Jaimy Gordon - Bogeywoman

“Ursie writes all the words for the Bug Motels,” Emily tattled gravely.

[“Who is that child?” you whispered, “does she need a home? Could she be fostered?” “Not by you,” I hissed back, “you live in sin with a racetrack bum for godzillas sake, you think the folks that run this bughouse are crazy?” “So maybe I’ll get married,” you said. “Yeah sure, Margaret, when pigs fly and rivers run uphill. And anyhow I gotta admit he’s not just a racetrack bum. Mr. Tod Novio, alias Boyfriend Death, would be a bum anywhere. The exact face of Lovelace in the Classic Comic! And by the way, on which ten-cent racetrack are we refusing to sully our hairy hands with labor now?” “Indian Mound Downs,” you smirked, “Great Cacapon, West Virginia. I gotta be back to feed by five. Listen Ursula I could fix that little girl, I could fatten her up, I could get her all the way better.” “Better kidnap her then, they’re never letting you have her.”]

“Bertie plays the bestest, but Ursie sings the loudest,” Emily further reported. (Loudness was not a point in your favor with the Bug Motels.) “Regardless,” you said, raising a finger: “I can only say, Ursula, your song is shayn vi die zeeben welten. Honest I didn’t know you had it in you.”

“First learn to talk, then learn to sing, say wise old men of treatment staff, okay I go along with this,” Doctor Zuk recalled, “but when Miss Bogeywoman finally opens her mouth, after twenty-one months silent like grave, song comes out, only song, and what song! like an angel. I wonder what Sigmund Food would say? Surely is something for mental science in all of this?” Doctor Zuk ran her strong ugly hands through her spiky hair and smiled secretively.

And this was the first you must have awakened to the mysterious powers of this beautiful dreambox mechanic or bughouse commissar or whatever exactly she was, from some pre-Foodian oblast east of the Urals: you stepped back from the barber chair and took a long look at her. “You know I knew old Ursula here wouldn’t talk to the dreambox mechanics no matter how much Merlin had to pay for a room in this dump-in fact the more the better. Twenty-one months, eh?” You laughed hysterically.

Doctor Zuk arched an eyebrow at you, possibly she had been indiscreet? But then she continued decisively: “I see you are getting incredibly better, Miss Bogey. You can make songs like that! Why don’t you tell me what you want. You want music lessons? You want go back to school? I talk tonight to Dr. Feuffer .” I stared at her. Sumpm about that I talk tonight to Dr. Feuffer got seriously on my nerves, what was it? “Don’t talk to Foofer tonight. I’ll talk to Foofer myself. Cheese I turned into the creakiest gate in the bughouse while you weren’t looking,” I whined, “and now you’re gonna talk to Foofer!” “What makes you think I was not looking?” Zuk said loftily: “How dare you say this? You think you know me? My dear, you don’t know where I come from, where I go. You must see big, not small, to find me. You must get much more better to know me. You don’t know me at all.”

Sumpm about this speech so crushed my heart I threw myself into my little NEUROPATHOLOGY desk and banged my pukelele on the desktop and sulked right in front of everybody. And it’s a good thing there were no razor blades handy-I looked for the scissors, but they were in your hand. “Hey, Ursula, your haircut’s not done,” you said. “Got a dime?” “Sure.” “Call somebody that gives an oink,” I snarled. “Why you are so evil-tempered when somebody praised your song?” Doctor Zuk inquired, in her most enlightened and dreambox-mechanical voice. I glared at her. You are a leviathan, even your kiss is like a house fell on me .

Finally I tried to save face: “Look, it isn’t just me. Where our music is concerned, all us Bug Motels hate to get our hopes up.” “Bingo,” Egbert said, “don’t make us hope for fame or you’ll spoil everything. We know we could be as good as Chuck Berry and still get nowhere but Neuropathology. Or maybe we get a fifty-dollar gig playing Cousin Freddie’s bar mitzvah now and then, but we don’t care. Only love will get us outa here. Everybody’s a rock star now.”

“Wait-how many rock stars live in the bughouse? I mean dat’s a new angle, ain’t it?” Dion declared. Bla-a-a-at, spla-a-a-t, we all blew raspberries at this childish idea.

[“That is one Adonis of a retard, definitely better than anything else I see around this bughouse, he’s got a genuine Greek cevapcici fattening the pinstripes in those pegged pants and anyhow he’s not so dumb. When you think about it, the publicity angles for a rock band from the bughouse are fantastic,” you hissed in my ear, “what’s he in for anyway?” “Terminal narcissism… go ahead, laugh, he’s so in love with himself he had to go to Emergency one time for trying to oink himself in his own bunghole, in front of the mirror.” “Well, judging by the structure in those trousers it wouldn’t be out of the question…” “Ugh, Margaret, how can you even think of oinking that mooncalf.” “At least I’m just thinking about it,” you smiled.]

“O why can’t you dreambox mechanics leave us the oink alone,” O said gloomily, “we’re the Bug Motels, we don’t play to get famous, we don’t even play for ourselves. We play to forget ourselves, for O… O… O… O… blivion.” “What she means is, we’re kids, we don’t zackly like grownups,” Emily explained. “There you are. That’s why we don’t get our hopes up,” I concluded.

Doctor Zuk blew a great cloud of Turkish smoke in our faces. “Hopes? who talks anything about hopes?” she said. “Who lives on hope dances without music, but who has music lives without hope. You five Bug Hotels have music, this I know. I, I have no music, but I know how to set saddle on right donkey. This is my God-given gift.” And her face filled up with light and looked love, not on us, on me , me alone, for seven straight seconds. Well it was more than five, less than ten, but I could tell it was love-I snuck a glance over at you-you saw it too.

Trouble dented your forehead. Your idled scissors snipped air, tinka tinka tink. Doctor Zuk, having blessed me with that look, was already squinching out the door in her silver sandals. I watched her, the familiar systole diastole of her muscular buttocks, the flickering curves of her soccer player’s calves. All at once my heart opened up like a peacock’s fan, I knew all the colors of love. First red hunger drenched me, hot and disgusting, and I almost choked on my own tongue, so strongly did I want to put all that in my mouth. Then, black shame-you were watching, worried sick, with that dent printed on your forehead. Then I went white, for suddenly I knew why it made me furious, that Tonight I tell Dr. Feuffer . This wasn’t epidemic insomnia among harassed professionals, with late-night telephone calls. It was a dinner date! The scoop on Foofer (via the Regicide, hence you could run trains by it) had him outa here and into Haussner’s for a kirschwasser every afternoon by five on the button. Ergo, cocktails at the very least. They were in cahoots, no, in love, it explained everything. My heart drowned. What else did I expect? She was beautiful, she was famous, I could never get her or be her. Then that hot surf of hunger slapped me around again and ground me into the sand and when I stood up again I was dizzy and seasick, and knew what I had to do: spy on Madame Zuk .

“Hey, how about getting back in this barber chair and letting me finish. You look crazy as a bedbug with your hair half on, half off.” Snip snip. [“It’s not just your hair, Ursula, you got a mad light in your eye, the way you were eyeballing that old dame’s hindparts when she left like you were gonna track her and do bad stuff to her, say, what the hump’s going on here anyway? You’re not really buggy, are you, Ursula?” I suddenly realized I better explain. “Er, uh, you got any dough, Margaret?” “Sure.” “How about you take me down to the Chesapeake Room and feed me?” “The which?” “Glorified cafeteria, ground floor.” “My pleasure.”]