Guy Vanderhaeghe - The Englishman’s Boy

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“A stunning performance. Hugely enjoyable. I couldn’t put it down.” – Mordecai Richler
“The canvas is broad, the writing is vivid, and the two story-lines are deftly interwoven to contrast cinematic ‘truth’ with history as it happened. An intense and original piece of writing.” – The Bookseller (U.K.)
“A richly textured epic that passes with flying colors every test that could be applied for good storytelling.” – Saskatoon StarPhoenix
“Characters and landscapes are inscribed on the mind’s eye in language both startling and lustrous.” – Globe and Mail
“Vanderhaeghe succeeds at a daring act: he juggles styles and stories with the skill of a master…” – Financial Post
“There isn’t a dull moment.” – Toronto Sun
“A fine piece of storytelling, which, like all serious works of literature, as it tells its tale connects us to timeless human themes.” – Winnipeg Sun
“The Great Canadian Western.” – Canadian Forum
“Thematically, this is a big book, an important book, about history and truth, brutality and lies.” – Georgia Straight
“A compelling read.” – Halifax Daily News
“Vanderhaeghe shows himself to be as fine a stylist as there is writing today.” – Ottawa Citizen
A parallel narrative set in the American West in the 1870s and Hollywood in the era of the silent films. A struggling writer wishes to make an epic of the American West and believes an old-time Western actor will provide authentic content. However, the actor tells his own, different story.

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“Calm down,” says McAdoo. “Everything’s okay.”

Wylie’s eyes jump suspiciously from McAdoo to me. He has spotted the revolver in my hand and it seems to have stirred muddled outrage in him. “Why you shooting that gun?” he yells at me. “Shorty says you try to make him talk about stuff he don’t want to talk about.” He takes a menacing step towards me. “You leave him alone. He don’t have to talk to you.”

“Climb down off of him, Wylie,” Shorty orders. “I was just giving Harry a shooting lesson.”

Wylie clamps his top teeth over his bottom lip and sucks it, seeking solace and consolation even while his eyes narrow resentfully. “Whyn’t you give me a lesson, too?” he complains to Shorty.

“Yes, Shorty, whyn’t you give him the lesson you gave me?”

“He don’t need that particular lesson,” says Shorty.

“Please, Shorty, I ain’t never shot a short gun but once or twice. Leave me do it, Shorty.”

“Wylie don’t need no lesson like you did, Mr. Writer. You seen him coming to the rescue like hell in a handcart with nothing but that piece of lumber in his hand. He was ready to pulp somebody.” He gives me a wolfish grin. “No wind up Wylie’s ass.”

“That’s right,” agrees Wylie hesitantly, unsure what the conversation is about, “I ain’t got no wind up my ass.”

“Going to save old Shorty’s bacon, wasn’t you, boy?”

“I heard them shots. I say, There’s maybe trouble, maybe Shorty’s in trouble, and I run like the wind.”

I hand the pistol and a box of cartridges to McAdoo. “Give him his lesson,” I say.

“Show me, Shorty,” Wylie pleads. “I can do her, Shorty.”

McAdoo doesn’t say anything. He simply breaks the gun, feeds cartridges into the chambers, slaps it shut. Before giving it to Wylie, he says sternly, “Point your finger.”

“At what, Shorty? Where?”

“There. At that goddamn scarecrow you made, Wylie.”

Wylie does.

“Say bam.”

“Bam,” says Wylie.

“Put your hand down.”

Wylie does.

“Now up and bam - all together.”

“Bam,” goes Wylie.

“All right.” McAdoo smacks the gun into his palm. “Do the same with this, point her and squeeze the trigger.”

Wylie hefts the gun in his hand, the brightness of the weapon pulses up his arm and into his face. He beams. The gun flies up. It goes bam. The overall shudders from the impact of the bullet. The next two shots flap the cloth as they tear through the denim, twisting the scarecrow askew.

“See?” says McAdoo to me. “Nothing to her.” He turns to Wylie. “Like shooting fish in a fucking barrel, ain’t it?”

Wylie grins, face shining. “Easy,” he says, head bobbing. “Easy.”

“Try for the head,” says McAdoo. The words are scarcely out of his mouth when the barrel glares in the sun. I hear three shots, so quick they stutter, and the head of the scarecrow tosses like a buggy whip.

McAdoo and I stand silent while a few wisps of errant straw float lazily to the ground. Wylie has drilled a hole in the scarecrow’s leer and two more, one through the right eye and the other two inches above the left.

“Jesus Christ,” mutters McAdoo.

“Bam,” goes Wylie with the empty gun. “Bam, bam.”

“The gun’s his,” I say. “I don’t want it. Let him keep it.”

I walk away, quickly. Wylie is standing with the gun, swinging it from target to target, going bam , louder and louder. He shoots the windmill, the bunkhouse window, a fencepost. I take one last glance back after I’ve cranked the car into life. Wylie has me in his sights. “Bam!” he shouts. “Bam! Bam!” He is laughing. McAdoo jerks Wylie’s arm down as I duck into the car.

17

The Englishmans Boy - изображение 23

The fording of the Milk was a good deal easier than the Marias – no fool and blind white horse to save from drowning. Once across, they shucked their wet clothes and hung them in the willows, built a fire and breakfasted buck naked while their duds dried. Finding themselves north of the Milk seemed to lighten the boys’ mood, they were now beyond reach of the Choteau County sheriff, the United States Marshals, the army, or Indian agents. On the Canadian side of the line there were no meddlesome lawmen of any stripe whatsoever.

And the health of their spirits might have owed something to the fact that all trace of the horse thieves was now well and truly gone. Pure relief, the Englishman’s boy guessed, noting how the knot in his own gut had loosened over the last day when it became clear they had lost them. Biggity talk about what you were aiming to do to Indians was one thing, the prospect of delivering on it was another. There were some hard cases in this crowd, but even hard cases got second thoughts when their mouths fell shut long enough to allow a spell for thinking.

Hardwick let them linger over morning coffee; with the trail dissolved into thin air there was no point in hurry. The thieves might have skedaddled in any direction – maybe they’d even doubled back south. But Hardwick had decided to gamble that they were bound for the Cypress Hills, fifty miles to the north, prime hunting grounds for the tribes. And not just for the Cree, the Saulteaux, the Assiniboine, and the Blackfoot who gathered there to dance, to hunt, to make war, and to chop lodgepole pine, the slim, arrow-straight, nearly branchless trees prized for teepee and travois poles. Because also folded in among the hills were bands of Métis who had given the montagne de cyprès their name, buffalo hunters who supplied the Hudson’s Bay Company with the pemmican to feed its factors and servants in the Northwest. And traders, too. Only the year before, according to Vogle, that Bay bastard, Isaac Cowie, had packed out seven hundred and fifty grizzly pelts and fifteen hundred elk skins despite the Company’s monopoly being broken by independents trading the bad whisky the Company refused to sell. The thought of whisky of any kind, bad or good, and the prospect of a long swallow had helped cheer the boys remarkable, too.

Nigh ten o’clock, Hardwick ordered them into the saddle and they forsook the camp by the Milk, winding up and over and through gaunt, brooding hoodoos the colour of cured hides, riding out onto a rippling plain contoured like a washboard. The heat of the previous day had eased a little, but the wind had struck up fierce, gusty. As far as the eye could see, the short curly grass writhed and shuddered under the invisible lash of the shrilling wind. The Englishman’s boy rode leaning into it, like a man shouldering through swinging doors, his bowler hat battened down tight around his ears. Handfuls of sparse, sombre cloud sped overhead, spinning shadows on the glowing, rolling grass like coins tossed carelessly across the lamplit baize of a saloon table. An occasional faint spit of rain accompanied the dark shadow, then suddenly disappeared, the sun pouncing back on them, quick and hotblooded as a cougar.

To the left of the Englishman’s boy, Scotty rode with a stiff smile pasted on his gob. At first the boy had wondered if the wind wasn’t twisting up the corners of the Scotchman’s lips, curling them like the tips of a waxed moustache; now he figured it had nothing to do with the wind but with the Scotchman’s mind. Out of the corner of his eye, he watched him talking to himself, a brief mumble of words, a puppet-like bobbing and wagging of the head on the stem of the thin neck signalling agreement with his own propositions. And each time he ceased jabbering, his smile was stretched even wider across his face until the Englishman’s boy feared the mouth might rip at the corners; each time the smile seemed frozen a little harder and more unlikely ever to thaw, a toothy grimace as strange as that fixed, blue, teary shine in the Scotchman’s eyes.

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