Daphne du Maurier - Not After Midnight & Other Stories

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Not After Midnight
"
" — this novella features John and Laura who are on holiday in Venice. But it is a dangerous place for them as they are being followed by two old sisters and there is a killer on the loose.
"
" is a tale about a lonely teacher who goes on a painting holiday in Crete and meets a strange American couple. The woman invites him to visit them in their hotel room but "not after midnight," the reason for this becoming clear as the story progresses.
In "
", a young actress pursues old family friend Nick after the death of her father. She discovers he is an IRA executive and accompanies him on a bombing raid in Ireland, but soon learns he is not all he seems to be.
In "
", a disparate group of pilgrims from the same village embark on a trip to frenetic, dusty Jerusalem. Their regular vicar is taken ill and replaced by The Reverend Babcock, a rough diamond from Leeds. On the first night, young Robin, a precocious nine-year-old, suggests a walk to the Garden of Gethsemane. In the dark, among the bushes and trees, two people overhear things about themselves that force them to re-evaluate their lives. Subsequently the whole group learn a great deal about themselves and their loved ones, and return home better people.
"
" is a science fiction-style story set in a deserted lab in the wilds of Norfolk. A man is sent to help with a new computer but soon realizes the strange purpose of the scientific team and decides to leave. However, he gets caught up in the experiment and stays. Mac, the leader of the group, is convinced that he can trap the life force, or soul, at the point of death and utilize its energy. His guinea pig Ken is the affable young assistant who happens to be dying of leukemia. Needless to say, the plan goes horribly awry.

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At that moment the door opened and two men came into the room.

Instinctively I recognised MacLean. He was fiftyish, craggy, tall, with the pale, rather light blue eyes which I associate with drunkards, criminals, and fighter pilots-in my view the three frequently combine. His lightish hair receded from a high forehead, and the prominent nose was matched by a thrusting chin. He wore baggy corduroy trousers and an immense pullover with a turtle neck.

His companion was sallow, bespectacled, and squat. Shorts and a baggy shirt gave him a boy scout appearance, nor did the circular sweat stains under his armpits enhance his charm.

MacLean advanced towards me holding out his hand, the broad smile of welcome suggesting I had already become one of his small band of brothers.

'I'm so very glad to see you,' he said. 'I do hope Ken has been looking after you all right. Such a wretched evening for your first glimpse of Saxmere, but we'll do better for you tomorrow, won't we, Robbie?'

His voice, his manner, was that of an old-fashioned host. I might have been a late arrival at a country-house shoot. He put his hand on my shoulder and urged me towards the bar.

'Orange juice for all, please, Ken,' he said, and, turning to me, 'We've heard tremendous things about you from A.E.L. I can't tell you how grateful I am to them-to John in particular-for allowing you to come. And above all to yourself. We'll do everything we can to make your visit memorable. Robbie, Ken, I want you to drink to-it's Stephen, isn't it? Shall we say Steve? — and to the success of our joint efforts.'

I forced a smile, and felt it become a fixture on my face. Robbie, the boy scout, blinked at me from behind his spectacles.

'Your very good health,' he said. 'I'm the Johannis factotum here. I do everything from exploding gases to taking Ken's temperature, as well as exercising the dog. When in trouble send for me.'

I laughed, then swiftly realised that the falsetto, music-hall comedian voice was in fact his own, and not assumed for the occasion.

We crossed the corridor to a room facing the front, plain and bare like the one we had left, with a table set for four. A long-faced, saturnine fellow, with close-cropped grizzled hair, stood by the sideboard.

'Meet Janus,' Mac said to me. 'I don't know how they feed you at A.E.L., but Janus sees we none of us starve.'

I favoured the steward with a cheerful nod. He replied to it with a grunt, and I instantly doubted his willingness to run errands for me to the Three Cocks. I waited for MacLean to say grace, which would somehow have seemed in character, but none was forthcoming, and Janus set before him an enormous old-fashioned soup tureen shaped like a jerry, from which my new chief ladled a steaming, saffron-coloured brew. It was surprisingly good. The grilled Dover sole that followed was better still, and the cheese soufflé feather-light. The meal took us some fifty minutes to consume, and by the end of it I was ready to make peace with my fellow-men.

Young Ken-whose conversation during dinner had consisted of a series of private jokes with Robbie, while MacLean discoursed on mountain climbing in Crete, the beauty of flamingoes on the wing in the Camargue, and the peculiar composition of Piero della Francesca's 'Flagellation of Christ'- was the first to rise from the table and ask leave to be dismissed.

MacLean nodded. 'Don't read too late,' he said. 'Robbie will turn your light out if you do. Nine-thirty's the limit.'

The youngster smiled, and bade the three of us goodnight. I asked whether Ken was in training to race the dog around the marsh and back.

'No,' answered MacLean abruptly, 'but he needs a lot of sleep. Let's to billiards.'

He led the way from the dining-room back to the so-called bar, while I prepared myself for half-an-hour or so in the room beyond-nothing loath, for I rather fancied myself with a cue-but as we passed through, and I saw nothing but a ping-pong table and a dart-board, Robbie, noticing my puzzled expression, boomed in my ear, 'A quote from Shakespeare, the Serpent of old Nile. Mac means he wants to brief you.' He pushed me gently forward and then vanished. I followed my leader through yet another door, sound-proofed this time, and we entered the chill atmosphere of what appeared to be half-working lab, half-clinic, streamlined and severe. It even had an operating table under a centre light, and instruments and jars behind glass panels on the walls.

'Robbie's department,' said MacLean. 'He can do anything here from developing a virus to taking out your tonsils.'

I made no comment, having small desire to offer myself as a potential victim to the boy scout's doubtful ministrations, and we passed from the laboratory to the room adjoining.

'You'll feel more at home here,' observed MacLean, and as he switched on the lights I saw that we had reached the electronics department. The first installation to which we came appeared similar to the one we had built for the G.P.O. some years ago that is to say, a computer capable of speech, though its vocabulary was limited and the actual 'voice' was far from perfect. MacLean's box of tricks, however, had various accessories, and I went up to examine them closely.

'He's neat, don't you think?' said MacLean, rather like a proud father showing off his new-born infant. 'I call him Charon 1.'

We all have pet names for our inventions, and Hermes had seemed particularly appropriate for the winged messenger we had developed for the G.P.O. Charon, if I remembered rightly, was the ferryman who conveyed the spirits of the dead across the Styx. I supposed this was MacLean's own brand of humour.

'What does it do?' I asked cautiously.

'It has several functions,' answered MacLean, 'which I'll explain later, but your main concern will be the voice mechanism.'

He went through a starting-up procedure, much as we had done at A.E.L., but the result was very different. The voice reproduction was perfect, and he had got rid of all the hesitation.

'I'm using the computer for certain experiments in the field of hypnosis,' he went on. 'These involve programming it with a series of questions. The answers are then fed back into the computer, and are themselves used to modify the questions that follow. What do you think of that?'

'It's fantastic!' I answered. 'You've gone miles beyond what anybody else is doing.'

I was indeed flabbergasted, and wondered just how he had done it-as well as keeping it all so secret. We thought we had achieved all that could be done in this particular field at A.E.L.

'Yes,' said Mac, 'your experts will hardly improve upon it. Charon I will have many uses, especially in the medical world. I won't go into any more details tonight, except to say that it is primarily connected with an experiment I'm working on which the Ministry knows nothing whatever about.'

He smiled, and here we go, I thought, now we're coming to the 'experiments of a dubious nature' which my chief had warned me about. I said nothing, and MacLean moved to a different installation.

'This,' he said, 'is what really concerns the government, and the military chaps in particular. You know, of course, that blast is difficult to control. An aeroplane breaking the sound barrier may shatter windows indiscriminately, but not one particular window, or one particular target. Charon 2 can do just that.' He crossed the room to a cabinet, took out a glass jar, and placed it on the working bench by the wall. Then he threw a switch on his second installation, and the glass shivered to fragments.

'Rather neat, don't you think?' said MacLean. 'But of course the point is the long-range use, should you wish to inflict serious damage on specific objects at a distance. I personally don't- blast doesn't interest me-but the Services would find it effective on occasion. It's just a case of a special method of transmission. But my particular concern is high-frequency response between individuals, and between people and animals. I'm keeping this quiet from my masters, who give me a grant.' He put his fingers on another control on the second installation. 'You won't see anything with this one,' he said. 'It's the call-note with which I control Cerberus. Human beings can't pick it up.'

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