José Saramago - The History of the Siege of Lisbon

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In this “ingenious” novel (New York Times) by “one of Europe’s most original and remarkable writers” (Los Angeles Times), a proofreader’s deliberate slip opens the door to romance-and confounds the facts of Portugal’s past.

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Senhora Maria came at the usual time after lunch, and no sooner had she arrived than she began muttering in a manner at once discreet and obvious, a difficult feat to achieve, because it has the dual aim of trying to disguise the fact that you know something, while showing at the same time that you are not prepared to allow the other person to play the innocent. It is a diplomatic art par excellence, yet guided by intuition, if not by instinct, and which, generally speaking, has achieved its main objective, namely to give the proof-reader a vague feeling of panic, as if his most intimate secrets were about to be revealed in public. Senhora Maria is a sadist without knowing it. She greeted him from the bedroom door, muttered twice to warn Raimundo Silva that she might only be a poor cleaner but she still had enough sense of smell to pick up any remaining traces of perfume in the air. Raimundo Silva returned her greeting and went on writing after giving a rapid glance in her direction, determined to pretend that he did not know what was going on, Senhora Maria, taken aback to begin with, and then with that peculiar expression on her face, as much as to say, Just as I thought, eyeing the bed, which, instead of the quick tidying-up at which Raimundo Silva was adept lest it be mistaken for a migrant's bunk, was irreproachable and showed every sign of a woman's touch. She coughed to attract attention, but Raimundo Silva pretended to be distracted, although his heart was in a state of foolish turmoil, I don't have to account for my life, he thought, annoyed with himself for seeking cowardly excuses, he who had just embarked on such a serious love affair, so he raised his head and asked, Did you want something, in a dry, brusque tone of voice which disarmed the woman's impertinence, No, Sir, nothing, I was simply looking. Raimundo Silva could have satisfied himself with this embarrassed reply, but he preferred to taunt her, Looking at what, Nothing, the bed, What's wrong with the bed, Nothing, it's been made, So what, Nothing, nothing, Senhora Maria turned away, too intimidated to ask the question that was on the tip of her tongue, Who made it, and so would never know what answer Raimundo Silva might have given, not that he knew himself. From then on, Senhora Maria stayed away from the bedroom, as if letting Raimundo Silva know that she considered that part of the house outside her jurisdiction, however, she was either unable or unwilling to repress her ill-tempered frustration, and making no attempt to go silently about her chores, she did her utmost to make as much noise as possible. Raimundo Silva decided to shrug this off with a smile, but the din was so loud that he was obliged to step into the corridor and plead, Could you make less noise, please, I'm trying to work, Senhora Maria could have retorted that she, too, was trying to get on with her work and that she did not have the luck of certain people who can earn a living seated in peace and quiet, but necessity, even when as conflictive as this, is stronger than willpower, and she said nothing. What annoys Senhora Maria most of all is that these dramatic changes are taking place without her knowledge, were she not the astute person she is, and one of these days she will unexpectedly find the other woman in the apartment, without being able to ask him the itching question, Who is this woman, who asked her to come here, men are such insensitive fools, what would it have cost Raimundo Silva to have taken her into his confidence, for however much it might hurt it would always be something of a palliative, for such bitter jealousy, for this is the evil afflicting Senhora Maria although she does not know it. Other considerations of a practical and prosaic nature also occupy her mind, uppermost amongst them being the danger that she might lose her job if this other woman, assuming it is not just some casual affair, should start to interfere with her work, Clean this again, while holding up a dirty finger that has collected dust from the moulding on the door, that hateful gesture to which no cleaner has ever been known to respond with a phrase worthy of being recorded for posterity, If you stick it up your arse, you'll collect even more dirt. God help those who only came into this world to take orders, Senhora Maria thinks to herself, and she polishes the door for a second time, while, for no apparent reason, tears spring to her eyes just as she happens to glance into the mirror in the bathroom, and at that moment, not even the sight of her lovely hair consoles her. In the middle of the afternoon the telephone rang, Raimundo Silva took the call, it was from the publishers, a routine conversation about work to Senhora Maria's disappointment, Yes, I'm available, he was saying, Send me the manuscript at your convenience, unless you'd prefer me to come and pick it up, and the rest of the conversation was in much the same vein, revisions, deadlines, Senhora Maria had heard these monologues so many times before, the only difference being that the person at the other end of the line was inaudible, before it had been a certain Costa, now it was some woman, perhaps this was why Raimundo Silva's tone of voice became all lovey-dovey, one of Senhora Maria's favourite expressions, Ah, these men, but for all her cunning it never occurred to her that Raimundo Silva was actually speaking to the woman with whom he had slept the previous night, relishing the ineffable pleasure of using neutral words which they alone could translate into another language, that of emotion and capable of evoking other meanings, to utter the word book and hear the word kiss, to say yes and understand it to mean always, to hear good afternoon and sense the person is really saying, I love you. Had Senhora Maria known anything about the art of cryptography then she would have gone from here with the mystery solved, laughing up her sleeve at anyone who thought they could laugh at her, a somewhat laboured way of thinking because of her resentment, for neither Raimundo Silva nor Maria Sara have any idea that they are making Senhora Maria suffer, and if they did they would not ridicule her, otherwise they would not be deserving of so much happiness. This said, it is not inconceivable that Senhora Maria might come to like Maria Sara, you can expect everything of the heart, even the harmony of its contradictions.

Raimundo Silva is once more alone, for several seconds he was left wondering what to make of the amiable tone with which Senhora Maria took her leave, a disconcerting woman who turns up in a bad mood one minute and is all solicitous the next, but The History of the Siege of Lisbon brought him back to another reality, to the building of the tower destined to break, once and for all, the resistance of the Moors, and knowing that the existence of a nation depends on this, we cannot interrupt our work, although Raimundo Silva would have preferred to have Maria Sara here than to have to cope with operations about which he knows nothing, the dressing of joists, the trimming of wooden planks, the moulding of pegs, the twining of ropes, all these materials contributing to the construction of a tower which is not that of Babel, this present one will rise no higher than the battlements on the wall, and as for tongues, Dom Afonso Henriques has no intention of repeating their multiplicity, but of uprooting this one, both in the figurative and allegorical sense as in the literal and physical sense. When Maria Sara returns tomorrow afternoon as she promised on departing, to stay the night and the night after that, as well as the day in between which is a Sunday, he hopes to have made some progress with his writing, because there are other matters demanding his attention, and time has changed its name and is now called urgency, Calm down, Maria Sara will tell him, you can't fit more things into a year than a minute just because the one is a minute and the other a year, it's not the size of the glass that counts, but rather what each of us manages to put into it, even if it should overflow and be lost. Just as this tower will also be lost.

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