Alan Hollinghurst - The Stranger’s Child

Sebby smiled back rather furtively at this little irony. ‘Your letters to Cecil haven’t survived.’

‘I do hope not!’

‘I have the impression Cecil never kept letters, which is really rather trying of him.’

‘He saw you coming, Sebby!’ said Daphne, and laughed to cover the surprise of her own tone. He wasn’t used to teasing, but she wasn’t sure he minded it.

‘Indeed!’ Sebby rose, and looked for a book on the table. ‘Well, I don’t want to keep you too long.’

‘Oh…! Well, you haven’t.’ Perhaps she had rattled him after all, he thought she was simply being flippant.

‘What I hope you might do,’ said Sebby, ‘is to write down for me a few paragraphs, simply evoking dear Cecil, and furnishing perhaps an anecdote or two. A little memorandum.’

‘A memorandum, yes.’

‘And then if I may quote from the letters…’ – she had a first glimpse of his impatience – the impersonal logic of even the most flattering diplomatist. Of course one had to remember that he was burdened with far more pressing things.

‘I suppose that would be all right.’

‘I expect to call you simply Miss S., unless you object’ – which Daphne found after a mere moment’s fury she didn’t. ‘And now I might ask you just to run through “Two Acres” with me, for any little insights you might give me – local details and so on. I didn’t like to press your mother.’

‘Oh, by all means,’ said Daphne, with a muddled feeling of relief and disappointment that Sebby had failed to press her too – but that was it, of course, she saw it now, and it was good not to have wasted time on it: he was going to say nothing in this memoir of his, Louisa was in effect his editor, and this weekend of ‘research’, for all its sadness and piquancy and interesting embarrassments, was a mere charade. He picked up the autograph album, the mauve silk now rucked and stained by hundreds of grubby thumbs, and leafed delicately through. There was something else in it for him, no doubt – a busy man wouldn’t make this effort without some true personal reason. Sebby too had been awfully fond of Cecil. She gazed up at the carved end of the nearest bookcase, and the stained-glass window beyond it, in a mood of sudden abstraction. The April brilliance that threatened the fire in the morning-room here threw sloping drops and shards of colour across the wall and across the white marble fireplace. They painted the blind marble busts of Homer and Milton, pink, turquoise and buttercup. The colours seemed to warm and caress them as they slid and stretched. She pictured Cecil as he had been on his last leave; she had a feeling that when she met him that hot summer night he had just come from dinner with Sebby. Well, he was never going to know about that. For now, she had to come up with something more appropriate; something that she felt wearily had already been written, and that she had merely to find and repeat.

Freda crossed the hall and started up the great staircase, stopping for a moment on each frighteningly polished tread, reaching up for the banister, which was too wide and Elizabethan in style to hold on to properly, more like the coping of a wall than a handrail. It must be nice for Daphne to have a coat of arms, she supposed – there it was, at each turn, in the paws of a rampant beast with a lantern on its head. She too had dreamt of that for her daughter, in the beginning, before she knew what she knew. Corley Court was a forbidding place – even in the sanctuary of her room the dark panelling and the Gothic fireplace induced a feeling of entrapment, a fear that something impossible was about to be asked of her. She closed the door, crossed the threadbare expanse of crimson carpet, and sat down at the dressing-table, close to tears with her confused relieved unhappy sense of not having said to Sebastian Stokes any of the things she could have said, and had known, in her heart, that she wouldn’t.

The one letter she’d shown him, her widow’s mite, she’d called it, was mere twaddle, a ‘Collins’. She saw his courteous but very quick eye running over it, his turning the page as if there still might be something of interest on the other side, but of course there was not. He’d sat there, like the family doctor, he’d said, though to her he was a figure of daunting importance, toughness and suppleness, someone who spoke every day with Sir Herbert Samuel and Mr Baldwin. He was charming but his charm was the charm of diplomacy, charm designed not only to please but to save time and get things done; it was hardly the unconscious charm of a trusted friend. She had felt very foolish, and the pressure of what she was not going to say drove even the simplest conversation out of her mind. She did say that Cecil had made a terrible mess in his room, and it had sounded petty of her, to say such a thing of a poet and a hero who had won the Military Cross. She alluded, in addition, to his ‘liveliness’ and the various things he had broken – widow’s mites, again, pathetic grievances. What she couldn’t begin to say was the mess Cecil Valance had made of her children.

She waited a minute and then got up her handbag and opened it – inside was a bulging manila envelope torn and folded around a bundle of other letters… She couldn’t really bear to look at them again. She ought simply to have destroyed them, when she’d found them, during the War. But something had kept her back – there was a great bonfire going, all the autumn leaves, she went out and opened it with a fork, a red and grey winking and smouldering core to it, she could have dropped the commonplace-looking packet in without a soul knowing or caring. That was what she told George she had done; but in fact she couldn’t do it. Was it reverence, or mere superstition? They were letters written by a gentleman – that surely in itself meant little or nothing; and by a poet, which gave them a better right to immortality, but which needn’t have swayed her. Disgusted by her own unresolved confusion, she tugged out the bundle on to the dressing-table and stared at it. Cecil Valance’s impatient handwriting had a strange effect on her, even now; for a year and more it had come dashing and tumbling into her house, letters to George, then letters to Daphne, and the bloody, bloody poem, which she wished had never been written. The letters to Daphne were splendid enough to turn a young girl’s head, though Freda hadn’t liked their tone, and she could see that Daphne had been frightened by them as much as she was thrilled. Of course she was out of her depth with a man six years older, but then he was out of his depth too: they were horrible posturing letters in which he seemed to be blaming the poor child for something or other that was really his own failing. And yet Freda had not discouraged him – it seemed to her now she’d been out of her depth as well. And perhaps, who knew, it would all have turned out all right.

It was the letters to George, hidden at once, destroyed for all the rest of the family knew, mentioned only breezily – ‘Cess sends his love!’: they had turned out to be the unimagined and yet vaguely dreaded thing. There they had lain, in his room, all the time that George was away in the army – ‘intelligence’, planning, other matters she couldn’t be told about. Those endless summer evenings at ‘Two Acres’, just her and Daphne – she would drift through the boys’ rooms, take down their old school-books, fold and brush their unused clothes, tidy the drawers of the little bureau beside George’s bed, all the childish clutter, the batched-up postcards, the letters… Without even touching them now, her mind saw certain phrases, saw them twisting dense and snakelike in the heart of the bundle. Well, she wouldn’t read them ever again, there was no need to put herself through that. Letters from King’s College, Cambridge, from Hamburg, Lübeck, old Germany before the War, Milan; letters of course from this very house. She edged them back into the brown envelope, which tore open a little more and was now next to useless. Then she tidied her hair, made her face look no less worried with a few more dabs of powder, and set off once again down the long landing to Clara’s room.