Jaimy Gordon - Bogeywoman

You know that quaint sort of old bomb that falls, like it’s raining lipsticks, out of bulky white airplanes in The World at War ? Under the main hospital next door were a huge pharmacy and the fabulously rumored morgue, but Rohring Rohring’s eight stories sat on a warehouse, an underground dump for big stuff, distillation urns and sterilizer boilers and hundred-pound drums of industrial cleanser, and royal blue size H cylinders of laughing gas that looked just like those bombs. It was one of them, fixed nicely next to its twin H of oxygen in Robinhood green on a cart like you’d use to bus a cafeteria, that souled our mission.

Bertie Stein was featherweight and restless and sifted about the corridors of Rohring Rohring all day long in roachlike silence, slipping through cracked doors if he found any, trying every lock and tuning his junkie’s x-ray eyes on blank walls and dead-end corridors. One day he saw a silver cart loaded with nitrous oxide roll off the third floor elevator and take its place in a row of rolling bins of soiled linens, waiting for some dutiful flunky to wheel them over the catwalk to the laundry chute in the main hospital. Bertie crawled on his hands and knees between laundry bins and from the moment he goosenecked up for a closer look at that cart with its copper tubes and gauges and mixers and regulators, the funny gray enema bag of a gas reservoir dangling down and the dear little red clown’s nose of a mask with two horny valves sticking out of it, he had to have one for his own. For our own. And pretty soon that was our mission.

He reported to the Bug Motels: “The nature of this gas,” drawling it out farcically, gazzz , “is a cartoon with the picture gone. You know, like, Tom the Cat falls through the roof of the opera house and bounces around the orchestra on his rubber stamp head. He gets spitted on a cello bow, sucked up a flute, digested by a bassoon, ha ha ha, tenderized by a marimba mallet, hee hee hee, and finally he gargles the tenor’s high C by swinging from his tonsil. Ho ho ho, except there’s no picture so why am I laughing. I’m laughing cause I weigh nuttin and I got these pink and blue bubbles popping in my veins. And now I’m crying cause I just tasted the tragedy deep in the pillowy fizz. Good stuff you’re gonna say. So how come such good stuff is legal for totally square tooth mechanics? Cause they’re gonna torture you anyway so you’ll never know you had any fun, but we’ll cop us a tank before our teeth are rotten.” The picturesque logic of the bughouse-how could any self-disrespecting Bug Motel argue with that?

Bertie ya see had three traits which made him a great maestro of missions: all that Stein moolah, a mind bent on one thing only, and no fear of the consequences, so that if someone had to take a fall, why shouldn’t it be Bertie? And that’s how he had landed on the funny farm in the first place, by juvenile court order. He had seen the inside of every crumbling smelly youth joint in Maryland and the District of Columbia, and at least had breakfast there before his parents fished him out, over and over, and redeposited him in Rohring Rohring. This scary exposure had only hardened in his dreambox the wish to be changed from itself, by any substance obtainable.

For a week we had been sending Emily down there five times every afternoon in a bin of dirty hospital gowns to scope the landing, since at (presently) fifty-three pounds she made the least dent in its canvas bottom. Of course she couldn’t roll herself off the elevator much less back onto it. She had to peer out through holes we had poked in the side for the ten seconds the elevator doors were open, while up on the sixth floor we pushed the down button frantically to summon her back to the Adolescent Wing before anything funny happened. “ Bombs away? ” we’d whisper in code into the bin of pale blue bathrobes and sterilizer towels, when it reappeared. “Nuh-uh,” she squeaked back every time from her nest. And on like that for six days and then on the seventh the elevator came back empty. “Uh-oh.” Sumpm funny had happened. We looked at one another and shuddered and ran down the hall to play ping-pong. We had to look innocent-and besides, Dion pointed out, for once we had just the right number for mixed doubles.

“Three to two, my serve,” Bertie hollered, so the whole bughouse would believe in our alibi. “Is she dead?” O whispered. “Who da hump knows,” Dion said. “It depends if she went down the chute headfirst or sideways,” I whispered back. “Sideways… oooo,” O echoed in her spooky-flute voice; you could tell from the queer crook of her chin she was picturing Emily stuck between the third and second floors, with her head wedged at an uncomfortable angle. “Say, does it hurt to be paralyzed?” I asked.

“Aaanh, she was only fifty-three pounds away from disappearing anyhow,” Dion said, “she wants to die, ain’t it?” “She was waiting for the birds to feed her,” I said, “least that’s what she told Dolores, who told Reggie, who told me.” “That’s a very beautiful idea,” sighed O, “that Emily is a saint, I’d never think of nuttin like that.” “Ya know, certain girls love death like I love D.O.A.P.,” Bertie observed, “like O here-you can tell from the eye makeup. To her every day is a funeral.” “Just cause you have to die before you get to wear makeup, Hebrew school creepo,” sneered O, glacially. “I don’t care if I do die. That’s why I’m here,” Bertie bragged, “and I won’t be wearing makeup either, I’m getting smoked, man, cause I figure I’ll be 98 percent tetra-hydrocannabinol by then.”

“Aaay, don’t worry, da stuff looks good on you,” Dion told O, “ladylike, I mean. Koderer don’t wear no black on her eyes, and she looks like Oliver Twist. In the movie, ya know.” “Ursie’s queer,” Bertie explained. I froze and O gasped. “Get oinked,” she said loyally, for she was a friend of mine, and as I was wildly in love with her I had never even let my hand brush her hand by mistake (lemme die first).

“I wear a little Clearasil over da zits now and then,” Dion said, “but nuttin on the eyes. Nino don’t recommend it.” Nino was his tailor. “I wonder if they’ll put any makeup on Emily,” O worried-meaning on her little dead white face. “Aaanh, Emily was a strange-looking bird at best. Makeup wouldn’t do nuttin for her,” said Dion. “I think Emily was cute, in a ugly sort of way,” O almost sobbed, in her spooky-flute. [ Whap! ] “Ace,” she added. O had a devastating serve. We volleyed on gloomily.

We had played three whole games-by now we had just about given up on ever seeing Emily alive again-when they rolled her onto the ward on a gurney, trailing white linens like a dead infanta. It all looked like a weird dream: Dr. Hamburger and Dr. Beasley running behind like footmen, or pilgrims, in tunics of elfin green. The last of the day slanted through the tall windows of the dayroom in banks, forming six mirages in the shapes of pyramids. As her body passed through them, the dust, like shrimps and scorpions of pure light, made way for the princess in worshipful agitation. The turban of gauze on her head pushed her face up at us, her open eyes glimmered drily in death through the mashed lace of her eyelashes-but then she blinked and smiled a little.

“What happened? What happened?” everyone asked, and we ran alongside the palankeen too. “Oooo my neck. It was kind of fun. Ursie…” I bent down to her, and she whispered: “… they think I tried to kill myself…” She giggled. “So what else is new,” Bertie panted, and I jerked his ponytail and stuck out a Ked so he fell splat on his face. “… and listen, Bug Motels- bombs away ,” Emily said in code, “Big Blue on three… just standing there…”