Neal Shusterman - Bruiser
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- Название:Bruiser
- Автор:
- Издательство:HarperCollins
- Жанр:
- Год:2010
- Город:New York
- ISBN:978-0-06-113409-8
- Рейтинг книги:5 / 5. Голосов: 1
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Bruiser: краткое содержание, описание и аннотация
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Brontë:
Award-winning author Neal Shusterman has crafted a chilling and unforgettable novel about the power of unconditional friendship, the complex gear workings of a family, and the sacrifices we endure for the people we love. Don’t get me started on the Bruiser. He was voted “Most Likely to Get the Death Penalty” by the entire school. He’s the kid no one knows, no one talks to, and everyone hears disturbing rumors about. So why is my sister, Brontë, dating him? One of these days she’s going to take in the wrong stray dog, and it’s not going to end well. My brother has no right to talk about Brewster that way—no right to threaten him. There’s a reason why Brewster can’t have friends—why he can’t care about too many people. Because when he cares about you, things start to happen. Impossible things that can’t be explained. I know, because they’re happening to me.
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I wasn’t really prepared for the truth either—I was more stunned by it than anything else. Across the street a few kids laughed. They weren’t laughing at us, but still it bothered me. How dare they laugh within a hundred yards of this truth?
“What about Cody?” I asked.
“Cody’s fine. He’s better than fine.”
“You have to tell someone.”
“I just told you.”
“I mean someone important.”
“Who? The principal? The police?”
“Yes!”
By now Tennyson had caught up with us and was just staring, stupefied. The bell rang at school, but I didn’t care. Lateness was not a concern.
“If I tell anyone, then they’ll take us away from my uncle,” Brew said. “And things will get a whole lot worse.”
“What could possibly be worse than being beaten within an inch of your life?”
He didn’t answer me—not verbally—but there was an answer in his eyes that had such a high windchill factor, I actually shivered.
“I can handle it,” he said. “I’ve got it all worked out. In a few months I’ll turn sixteen, and I can become an emancipated minor. I’ll move out, take Cody with me, and Uncle Hoyt won’t be able to stop me.”
“That’s assuming you’re still alive!”
“I’ll be fine. But if we get taken away from my uncle now, Cody and I will get put in a home… we’ll probably get split up. And in a place like that there’s no way I can hide what I can do. People will know. And once they know…”
Again a blast of those windchill eyes. I wanted to argue him to the ground on this one, but that icy gaze shut me down.
“Who knows,” Brew said. “Maybe my uncle will change.”
Then Tennyson, who I totally forgot about, chimed in. “Bullies don’t change unless they want to,” Tennyson said. “Trust me, I know.”
We had to go to the authorities. We had to. This was a textbook case of abuse, and turning the man in was the right thing to do—no question. Except that this was Brewster Rawlins. If this were anyone else but Brew, I’d have gone straight to the Powers That Be and ratted out his uncle in an instant; but all the rules of normalcy and right and wrong broke down around Brew. What do you do with a textbook case when no one’s written the textbook?
Suddenly I flashed to something I learned in biology. There are some animals that die without explanation if you take them out of their familiar environment. Even if they came from a horrible, hostile environment, they still die.
“You have to trust me,” Brew said. “Please…”
What could be worse than his uncle? Only Brewster knew the real answer to that. And even though it went against everything I knew to be right, I reluctantly entered into his conspiracy of silence.
And I guess I wasn’t the only one.
“You have to come up with a believable story or the teachers will be all over you,” Tennyson told him. “If anyone asks about your eye, tell them that I beat you up for dating Brontë—and if I have to back it up, I will.”
I gaped at Tennyson, unable to believe the suggestion. “No!”
“Well, do you have a better idea?” he snapped.
But I just looked away, because I had nothing but misgivings.
Brew, on the other hand, was genuinely moved by Tennyson’s offer. “You’d do that for me?”
And Tennyson said, with his typical smirk, “Sure. What’s a friend for if he can’t take credit for punching you out?”
Brew took Tennyson up on his offer; and before lunch, people were buzzing with the news that Tennyson had beaten him senseless. My friends came out to console and support me, calling Tennyson every name in the book; and in turn, Tennyson’s friends supported him, giving him kudos and high fives that he had to accept or else risk tainting the credibility of Brew’s story. Suddenly Tennyson and I were at war with each other in the eyes of our classmates, and no one but Brew knew that it was all fake—a tricky, nasty subterfuge designed at throwing everyone off the track.
I couldn’t help but feel I’d made a terrible, terrible mistake. There were so many times during that awful day when I held my phone with 911 dialed in, ready to hit Send, but in the end I didn’t do it.
I don’t know how things would have been different if I had made that call. Maybe it might have saved Brew from what happened next. On the other hand, it was going to happen one way or another, no matter what any of us did.
BREWSTER
40) EMBOLISM
With cold and clammy hands,
Shaking in grim anticipation,
Is where I must return.
Home.
A house in a fallow field,
Losing its battle with time,
The wreck and ruin,
And the man inside,
Who never laid a hand on me,
Yet left me battered.
My uncle.
Nothing ever changes,
But the fear fermenting to dread,
As Cody and I go home.
“Do ya think he got his job back?”
Do you think, do you think, do you think?
“I don’t know, Cody.”
What I mean to say is I don’t care, because my uncle
has cut my soul from my body, leaving bitterness
behind; a stretch-lipped grimace of futility,
because whatever happens to my uncle happens
to me. Even as his own hope is strangled, so is mine,
beaten like a blunt boot to my ribs, snuffed like a
candle with too short a wick, and not even Brontë
can rekindle it.
What he’s done is unforgivable.
“Maybe he’ll be okay.”
“Maybe he’ll be sorry, ya think?”
Maybe, maybe, maybe.
“We’ll see, Cody.”
I creak open the rusty gate—from here it’s thirty-eight
steps across the field to our door, steps I take
slowly, in no hurry to know the answers to Cody’s
questions, when suddenly a jagged sound peels
at the edge of our awareness, stopping us in our muddy tracks.
“Did you hear that?”
Something has shattered—a tinkling, muffled by
closed windows—then another smash of a
different, finer timbre. The first smash was glass,
the second china, and Cody now looks to me with
the wide eyes of fear mercifully cushioned by
innocence.
“What’s he doing in there, Brew?”
Reaching deeply into my pocket, I scavenge a few
crumpled bills and hand them to Cody, telling him
to go to Ben & Jerry’s; and, grabbing the bills, he
backs away from another, louder crash inside.
“Guess he didn’t get his job back.”
Cody runs to smother his fear in Cherry Garcia, and I
go to face my uncle alone.
With his finger on the self-destruct button,
Holding it there day after day,
Blinded by an obsession to press it
But lacking the conviction to do even that.
This was my Uncle Hoyt before today,
But today, the auto-destruct sequence is engaged,
And counting down.
My uncle has taken up batting practice with
dinnerware. A minefield of broken china and glass
Litters the floor in every room.
He lobs a gravy boat into the air,
I believe it was once my grandmother’s,
Then he swings the Louisville Slugger,
Detonation in blue and white shrapnel.
I can smell scotch everywhere
And wonder how much of that amber poison Is pickling his brain.
He hurls a teacup, swings, and misses,
Taking out the hanging kitchen lamp instead.
And he mumbles,
“Close enough.” I should turn tail,
I should just let him be,
But if I’ll ever make a stand,
It must be here; it must be now,
And though I know I’m not wired for war,
The time has finally come to fight my own nature.
I’m ready for this dance.
Tentative, timid, a catch in my throat,
I must take command, I must take the lead,
A swing of the bat, a shattering glass.
I move through the madness and reach for the bat,
Wrench it away from his white-knuckled hands,
I toss it behind me and don’t miss a beat,
Time for my uncle to learn a new step.
He turns like a scorpion ready to strike,
But his stinger is dull and his venom is weak,
His eyes blaze with anger, his soul burns with bile,
Like the world is to blame for all of his misery.
“Go get your brother; we’re leaving tonight,
There’s more work up north; there’s more hope than here,
You’ll do what I tell you; you’ll do what I say,
You’ll go pack your things, ’cause we’re leaving
right now.” The room is in ruins, his bridges are burned,
And Cody and I are still chained to his fate,
His life lies in ruins; his life is not mine,
He gave me these shackles, but I can break free.
And I say to him “No” with a break in my voice,
“NO!” sounding much more commanding,
“We’re not going anywhere; neither are you,
You’ll back off right now, or you’ll feel my hand.”
“So do it,” he says with a strange, slanted grin,
I dare you to hit me—go on, take me down!
What are you waiting for? Knock yourself out,
But don’t start a fight you can’t finish.”
A line in the sand, a dare there between us,
My hand is a weapon; my blood’s in a boil,
I strain to move mountains; I strain to swing free,
Denying my nature, I raise up my arm.
Let me, for once, be the bruising brutality,
Let me at last be a fist in the face
Of the vicious injustice my brother and I
Have endured at the hands of our uncle.
But my fist is still fixed by invisible shackles,
The mountain won’t move; my hand won’t swing free,
I cannot deliver; I only receive,
And he gloats at his victory, laughs at my shame.
“You’re weak and you’re worthless, that’s why you need me.
You’re helpless and hopeless; your brother’s the same
You’ll remember how lucky you are that I’m here.
So you’ll take what I dish, and you’ll like it.”
Then he shifts with a slouch and slumps in a chair,
Something is wrong with him, wrong with me, too,
I can’t feel my arm, and I can’t move my shoulder,
Feet start to tingle, and skin starts to itch,
My hand’s still a fist that I cannot unravel,
My face has gone loose, like an avalanche slide,
My tongue becomes rubber; my lungs barely
breathe, I fall to the ground as my left leg gives way,
And there in the chair Uncle Hoyt is the same,
Our eyes are now locked in a clear understanding,
What falls on my uncle rebounds out to me,
Oh, my God—he’s having a stroke!
One foot almost dragging,
And as I cross into a parking lot,
I have to squint from the neon glare of the strip mall,
And yet I’m relieved to be doused with light.
In the ice-cream shop,
Cody stirs a molten mess the color of a storm,
Watching as I make an emergency call
On a borrowed cell phone,
Then says nothing as we leave the shop,
Nothing as we turn toward home,
Nothing, even as distant sirens draw closer.
“Hold my hand, Cody.”
“I’m not a baby.”
“I said, hold my hand!”
Because it’s not just for him. It’s for me.
With fear fermenting to dread,
For everything has changed.
My uncle.
Who left me battered
Yet never laid a hand on me,
The man inside,
A wreck and ruin,
Losing his battle with time,
In that house in a fallow field.
Home.
Where I must return
Shaking in grim anticipation
With cold and clammy hands
Where death waits.
TENNYSON
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