Alan Hollinghurst - The Line of Beauty

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A New York Times Bestseller
A Los Angeles Times Bestseller
A Book Sense National Bestseller
A Northern California Bestseller
A Sunday Times Bestseller
A New York Times Notable Book of the Year
And chosen as one of the best books of 2004 by:
Entertainment Weekly • Washington Post • San Francisco Chronicle • Newsday • Seattle Times • Salon.com • Boston Globe • New York Sun • Miami Herald • Dallas Morning News • San Jose Mercury News • Publishers Weekly
"In this saga about the Thatcher years Alan Hollinghurst writes harsh but deeply informed social satire from within, just as Proust did. Hollinghurst is never mocking or caricatural but subtly observant and completely participant. He writes the best prose we have today. He brings the eloquence of a George Eliot together with the sexiness and visual acuity of a Nabokov."-Edmund White
"An affecting work of art."-Michiko Kakutani, New York Times
"Hollinghurst's prose is a genuine achievement-lavish, poised, sinuously alert… The Line of Beauty is an ample and sophisticated delight, charged with hundreds of delicate impressions and insights, and scores of vital and lovely sentences. It is at once domestic and political, psychological and historical. It is funny, moving, and finally despairing."-New Republic
"His finest novel to date."-Geoff Dyer
"Line for line, Hollinghurst's novel about London during the 1980s is the most exquisitely written book I've read in years. Witty observations about politics, society, and family open like little revelations on every page."-Christian Science Monitor
"A rueful, snapshot-accurate portrait of this era."-Seattle Times
"An intoxicating read…each sentence in this book rings as perfect and true as a Schubert sonata."-Hartford Courant
"[A] masterpiece with a skillfully rendered social panorama, a Proustian alertness to social nuance and a stylistic precision that recalls [James]."-Newsday
"The Line of Beauty is itself a thing of beauty-an elegant and seductive novel…readers will hang on every bracing word. The Line of Beauty may perhaps be the author's most mature and accomplished work to date. It might also be his best."-Philadelphia City Paper
"A deliciously snarky portrait of Thatcherite Britain, but Hollinghurst also makes you believe in his characters, and nobody produced better prose this year."-San Jose Mercury News

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Leo was certainly quite an egotist-Catherine's graphological analysis had been spot on. But he didn't expound his inner feelings. He did something Nick couldn't imagine doing himself, which was to make statements about the sort of person he was. "I'm the sort of guy who needs a lot of sex," he said, and, "I'm like that, I always say what I think." Nick wondered for a moment if he'd inadvertently contradicted him. "I don't bear grudges," Leo said sternly: "I'm not that kind of person." "I'm sure you're not," Nick said, with a quick discountenancing shudder. And perhaps this was a useful skill, or tactic, in the blind-date world, even if Nick's modesty and natural fastidiousness kept him from replying in the same style ("I'm the sort of guy who likes Pope more than Wordsworth," "I'm crazy about sex but I haven't had it yet"). It added to the excitement of the evening. He wasn't here to share quickly matched intuitions with an Oxford friend. He loved the hard self-confidence of his date; and at the same time, in his silent, superior way, he thought he heard how each little brag was the outward denial of an inner doubt.

With the third drink Nick grew warm and half-aroused and he looked undisguisedly at Leo's lips and neck and imagined unbuttoning the shiny blue short-sleeved shirt that cut so tightly under his arms. Leo hooded his eyes for a second, a signal, secret and ironic, and Nick wondered if it meant he could see he was drunk. He wasn't sure if he should somehow signal back-he grinned and took another quick sip. He had the feeling that Leo had drunk Coke since he was a child, and that it was one of the nearly unnoticed facts of life to him, beyond choice or criticism. Whereas in his family it was one of a thousand things that were frowned on-there had never been a can or bottle of it in the house. Leo couldn't possibly have imagined it, but the glass of Coke in Nick's hand was a secret sign of submission, and afterwards the biting sweetness of the drink, like flavouring in a medicine, seemed fused with the other experiments of the night in a complex impression of darkness and freedom. Leo yawned and Nick glanced into his mouth, its bright white teeth uncorrupted by all the saccharine and implying, Nick humbly imagined, an almost racial disdain for his own stoppings and slants. He put his hand on Leo's forearm for a moment, and then wished he hadn't-it made Leo look at his watch.

"Time's getting on," he said. "I can't be late getting back."

Nick looked down and mumbled, "Do you have to get back?" He tried to smile but he knew his face was stiff with sudden anxiety. He moved his wet glass in circles on the rough-sawn table top. When he glanced up again he found Leo was gazing at him sceptically, one eyebrow arched.

"I meant back to your place, of course," he said.

Nick grinned and reddened at the beautiful reversal, like a teased child abruptly reprieved, rewarded. But then he had to say, "I don't think we can…"

Leo looked at him levelly. "Not enough room?"

Nick winced and waited-the truth was he didn't dare, he just couldn't do that to Rachel and Gerald, it was vulgar and unsafe, the consequences unspooled ahead of him, their happy routines of chortling agreement would wither for ever. "I don't think we can. I don't mind going up to your place."

Leo shrugged. "It's not practical," he said.

"I can jump on the bus," said Nick, who had studied the London A-Z in absorbed conjecture about Leo's street, neighbourhood, historic churches, and access to public transport.

"Nah-" Leo looked away with a reluctant smile and Nick saw that he was embarrassed. "My old lady's at home." This first hint of shyness and shame, and the irony that tried to cover it, cockneyfied and West Indian too, made Nick want to jump on him and kiss him. "She's dead religious," Leo said, with a short defeated chuckle.

"I know what you mean," said Nick. So there they were, two men on a summer night, with nowhere to call their own. There was a kind of romance to that. "I've got an idea," he said tentatively. "If you don't mind, um, being outside."

"I don't care," said Leo, and looked lazily over his shoulder. "I'm not dropping my pants in the street."

"No, no…"

"I'm not that sort of slut."

Nick laughed anxiously. He wasn't sure what people meant when they said they'd had sex "in the street"-even "on Oxford Street," he'd once heard. In six months' time perhaps he would know, he'd have sorted out the facts from the figures of speech. He watched Leo twist and lift a knee to clamber free of the bench-he looked keen to get on with it, and he acted of course as if Nick knew the procedure. Nick followed him with a baked smile and a teeming inward sense of occasion. He was consenting and powerless in the thrust of the event, the rich foregone conclusion of the half-hour that opened ahead of them: it made his heart race with its daring and originality, though it also seemed, as Leo squatted to unlock his bike, something everyday and inevitable. He ought to tell Leo it was his first time; then he thought it might bore him or put him off. He gazed down at his strictly shaved nape, the back of a stranger's,head, which any minute now he would be allowed to touch. The label of Leo's skimpy blue shirt was turned up at the collar and showed the temp's signature of Miss Selfridge. It was a little secret given away, a vanity exposed-Nick was light-headed, it was so funny and touching and sexy. He saw the long muscles of his back shifting in its sleek grip, and then, as Leo hunkered on his heels and his loose jeans stood away from his waist, the street lamp shining in on the brown divide of his buttocks and the taut low line of his briefs.

He unlocked the gate and let Leo go in ahead of him. "Cycling isn't permitted in the gardens, but I dare say you can walk your bike."

Leo hadn't learnt his mock-pompous tone yet. "I dare say bumshoving isn't permitted either," he said. The gate closed behind them, an oiled click, and they were together in the near-darkness of the shrubbery. Nick wanted to hold Leo and kiss him at once; but he wasn't quite certain. Bumshoving was unambiguous, and encouraging, but not romantic exactly… They strolled cautiously forward, leaning against each other for a step or two as they steered for the path. There was the slightest chill in the air now, but Nick shivered wildly in a spasm of excitement. His fingers felt oddly stiff, as though he was wearing very tight gloves. Even in the deep shadow he wanted to conceal his weird smirk of apprehension. He did so hope it would be him who got to do the shoving, but didn't know how you arranged that, perhaps it all just became clear. Perhaps they both had to have a go. He led Leo through on to a wide inner lawn, the bike bouncing out beside them, controlled only by a hand on its saddle-it seemed to quiver and explore just ahead of them. To the right rose a semicircle of old planes and a copper beech whose branches plunged to the ground and made a broad bell-tent that was cool and gloomy even at midday. Away to the left ran the gravel walk, and beyond it the tall outline of the terrace, and the long, intermitted rhythm of glowing windows. As they skirted the lawn Nick counted confusedly, searching for the Feddens'. He found the first-floor balcony, the proud brightness of the room beyond the open French windows.

"Yeah, how far is it?" said Leo.

"Oh, just over here…"-Nick giggled because he didn't know if Leo's grumpiness was real. He went ahead a bit, anxiously responsible. As his eyes adjusted to the semi-darkness nowhere seemed private enough-there was more show-through from the street lights, voices on the pavement were unnervingly close. And of course on a summer night there were keyholders still at large, picnickers charmed into long late reminiscence, walkers of white dogs. He stooped under the copper beech, but the branches were rough and confusing and the mast crackled underfoot. He backed out again, bashing into Leo and gripping his waist for a moment to steady himself. "Sorry… " The feel of his warm hard body under the silky shirt was almost worryingly beautiful, a promise too lavish to believe in. He prayed that Led didn't think he was a fool. The other men in Leo's life, anonymous partners, answerers of ads, old boyfriends, old Pete, massed impatiently behind him-as if a match had flared he saw their predatory eyes and moustaches and hardened sex-confidence. He led the way quickly to the little compound of the gardener's hut.

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