Alan Hollinghurst - The Line of Beauty

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A New York Times Bestseller
A Los Angeles Times Bestseller
A Book Sense National Bestseller
A Northern California Bestseller
A Sunday Times Bestseller
A New York Times Notable Book of the Year
And chosen as one of the best books of 2004 by:
Entertainment Weekly • Washington Post • San Francisco Chronicle • Newsday • Seattle Times • Salon.com • Boston Globe • New York Sun • Miami Herald • Dallas Morning News • San Jose Mercury News • Publishers Weekly
"In this saga about the Thatcher years Alan Hollinghurst writes harsh but deeply informed social satire from within, just as Proust did. Hollinghurst is never mocking or caricatural but subtly observant and completely participant. He writes the best prose we have today. He brings the eloquence of a George Eliot together with the sexiness and visual acuity of a Nabokov."-Edmund White
"An affecting work of art."-Michiko Kakutani, New York Times
"Hollinghurst's prose is a genuine achievement-lavish, poised, sinuously alert… The Line of Beauty is an ample and sophisticated delight, charged with hundreds of delicate impressions and insights, and scores of vital and lovely sentences. It is at once domestic and political, psychological and historical. It is funny, moving, and finally despairing."-New Republic
"His finest novel to date."-Geoff Dyer
"Line for line, Hollinghurst's novel about London during the 1980s is the most exquisitely written book I've read in years. Witty observations about politics, society, and family open like little revelations on every page."-Christian Science Monitor
"A rueful, snapshot-accurate portrait of this era."-Seattle Times
"An intoxicating read…each sentence in this book rings as perfect and true as a Schubert sonata."-Hartford Courant
"[A] masterpiece with a skillfully rendered social panorama, a Proustian alertness to social nuance and a stylistic precision that recalls [James]."-Newsday
"The Line of Beauty is itself a thing of beauty-an elegant and seductive novel…readers will hang on every bracing word. The Line of Beauty may perhaps be the author's most mature and accomplished work to date. It might also be his best."-Philadelphia City Paper
"A deliciously snarky portrait of Thatcherite Britain, but Hollinghurst also makes you believe in his characters, and nobody produced better prose this year."-San Jose Mercury News

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"I mean I know he's not one of your nig-nogs."

"Oh, fuck off," Nick said, and marched away, in his jeans, but still shirtless, towards the toilet. He felt the disadvantage of the clothed among the naked; and the floor of the lavatory, when he entered it, was unpleasantly wet under his bare feet.

The door of one of the two cubicles was shut, and at the raised tin trough of the urinal the man was standing, his big sleek back and arse to the room, but turning his head, in his odd expressionless way, to see who had come in. And that look, and the smell of the place, piss and disinfectant, the atmosphere of permission, the rules all changed by keen but furtive consent, gripped Nick and melted him. He went over and stood beside the man and a few seconds later the spray from the excited fizz of the flush was coldly tickling the tips of their two erections. Nick slid his foreskin slowly backwards and forwards and gazed at the other man's blunt-headed shaft. Then he looked into his eyes, and it was like when they had chatted on the raft, totally expected, the reason they were here, as commonplace as it was deep. He seemed to swim in that dark gaze, with little flickers of conjecture. The man tilted his head towards the open cubicle, so that Nick wondered if he could do that, quickly or partially, before "getting" him, or trying to get him, to come home with them, but there was the snap of the bolt, the other door opened halfway and little Andy, the Malaysian handful, slipped out, and crossed the room to wash his hands. In the mirror Nick saw the mischief in his eyes fade into blankness. Then as if by magic the flush sounded, the door opened wide, and a grey-haired man, who was not his friend Leslie and not his rough-voiced admirer either, emerged and made off with a preoccupied look.

Now they were alone, and Nick felt there was something almost romantic in their patience, and in the man's delayed grab at his penis, and his own half embrace of the man's waist, his hand between his buttocks. The man was breathing in his face and Nick muttered, "Wait… wait… what's your name?"

"Ricky," said the man, and tried to kiss him again.

Nick giggled as he pulled back his head. "I just wondered if you wanted to come home with me and my friend? You know, have a bit of fun…"

" Well… " Ricky clearly thought it was a lot of bother when he had him here already. "How far is it?"

"Only… Kensington!"

"Kensington? Fuck-I don't know, mate." And he pressed against Nick with another impatient nod at the waiting lockup. Nick hugged him clumsily, and grunted at how much he would like to have him right here; but it would be a scandal with Wani waiting round the corner. He said,

"We've got a fantastic car."

"Yeah?" said Ricky. "Which is he, anyway, your friend? Sort of dark curly hair?" He gently pinched and twisted Nick's nipple, and Nick gasped as he said,

"You saw him…"

Ricky pondered and nodded and let Nick free himself. They took a moment to make themselves decent. "He's a bit stuck-up, is he, that one? Butter wouldn't melt in his arse?"

"I wouldn't say that… He's a bit shy," said Nick.

"We'll see about that, then," said Pdcky.

As they went out Nick said, "Can you do us a favour?"

"I bloody well hope so."

Nick winced. "Can you pretend you're married-or at least you've got a girlfriend…"

Ricky shrugged and shook his head. "I have got a girlfriend."

"Have you?" Nick stopped for a second with his chin tucked in, while Ricky stared at him and then winked.

"Quick on the uptake, aren't I?"

Nick tutted and blushed. "I must say you're fucking quick," he said, almost in Ricky's voice.

Outside on the path Wani hurried ahead with the preoccupied look of a famous person, while Nick and Ricky followed behind. Ricky clearly never hurried, he was his own lazy happening. He kept his eyes on the pretty back view of Wani, which made Nick proud and also apprehensive. He wondered just what they were going to do, and couldn't distinguish the nerves that are a part of excitement from a kind of resentment. Wani's nerves showed in his cool dissociating manner. They went along beside the wide grass bank, and one of the sunbathing men called out something to Ricky, who gave him a nod and a dirty smile back-Nick smiled too, as if he knew what was going on.

In the lane above, Wani, who was playing with the car keys, flipping the leather fob about, said, "You can drive, Nick," and threw them over to him. It was typical of Wani to dress up a command as a treat. Nick had often been the passenger in WHO 6, but he had only driven it once before, by himself, a short hop from the river back to Kensington that became a whole glittering evening of darting about, the Brompton Road, Queen's Gate, along by the Park, round and round, and with the curious feeling (with the roof down and the coldish air blustering in) of passing for Wani, of being WHO, that glamorous enigma. All of which rather withered as he slid back into the driving seat. The car was parked in close to the rustic fence, under the lime trees, and their sticky exudations had already stippled the windscreen. He held down the button to retract the roof and watched in the mirror as it lifted and folded away behind him and sunlight through the leaves fell in glancingly on the dials and knobs and amber walnut. The other two stood waiting for him to pull out, but not talking. Then Wani gestured Ricky into the back, where he sat with his knees wide apart, since there was very little legroom. "You all right there?" said Nick, looking over at the squashed contour of his packet and feeling oddly apologetic about both the splendour and the inconvenience of the car.

"I'm all right," said Ricky, as if he was driven about like this every day.

They started on the steep hill towards Highgate and Nick was amazed all over again by the power leaping up under the ball of his foot. They seemed to wolf up the lane, in four thoughtless growls. He caught Ricky's eye in the mirror and said, "So what time's your girlfriend getting back?"

Ricky said, "She won't be back till really late, actually," more clearly than when he told the truth, and then added, "She's gone round to see her Uncle Nigel," with a tolerant cluck. This bit of business acted visibly on Wani, who cleared his throat and half-turned in his seat to say,

"That's good." The absurdity of the situation, something quite uncomfortable, tied a sudden knot in Nick, and at the top of the lane, instead of turning right down the hill towards town he turned the other way and climbed again towards Highgate village. He probably didn't need to explain, since as far as Wani was concerned they could have been in Lincolnshire, and Ricky would sit there with his half-smile of anticipation wherever they went, but he said,

"There's something I want to have a quick look at." At the top he made an abrupt left into the long shady row that he knew must be The Grove. He was fairly sure he'd never been here before, it was something he'd imagined doing, a piece of research, historical, emotional… but as he peered through the line of trees at the beautiful old brick houses behind high railings, the house where Coleridge had lived and died, and then, as they crept along, bigger Georgian houses with flights of steps and carriage yards, he had the ghostly impression that he had been here, had been brought here on some unlocatable evening for some irrecoverable event. "This is where Coleridge lived," he said, with a glow of piety intended to stir Wani too, and then protracted to defy his evident lack of interest.

"OK," said Wani.

"I just want to see where the Feddens used to live. Some old friends of mine," he explained to Ricky. "I know it was number thirty-eight…"

"This is sixteen," said Wani.

It was one of the Feddens' sentimental routines to refer to their "Highgate days," and Gerald would evoke the house where they had first lived in a tone of nostalgia and self-ridicule, as if remembering student digs. Rachel usually said it was "a darling house," it was where she had raised her children, and a snapshot of Toby and Catherine, aged ten and eight, sitting on the front steps, remained in a silver frame on her dressing table. To Nick the place had an obscure proxy romance, as the first home of his second family. When they got to it there was a skip outside piled high with splintered timber, and a blue Portaloo in the front garden.

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