Joyce Oates - Sourland

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Sourland: краткое содержание, описание и аннотация

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Oates's latest collection explores certain favorite Oatesian themes, primary among them violence, loss, and privilege. Three of the stories feature white, upper-class, educated widows whose sheltered married lives have left them unprepared for life alone. In «Pumpkin-Head» and «Sourland», the widows-Hadley in the first story, Sophie in the second-encounter a class of Oatesian male: predatory, needy lurkers just out of prosperity's reach. In the first story, our lurker is Anton Kruppe, a Central European immigrant and vague acquaintance of Hadley whose frustrations boil over in a disastrous way. In the second story, Sophie is contacted by Jeremiah, an old friend of her late husband, and eventually visits him in middle-of-nowhere northern Minnesota, where she discovers, too late, his true intentions. The third widow story, «Probate», concerns Adrienne Myer's surreal visit to the courthouse to register her late husband's will, but Oates has other plans for Adrienne, who is soon lost in a warped bureaucratic funhouse worthy of Kafka. Oates's fiction has the curious, morbid draw of a flaming car wreck. It's a testament to Oates's talent that she can nearly always force the reader to look.

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Rhonda laughed. Rhonda’s mouth was a sneer. Rhonda knew better than to draw attention to herself, however — though Daddy loved his sweet little pretty girl Daddy could be harsh and hurtful if Daddy was displeased with his sweet little pretty girl so Rhonda fixed for herself a very thick sandwich of Swedish rye crisp crackers and French goat cheese to devour in the corner of the room looking out onto a bleak rain-streaked street not wanting to think how Daddy knew, yes Daddy knew but did not care. That was the terrible fact about Daddy — he knew, and did not care. A nasty fat worm had burrowed up inside Daddy making him proud of silly Brooke speaking of him in such a tender voice, and so falsely; the stepmother who was so much younger and more beautiful than Rhonda’s mother.

Here was the strangest thing: when Rhonda was living away from them all, and vastly relieved to be away, but homesick too especially for the drafty old house on Broadmead Road where she’d been a little girl and Mommy and Daddy had loved her so. When Rhonda was a freshman at Stanford hoping to major in molecular biology and she’d returned home for the first time since leaving home — for Thanksgiving — to the house on Winant Drive. And there was a family Thanksgiving a mile away at the Hodge Road house of elderly Mrs. Hay to which numerous people came of whom Rhonda knew only a few — and cared to know only a few — mainly Madeleine and Drex of course — there was the disconcerting appearance of Drex’s brother Edgar from Chevy Chase, Maryland — identified as an identical twin though the men more resembled just brothers than twins. Edgar Hay was said to be a much wealthier man than Drex — his business was pharmaceuticals, in the D.C. area; Drex’s business was something in investments , his office was on Route One, West Windsor. The Hay twin-brothers were in their late sixties with similar chalky scalps visible through quills of wetted hair and bulbous noses tinged with red like perpetual embarrassment but Edgar was heavier than Drex by ten or fifteen pounds, Edgar’s eyebrows were white-tufted like a satyr’s in an old silly painting and maddeningly he laughed approaching Rhonda with extended arms — Hel-lo! My sweet li’l step-niece happy Turkey-Day! — brushing his lips dangerously close to Rhonda’s startled mouth, a rubbery-damp sensation Rhonda thought like being kissed by a large squirmy worm. ( Call me Ed-gie he whispered wetly in Rhonda’s ear That’s what the pretty girls call me. ) And Madeleine who might have observed this chose to ignore it for Madeleine was already mildly drunk — long before dinner — and poor Drex — sunken-chested, sickly pale and thinner since his heart attack in August in high-altitude Aspen, Colorado, clearly in some way resentful of his “twin” brother — reduced to lame jokes and stammered asides in Edgar’s presence. And there was Rhonda restless and miserable wishing she hadn’t come back home for Thanksgiving — for she’d have to return again within just a few weeks, for Christmas — yet more dreading the long holiday break — wishing she had something useful to do in this house — she’d volunteered to help in the kitchen but Mrs. Hay’s cook and servers clearly did not want her — she’d have liked to hide away somewhere and call her roommate Jessica in Portland, Oregon, but was fearful she might break down on the phone and give away more of her feelings for Jessica than Jessica had seemed to wish to receive from Rhonda just yet…And there was Rhonda avoiding the living room where Hay relatives were crowded together jovial and overloud — laughing, drinking and devouring appetizers — as bratty young children related to Rhonda purely through the accident of a marital connection whose names she made no attempt to recall ran giggling through a forest of adult legs. Quickly Rhonda shrank back before her mother sighted her, or the elderly white-haired woman who insisted that Rhonda call her “Grandma” — sulkily making her way along a hall, into the glassed-in room at the rear of the house where Mrs. Hay kept potted plants — orchids, African violets, ferns. Outside, the November air was suffused with moisture. The overcast sky looked like a tin ceiling. A few leaves remained on deciduous trees, scarlet-bright, golden-yellow, riffled by wind and falling and sucked away even as you stared. To Rhonda’s dismay there was her stepfather’s brother — Drex’s twin — wormy-lipped Edgar — engaged in telling a story to a Hay relative, a middle-aged woman with a plump cat-face to whom Drex had introduced Rhonda more than once but whose name Rhonda couldn’t recall. Edgar was sprawled on a white wicker sofa with his stocky legs outspread, the woman in a lavender silk pants suit was seated in a matching chair — both were drinking — to her disgust and dismay Rhonda couldn’t help but overhear what was unmistakably some crude variant of the story of the stabbing of long ago — narrated in Edgar’s voice that managed to suggest a lewd repugnance laced with bemusement, as the cat-faced woman blinked and stared open-mouthed as in a mimicry of exaggerated feminine concern My brother’s crazy wife she’d driven into Manhattan Christ knows why Maddie’d been some kind of hippie fem-ist my brother says those days she’d been married to one of the Commie profs at the University here and so, sure enough Maddie runs into trouble, this was before Giuliani cleaned up the city, just what you’d predict the stupid woman runs into something dangerous a gang of Nigra kids jumping a white man right out on the street — in fact it was Fifth Avenue down below the garment district — it was actual Fifth Avenue and it was daylight crazy “Madeline” she calls herself like some snooty dame in a movie came close to getting her throat cut — which was what happened to the poor bastard out on the street — in the paper it said he’d been decapitated, too — and the Nigra kids see our Madeline gawking at them through the windshield of her car you’d think the dumb-ass would’ve known to get the hell out or crouch down and hide at least — as Rhonda drew nearer her young heart beating in indignation waiting for her stepfather’s brother to take notice of her. It was like a clumsy TV scene! It was a scene improbable and distasteful yet a scene from which Rhonda did not mean to flee, just yet. For she’d come here, to Princeton. For she could have gone to her father’s house in Cambridge, Massachusetts — of course she’d been invited, Brooke herself had called to invite her, with such forced enthusiasm, such cheery family-feeling, Rhonda had felt a stab of pure loneliness, dread. There is no one who loves me or wants me. If I cut my throat on the street who would care. Or bleed out in a bathtub or in the shower with the hot water running…

So she’d had a vision of her life, Rhonda thought. Or maybe it was a vision of life itself.

Not that Rhonda would ever cut her throat — of course! Never. That was a vow.

Not trying to disguise her disgust, for what she’d heard in the doorway and for Edgar Hay sprawling fatuous-drunk. The ridiculous multi-course Thanksgiving dinner hadn’t yet been brought to the dining room table, scarcely 5:30 P.M. and already Edgar Hay was drunk. Rhonda stood just inside the doorway waiting for Edgar’s stabbing-story to come to an end. For maybe this would be the end? — maybe the story of the stabbing would never again be told, in Rhonda’s hearing? Rhonda would confront Edgar Hay who’d then gleefully report back to Drex and Madeleine how rude their daughter was — how unattractive, how ungracious — for Rhonda was staring, unsmiling — bravely she approached the old man keeping her voice cool, calm, disdainful O.K then — what happened to the stabbed man? Did he die? Do you know for a fact he died? And what happened to the killer — the killers — the killer with the knife — was anyone ever caught? Was anyone ever punished, is anyone in prison right now? And Edgar Hay — “Ed-gie” — looked at Rhonda crinkling his pink-flushed face in a lewd wink How the hell would I know, sweetheart? I wasn’t there.

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