Robert Cormier - The Chocolate War

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Stunned by his mother's recent death and appalled by the way his father sleepwalks through life, Jerry Renault, a New England high school student, ponders the poster in his locker — Part of his universe is Archie Costello, leader of a secret school societ — the Virgils — and master of intimidation. Archie himself is intimidated by a cool, ambitious teacher into having the Virgils spearhead the annual fund-raising event — a chocolate sale. When Jerry refuses to be bullied into selling chocolates, he becomes a hero, but his defiance is a threat to Archie, the Virgils, and the school. In the inevitable showdown, Archie's skill at intimidation turns Jerry from hero to outcast, to victim, leaving him alone and terribly vulnerable.

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Jerry nodded automatically. Was this all there was to life, after all? You finished school, found an occupation, got married, became a father, watched your wife die, and then lived through days and nights that seemed to have no sunrises, no dawns and no dusks, nothing but a gray drabness. Or was he being fair to his father? To himself? Wasn't each man different? Didn't a man have a choice? How much did he know about his father, really?

"Hey, Dad."

"Yes, Jerry?"

"Nothing."

What could he ask him without sounding crazy? And he doubted whether his father would level with him, anyway. Jerry recalled an incident that had taken place years ago when his father worked in a neighborhood pharmacy, the kind of place where customers came to consult the druggist as if he possessed a doctor's certificate. Jerry had been hanging around the store one afternoon when an old man entered, bent and gnarled with age. He had a pain in his right side. What should I do, Mister Druggist? What do you think it is? Look, press here, Mister Druggist, do you feel the swelling there? Is there a medicine to cure me? His father had been patient with the old man, listening sympathetically, nodding, stroking his cheek as if he were preparing a diagnosis. He finally convinced the old man to go see a doctor. But for a moment there, Jerry had seen his father acting the part of a physician — wise and professional and compassionate. A regular bedside manner, even there in a drugstore. After the old man's departure, Jerry had asked, "Hey, Dad, did you ever want to be a doctor?" His father glanced up quickly and hesitated, taken by surprise. "No, of course not," he said. But Jerry had caught something in his manner, in his tone of voice, that ran counter to his answer. When Jerry tried to pursue the subject, his father suddenly became very busy with prescriptions and stuff. And he never brought up the subject again.

Now, seeing his father presiding in the kitchen, getting supper, for crying out loud — such a far cry from being a doctor — and his wife dead and his only son full of doubts about him, his life so pale and gray, Jerry was plunged into sadness. The stove signaled — casserole ready.

Later, preparing for bed and sleep, Jerry looked at himself in the mirror, saw himself as that guy on the Common must have seen him the other day: Square Boy. Just as he had superimposed his mother's image on his father's face, now he could see his father's face reflected in his own features. He turned away. He didn't want to be a mirror of his father. The thought made him cringe. I want to do something, be somebody. But what? But what?

Football. He'd make the team. That was something. Or was it, really?

For no reason at all, he thought of Gregory Bailey.

Chapter Ten

Later, Archie had to concede that Brother Leon had dramatized the sale too vividly and therefore put himself and The Vigils and the entire school on the spot.

To begin with, he called a special assembly at chapel. Following prayers and a lot of other religious hoopla, he started talking about all that school spirit crap. But with a difference this time. Standing at the pulpit, he gave the signal to a few of his stooges to bring in ten big cardboard posters which listed in alphabetical order every student in school. A series of blank rectangles had been drawn beside each name which, Leon explained, would be filled in as each student sold his quota of chocolates.

The student body watched with glee as Leon's stooges tried to scotch-tape the posters to the wall at the rear of the stage. The posters kept slipping to the floor, resisting the tape. The walls were made of concrete blocks, and tacks couldn't be used, of course. Hoots filled the air. Brother Leon looked annoyed, which increased the hoots and catcalls. There was nothing more beautiful in the world than the sight of a teacher getting upset. Finally, the posters were secured and Brother Leon took charge.

Archie had to admit that the Brother turned in one of his great performances. Academy Award caliber. He poured it on like Niagara — school spirit, the traditional sale that had never failed, the Headmaster lying sick in the hospital, the brotherhood of Trinity, the need for funds to keep this magnificent edifice of education operating on all gears. He recalled past triumphs, the trophies in the display case in the main corridor, the do-or-die determination that made Trinity a place of triumph through the years. Etc. Crap, of course, but effective when a master like Leon was at work, casting a spell with words and gestures.

"Yes," Brother Leon intoned, "the quota is doubled this year because we have more at stake than ever before." His voice an organ, filling the air. "Each boy must sell fifty boxes, but I know that each boy is willing to do his share. More than his share." He gestured toward the posters. "I promise you, gentlemen, that before this sale is ended each one of you will have the number 'fifty' inscribed in that final box, signifying that you have done your part for Trinity…"

There was a lot more but Archie tuned him out. Talk, talk, talk — that's all anybody ever heard in school. Archie, squirmed uncomfortably in his seat, thinking of the Vigil meeting at which he had announced that Brother Leon had asked support for the sale and how he'd pledged the backing of The Vigils. Archie had been surprised at the ripple of doubt and skepticism from the members of The Vigils. "Christ, Archie," Carter had said, "we never get mixed up in this stuff." But Archie had overcome them as usual, pointing out that Leon's need for an endorsement from The Vigils was a symbol of how powerful tht organization had become. And it was only a crappy chocolate sale. But now, listening to Leon sounding as if the school was embarking on the Crusades, for crying out loud, Archie was doubtful.

Looking at the posters and seeing his own name there, Archie plotted how his own fifty boxes would be sold. He wouldn't dream of selling the chocolates himself. He hadn't touched a box since his freshman days. Usually he found some willing kid who'd gladly sell Archie's quota along with his own, figuring it was something special to be singled out by the assigner of The Vigils. This year, he'd probably spread the burden around, picking out five guys, say, and have them sell only ten boxes each. It was better than sticking one kid with the entire quota, wasn't it?

Sitting back in comfort, Archie sighed now, contented, gratified by the heights his sense of fairness and compassion could reach.

Chapter Eleven

It was as if somebody had dropped The Bomb.

Brian Kelly started it all when he touched his chair. It collapsed.

Then, everything happened at once.

Albert LeBlanc brushed against a desk as he made his way down the aisle and it fell apart after trembling crazily for a moment. The impact sent out vibrations which shot down two other chairs and a desk.

John Lowe was about to sit down when he heard the noise of collapsing furniture. He turned and in doing so touched his own desk. The desk disintegrated before his astonished eyes. Leaping backward, he hit his chair. Nothing happened to his chair. But Henry Couture's desk behind it shivered violently and tumbled to the floor.

The racket was deafening.

"My God," Brother Eugene cried as he entered the classroom and beheld the bedlam. Desks and chairs were falling apart as if being demolished by mysterious unheard dynamite explosions.

Brother Eugene rushed to his desk, that haven of security behind which a teacher always found protection. At his touch, the desk swayed drunkenly, shifted gears into a lopsided position and — miracle of miracles — remained upright at that strange tipsy angle. But his chair collapsed.

Boys scrambled madly and merrily around the room. Once they realized what was happening they dashed around Room Nineteen testing all the desks and chairs, watching with glee as they fell apart, and toppling the stubborn pieces of furniture that refused to go down without help.

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