CORRECTIONS AND ADJUSTMENTS

I leave the Rose Room feeling keyed up and energetic, like I’ve just had three mocha lattes from Caffeine Rush in the mall. I replaced Juliet’s single rose with an enormous bouquet—I shelled out forty bucks for two dozen—and a note printed in block letters that says FROM YOUR SECRET ADMIRER. I only wish I could be around when she receives them. I’m positive it’s going to make her day. More than that: I’m positive it’s going to make things right. She’ll have even more roses than Lindsay Edgecombe. I start thinking about Lindsay’s eyes bugging out of her head when she sees that Juliet Sykes has beaten her for the title of Most Valograms this year, and I let out a huge snort of laughter right in the middle of AP American History. Everyone whips around and stares at me, but I don’t care. This must be what it’s like to do drugs: the feeling of coasting over everything, of everything looking new and fresh and lit up from inside. Except without the next-day guilt and the hangover. And possible prison sentence.

When Mr. Tierney distributes his pop quiz, I spend the whole twenty minutes drawing hearts and balloons around the questions, and when he comes around to collect the papers I give him a smile so bright he actually winces, like he’s not used to people looking happy.

Between classes I scour the hallways, looking for Kent. I’m not even sure what I’ll say to him when I see him. I can’t really say anything. He doesn’t know that we’ve spent the past two nights together, that both nights we were so close that if one of us had breathed we would have ended up kissing, that last night I think we might have. But I have this incredible urge just to be around him, to see him doing those familiar, Kent-like things: flipping his hair out of his eyes, smiling his lopsided smile, shuffling his ridiculous checkered sneakers, and tucking his hands into the over-long cuffs of his button-downs. My heart shoots into my throat every time I think I see his loping walk, or catch sight of some floppy brown hair on a boy—but it’s never him, and each time it isn’t, my heart does a reverse trajectory down into the very pit of my stomach.

I’m guaranteed to see him in calc, at least. After life skills, I stop in the bathroom, and spend the three minutes before bell primping in front of the mirror, ignoring the s’mores chattering on either side of me, and trying hard not to focus on the fact that I’ll come face-to-face with Mr. Daimler in less than five minutes. My stomach’s been performing its roller-coaster move so often—a combination of waiting for Juliet to get the roses, hoping to see Kent, and being disappointed—I’m not sure it can withstand forty-five minutes of having to watch Mr. Daimler smirk and wink and grin at the class. I will away the memory of his tongue inside my mouth, wet and sloppy.

Such a slut.” One of the sophomores is coming out of a bathroom stall, shaking her head.

For one paranoid second I’m sure she’s talking about me—that somehow she has just read my mind—but then her friends explode with laughter, and one of them says, “I know. I hear she had sex with, like, three people on the basketball team,” and I realize they’re talking about Anna Cartullo. The stall door is swinging open and Lindsay’s scrawl is obvious. AC=WT . And underneath it: Go back to the trailer, ho.

“You shouldn’t believe everything you hear,” I blurt out, and all three girls instantly shut their mouths and stare at me.

“It’s true,” I say, feeling bolder now that I have such a captive audience. “You know how most rumors start?”

The girls shake their heads. They’re standing so close I think for a second their skulls are going to knock together.

“Because somebody feels like it.”

The bell rings then, and the sophomores scurry for the door like they’ve been let out of class. I stand there, willing my feet out the door and down the hall and down a flight of stairs and to the right and into calc, but nothing happens. Instead I’m fixated by the writing on the stall door, how Ally laughed and pointed to the copycat artists elsewhere. AC=WT. I’m pretty sure Lindsay wrote it on a whim—four measly letters, stupid, meaningless—probably to test out a new marker and see how much ink it had. It would have been better, almost, if she’d meant it. It would be better if she really hated Anna. Because it matters. It has mattered.

Without thinking about the fact that at this point I’m going to be late to calc, I dampen a strip of paper towel, just as an experiment, and begin scrubbing at the writing on the stall door. It doesn’t budge. But then, because I’ve started, I can’t stop. I look under the sink and find a dried-out Brillo pad and a can of Comet. I have to brace the door with one arm and lean hard with the other, scrubbing furiously, but after a little while the graffiti on the door has lightened, and after a little while longer you can hardly see the letters at all. I feel so good once I’ve gotten them off that first door, I go down the row and scrub the remaining two, even though my arm is aching and cramping and I’ve actually started to sweat a little bit in my tank top, mentally cursing Lindsay the whole time for her whims, for using permanent marker.

When all three stalls are finished I turn the doors out and look at their reflections in the mirror: blank, clean, featureless, the way stall doors should be. And for some reason it fills me with such pride and happiness I do a little dance right there, tapping my heels on the tile floor. It feels like I’ve reached back in time and corrected something. I haven’t felt so alive, so capable of doing things, in I don’t know how long.

By now I really have ruined my makeup. Little pricks of sweat are beading across my forehead and the bridge of my nose. I splash cold water on my face and dry off with a scratchy paper towel, starting all over again with the mascara and cream blush in Rose Petal that Lindsay and I both use religiously. My heart is looping crazily in my chest, partly from exhilaration, partly from nerves. Next period is lunch, and lunchtime is showtime.

“Will you stop doing that?” Elody leans forward and presses my fingers—which have been tapping—flat against the table. “You’re driving me crazy.”

“You’re not turning rexi, are you, Sam?” Lindsay gestures to my sandwich, which I’ve only nibbled around the edges. Rexi is her word for anorexic, although I’ve always thought it sounded like something you would name a dog.

“That’s what you get for ordering the mystery meat.” Ally makes a face at my roast beef, which I’ve ordered despite the fact that it’s borderline unacceptable. Things That Don’t Matter When You’ve Lived the Same Day Six Times and Died on at Least Two of Them: lunch meats and their relative coolness.

To my surprise Lindsay sticks up for me. “It’s all mystery meat, Al. The turkey tastes like shoe bottoms.”

“Nasty,” Elody agrees.

“I’ve always hated the turkey here,” Ally admits, and we all look at one another and burst out laughing.

It feels good to laugh, and the knot in my shoulders relaxes. Still, my fingers start up their involuntary drumming again, moving all on their own. I’m scanning every single person who enters the cafeteria, looking alternately for Kent—it’s like, what, he doesn’t eat now?—and Juliet’s shock of white blond hair. So far, nada.

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