Neal Shusterman - Bruiser

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Bruiser: краткое содержание, описание и аннотация

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Tennyson:
Brontë:
Award-winning author Neal Shusterman has crafted a chilling and unforgettable novel about the power of unconditional friendship, the complex gear workings of a family, and the sacrifices we endure for the people we love. Don’t get me started on the Bruiser. He was voted “Most Likely to Get the Death Penalty” by the entire school. He’s the kid no one knows, no one talks to, and everyone hears disturbing rumors about. So why is my sister, Brontë, dating him? One of these days she’s going to take in the wrong stray dog, and it’s not going to end well. My brother has no right to talk about Brewster that way—no right to threaten him. There’s a reason why Brewster can’t have friends—why he can’t care about too many people. Because when he cares about you, things start to happen. Impossible things that can’t be explained. I know, because they’re happening to me.

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You think you want to know the secrets of the universe. You think you want to see the way things all fit together. You believe in your heart of hearts that enlightenment will save the world and set you free. Maybe it will.

But the path to enlightenment is rarely a pleasant one.

When the last button had been undone, Brew parted his shirt to reveal a battered torso that barely looked like flesh at all. Bruise upon bruise upon bruise. Purple and yellow, swollen red, bloodless white. His chest, his shoulders, his back. It looked like he had been thrashed by chains and bashed by bats, and pummeled by countless other blunt objects. This was worse than anything his uncle had ever done. I could see where he had masked the marks on his neck and face with covering makeup much more skillfully applied than the day he came to school with a black eye. This time you couldn’t even notice it. I’m sure there wasn’t an inch of his body that didn’t bear some kind of damage. All of it was fresh; all of it came long after his uncle had died.

“Who did this to you?”

He pointed to one discoloration on his shoulder. “This is your father’s. When he fell on the basketball court.” Then he pointed to another. “This is Tennyson’s from lacrosse.” And then another. “This is yours; I’m not sure from where.”

But I knew.

“Someone opened their car door into me…,” I said numbly.

He nodded and kept on going, pointing to the marks on his body like one might point out constellations in the sky. “This is Joe Crippendorf’s…. This is Hannah Garcia’s…. This is Andy Beaumont’s….” On and on he went, reciting a litany that I thought would never end. He seemed to know where every single injury had come from— maybe not how or when, but he always knew who; and I thought back to something he had said. “I like your friends,” he had told me. Until that moment it had never occurred to me that, for Brewster Rawlins, the cost of friendship was exacted in flesh.

“…This is Amanda Milner’s…. This is Matt Goldman’s….”

I wanted to shed all the tears in the world for him, but I couldn’t. My tears were already taken away from me. My tears were filling his eyes instead of mine— and that’s when I knew how much further this went than flesh and bone. Then he took my hand and pressed it firmly to the center of his chest until I could feel his heart beating against my palm.

“And this…,” he said, “…this is your parents’ divorce.”

I pulled my hand away as if he had thrust it in hot coals. “No! They’re not getting divorced! They worked things out! They’re happy!”

He offered me a slim but satisfied smile, then said with absolute certainty:

“I know.”

61) IMPLOSION

I ran from him.

It was callous of me; it was cowardly; it was worse than the time he ran from me when I was most vulnerable. But, like Brew, I’m human. All I knew was that I had to get to a place far enough away for me to truly know my own feelings and grapple with them. I couldn’t let Brew make peace for me. I had to make peace for myself. With myself. Only after I was out in the street and off of our block did worry, doubt, and anger begin to filter back in. Not enough to overwhelm me, but certainly enough to give some depth of field to my vision.

My feet were on autopilot—I didn’t even know where I was going until I got there.

The pool.

It was getting toward nine o’clock. The pool closed to the public at eight, but the underwater lights came on at dusk and didn’t turn off until sunrise. The gate was locked, but I knew the pool as well as I knew my own home. There were half a dozen ways to get in that didn’t involve the gate; and although I had no bathing suit, I knew the storeroom door was never locked. Neither was the lost-and-found bin, which was always full of suits.

Diving into a pool as smooth as glass and creating the first ripples has always been magic to me. Like taking the first steps into virgin snow. This is what I needed—just me and my own liquid universe. I hit the water, feeling the chill. I set out to do twenty warm-up laps but quickly lost count as my head went into defragment mode, trying to put together the events of the past weeks in some meaningful way.

I wanted my frustration and my anger to align in a single direction—like a beam I could aim at someone, fry them in blame, and be done with it. But who? Not Brew—he didn’t choose his gift. Not Tennyson—he didn’t start this. Not my parents—they were unwitting victims with no idea where their sunny, distorted dispositions had come from.

And then there was me.

Was I to blame for bringing Brew out of his shell and exposing him to all the toxic things the rest of us carry in our souls? And as our family rose out of our own gloom, how could I not have known the cause? Me! The girl who always prided herself on her ability to see to the heart of things—to pull the truth from the tiniest bit of emotional evidence.

There could be only one answer.

I did know.

Maybe not consciously, but somewhere deep down I must have known that Brew was filtering out all those wounds we couldn’t see. I let it happen because I wanted it to happen. I wanted my world to be safe and whole at all costs. I used Brew—just as Tennyson used him, just as Cody used him, just as his uncle had used him. In the end, blame didn’t shine on an individual. It was a floodlight cast on all of us.

And all because we longed for healing and happiness—as if happiness is a state of being. But it’s not. Happiness is a vector. It’s movement. Like my own momentum across the pool, joy can only be defined by the speed at which you’re moving away from pain.

Certainly our family could reach a place of absolute, unchangeable bliss at Brew’s expense; but the moment we arrived, the moment we stopped moving, joy would become as stagnant and hopeless as perpetual despair. Happily ever after? What a curse to have to endure!

Time doesn’t move at the same pace when I’m swimming, so there was no telling how long I swam. More than half an hour, less than two. Maybe. By the time I was done, I had found a sense of balance to all my emotions. I knew there had to be a way to hold on to them even in Brew’s presence. There had to be. Uncle Hoyt had done it. I’d never seen a man so angry, and he held his anger even with Brew around him every day.

As I climbed out of the pool, my inner balance didn’t do much for my outer balance. All those laps had tired my legs and made me just a little bit dizzy. I found myself leaning a bit too far back; I overcompensated, and then my feet slipped off the ladder rungs.

I fell into the pool, but never felt myself hit the water.

Instead, I felt my head hit the concrete edge, knocking me unconscious. And in that instant, everything—happiness, sorrow, peace, and anger— were all snuffed silent in the implosion.

BREWSTER

62) SWORDSMANSHIP

(I)
I did not choose this gift.
I cannot help what I am, what I do,
I do not choose to rob others of their pain.
At best I can mold it, and even direct it,
Use it myself, before others use me.
I have made that my secret aim,
But confessing to Brontë,
Scars me like acid rain,
Leaving me to drown.
In its rising waters,
As she leaves.
And in that moment,
I see my own glaring truth,
Her gift to me, there in her eyes.
You brought us a new light,
But that light is false.
So is darkness better
Than a heartfelt lie?
There’s a rift,
Deep in my soul,
Between what I wish
And what I’ve become,
The anger begins to swell,
All my own and no one else’s,
At the stark, undeniable truth,
That my brand of healing
Brings only misery.
I am defeated,
I am lost.
She leaves,
The door slams,
Mobilizing Tennyson.
He comes down to my room,
To find out what he has missed.
He sees my ruined back, chest, and arms.
“Put on your shirt,” he says, and tosses it to me.
“Sorry,” I tell him, “I know I look horrible.”
“No,” he says, “it’s cold, that’s all.”
I slip the shirt back on.
“Thanks.”
I have to admit
Tennyson has changed
Since the first time I met him,
For the better, but also for the worse.
He’s much kinder, more honorable somehow,
But humbled by an addiction to painkillers.
We both know that painkiller is me.
“She hates me now,” I tell him.
“She’ll get over it,” he says,
“I’ll go after her—”
“No!” he says,
And in his eyes
A certain disquiet
A distinct desperation
At the thought of me leaving,
Clear evidence of the addiction.
And he looks away, hiding his shame,
But I’m more ashamed than him,
Because I made him this way.
I am not what he needs.
Not what they need.
“So,” he asks,
“Will you stay?”
Meaning much more
Than just tonight or tomorrow,
Or this week or next. “Should I?”
He looks away again. “Yes…,” he says, then adds,
“But I don’t know if it’s really me talking.”
I nod, an understanding reached.
“I’m going out to find her,
To make things right,”
Or at least
Properly wrong.
(II)
Alone with my own thoughts,
Searching through a chilly night,
Full of memories….
When I was five years old,
I spent a week in the hospital
For three broken ribs and internal bleeding,
Because our dog was hit by a car,
And I took his pain away.
Mom had to lie and say I was the one hit,
And as I lay there recovering, she told me a story
About the world’s greatest warrior,
Who could take on armies single-handedly.
The gods feared his power,
So they gave him a diamond sword,
Which fused to his fighting hand.
And every blow he struck
Would come back upon him.
Until he realized that the only way to win
Was not to fight.
When I came home from the hospital,
Our dog went to a good family,
And we never had a pet again.
Where would Brontë go,
To be alone with her thoughts?
One more place to look…
When I was eight, my teacher had pneumonia
Only she never knew.
My fever climbed so high,
I hallucinated;
My fingers were glittering diamond daggers
That everyone wanted for themselves.
Once my fever broke,
My mother and I had a serious talk.
“Guard your heart,” she told me.
“That is your hero’s sword.”
I approach the pool,
There’s something in the water,
And it’s not moving….
I was ten at my mother’s funeral.
Uncle Hoyt stood beside Cody and me,
His arm was on my shoulder,
He told me it would all be all right,
He would always take care of us,
He would protect us,
Protect me,
And I loved him for it.
I almost died a month later
From a kidney infection that began as Uncle Hoyt’s
And quickly became mine instead.
That’s how he learned what I can do,
That’s when his drinking became a problem,
Because his guilt consumed him,
And he resented me for it.
Brontë’s in the pool,
Facedown in the cold water.
I can’t stop screaming.
(III)
How long?
I heard a splash as I approached.
Didn’t I? Didn’t I?
And the water’s still rippling.
Maybe there’s time.
I lean over the edge,
But she’s too far away,
“Help! Somebody help!”
But there’s no one but me.
And I can’t swim.
Denying my fear,
I leap into deadly water.
My legs kick, my arms flail,
My head bobs down, then up, then down,
Coughing, spitting in the face of gravity.
I kick off my shoes,
And somehow I stay afloat,
By sheer force of will.
Closer now,
Almost there,
She’s just out of reach.
My head stays above water,
But something’s wrong.
Why is my chest so heavy?
Why can’t I breathe?
If I’m finally swimming, why can’t I breathe?
And suddenly I know!
Take it away.
Take it away, boy.
This is your purpose.
Take it away!

63) INTERFACE

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