Nicholas Sparks - The Best of Me

In October 1944, we were cruising near Samar, getting ready to help lead the invasion of the Philippines. We had thirteen ships in our group, which sounds like a lot, but aside from the carrier, it was mainly destroyers and escorts, so we didn’t have much firepower. And then, on the horizon, we saw what seemed like the entire Japanese fleet coming toward us. Four battleships, eight cruisers, eleven destroyers, hell-bent on sending us to the bottom of the sea. I heard later that someone said we were like David against Goliath, except we didn’t even have a slingshot. And that’s about right. Our guns couldn’t even reach them when they opened fire. So what do we do? Knowing we didn’t stand a chance? We engaged. The Battle of Leyte Gulf, they call it now. Went straight for them. We were the first ship to start firing, the first to launch smoke and torpedoes, and we took on both a cruiser and a battleship. Did a lot of damage, too. But because we were out front, we were the first to go dead in the water. A pair of enemy cruisers closed in and began firing, and then we went down. There were 327 men on board, and 186 men, some of them close friends, died that day. I was one of the 141 that made it out alive.

I’ll bet you’re wondering why I’m telling you this — you’re probably thinking I’m drifting again — so I might as well get to it. On the raft, with this big battle raging all around us, I realized that I wasn’t afraid anymore. All of a sudden, I knew I’d be okay because I knew that Clara and I weren’t done yet, and this feeling of peace just came over me. You can call it shell shock if you want, but I know what I know, and right there, under an exploding sky filled with gun smoke, I remembered our anniversary from a couple of years ago and I started singing “For Me and My Gal,” just like Clara and I did on the car ride home from Raleigh. Just boomed it out at the top of my lungs, like I didn’t have a care in the world, because I knew that somehow Clara could hear me, and she’d understand that there was no reason to worry. I’d made her a promise, you see. And nothing, not even going down in the Pacific, was enough to stop me from keeping it.

Crazy, I know. But like I said, I got rescued. I got reassigned to a crew ship and hauled marines to Iwo Jima the next spring. Next thing I knew, the war was over and I was home. I didn’t talk about the war when I got back. I couldn’t. Not a single word. It was just too painful and Clara understood that, so little by little, we settled back into our lives. In 1955, we started building the cottage here. I did most of the work myself. One afternoon, just after I’d finished up for the day, I walked toward Clara, who was knitting in the shade. And I heard her singing “For Me and My Gal.”

I froze, and the memories of the battle came racing back. I hadn’t thought about that song in years, and I’d never told her what happened on the raft that day. But she must have seen something in my expression because she looked up at me.

“From our anniversary,” she said before going back to her knitting. “I never told you this, but while you were in the Navy, I had a dream one night,” she added. “I was in this field of wildflowers, and even though I couldn’t see you, I could hear you singing this song to me, and when I woke up, I wasn’t afraid anymore. Because up until then, I was always afraid that you weren’t coming back.”

I stood there dumbstruck. “It wasn’t a dream,” I finally said.

She just smiled and I had the sense that she’d been expecting my answer. “I know. Like I said, I heard you.”

After that, the idea that Clara and I had something powerful — spiritual, some might say — between us never left me. So some years later, I decided to start the garden and I brought her up here on our anniversary to show it to her. It wasn’t much back then, nothing like it is now, but she swore it was the most beautiful place in the world. So I tilled more ground and added more seeds the next year, all the while humming our song. I did the same thing every year of our marriage, until she finally passed away. I had her ashes scattered here, in the place she loved.

But I was a broken man after she died. I was angry and boozing and losing myself little by little in the process. I stopped tilling and planting and singing because Clara was gone and I didn’t see the reason to keep it going. I hated the world and I didn’t want to go on. I thought about killing myself more than once, but then Dawson came along. It was good to have him around. Somehow he helped remind me that I still belonged in this world, that my work here wasn’t done. But then he got taken away, too. After that, I came up here and saw the place for the first time in years. It was out of season, but some of the flowers were still blooming, and though I don’t know why, when I sang our song tears came to my eyes. I cried for Dawson, I suppose, but I also cried for me. Mainly, though, I was crying for Clara.

That was when it started. Later that night, when I got home, I saw Clara through the kitchen window. Even though it was faint, I heard her humming our song. But she was hazy, not really there, and by the time I got inside she was gone. So I went back to the cottage and started to till again. Got things ready, so to speak, and I saw her again, this time on the porch. A few weeks later, after I scattered seeds, she started coming around regularly, maybe once a week, and I was able to get closer to her before she vanished. But then, when the flowers bloomed, I came out here and wandered among the flowers, and by the time I got home I could see and hear her plain as day. Just standing right there on the porch, waiting for me, as if wondering why it took me so long to figure things out. That’s the way it’s been ever since.

She’s part of the flowers, you see? Her ashes helped to make the flowers grow, and the more they grew, the more alive she became. And as long as I kept the flowers going, Clara could find a way to come back to me.

So that’s why you’re here, and that’s why I asked you to do this for me. This is our place, a tiny corner of the world where love can make anything possible. I think that the two of you, more than anyone else, will understand that.

But now it’s time for me to join her. It’s time for us to sing together. It’s my time and I have no regrets. I’m back with Clara again, and that’s the only place I’ve ever wanted to be. Scatter my ashes to the wind and flowers, and don’t cry for me. Instead, I want you to smile for the both of us; smile with joy for me and my gal.

Tuck

Dawson leaned forward, resting his forearms on his thighs, trying to imagine Tuck as he wrote the letter. It sounded nothing like the laconic, rough-hewn man who’d taken him in. This was a Tuck that Dawson had never met, a person Dawson had never known.

Amanda’s expression was tender as she refolded the letter, taking extra precaution not to tear it.

“I know the song he talks about,” she said after she had stowed the letter safely in her purse. “I heard him singing it once while he sat in the rocker. When I asked him about it, he didn’t really answer. Instead, he played it for me on the record player.”

“At the house?”

She nodded. “I remember thinking it was catchy, but Tuck had closed his eyes and he just seemed… lost in it. When it was over, he got up and put the record away, and at the time I didn’t know what to make of it. But now I understand.” She turned toward him. “He was calling to Clara.”

Dawson slowly rotated his wine glass. “Do you believe him? About seeing Clara?”

“I didn’t. Not really, anyway. But now I’m not so sure.”