Kate Morton - The House at Riverton aka The Shifting Fog

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Sainsbury's Popular Fiction Award (nominee)
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long-consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.
A thrilling mystery and a compelling love story, "The House at Riverton" will appeal to readers of Ian McEwan's "Atonement", L P Hartley's "The Go-Between", and lovers of the film "Gosford Park".

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‘I’m alive,’ Robbie said plainly, ‘because some other bugger isn’t. Plenty of others.’

So now she knew.

She wondered how she felt about it. ‘I’m glad you’re alive,’ she said, but she felt a shiver from deep down inside. And when his fingers stroked her wrist she withdrew it despite herself.

‘That’s why nobody talks about it,’ he said. ‘They know that if they do, people will see them for what they really are. Members of the devil’s party moving amid the regular people as though they still belong. As if they’re not monsters returned from a murderous rampage.’

‘Don’t say that,’ said Hannah sharply. ‘You’re not a murderer.’

‘I’m a killer.’

‘It’s different. It was war. It was self-defence. Defence of others.’

He shrugged. ‘Still a bullet through some fellow’s brain.’

‘Stop it,’ she whispered. ‘I don’t like it when you talk like that.’

‘Then you shouldn’t have asked.’

She didn’t like it. She didn’t like to think of him that way, and yet she found she couldn’t stop. That someone she knew, someone she knew intimately, whose hands had run gently, lightly, over her body, whom she trusted implicitly, should have killed… Well, it changed things. It changed him. Not for the worse. She didn’t love him any less. But she looked at him differently. He had killed a man. Men. Countless, nameless men.

She was thinking that one afternoon, watching him as he stalked about a friend’s apartment in Fulham. He had his pants on, but his shirt was still draped across the bed end. She was watching his lean muscled arms, his bare shoulders, his beautiful, brutal hands, when it happened.

A knock at the door.

They both froze, stared at each other; Robbie lifted his shoulders.

It came again. More urgent this time. Then a voice, ‘Hello, Robbie? Open up. It’s just me.’

Emmeline’s voice.

Hannah slid off the side of the bed and quickly gathered her clothing.

Robbie held his finger to his lips and tiptoed to the door.

‘I know you’re in there,’ said Emmeline. ‘There’s a lovely old man downstairs who said he saw you come in and that you haven’t been out all afternoon. Let me in, it’s bloody freezing out here.’

Robbie signalled Hannah to hide in the water closet.

Hannah nodded, tiptoed across the room, snibbed the door quickly behind her. Her heart was pounding against her rib cage. She fumbled with her dress, pulled it over her head and knelt to peer through the keyhole.

Robbie opened the door. ‘How’d you know I was staying here?’

‘Charmed, I’m sure,’ said Emmeline, sauntering into the centre of the room. Hannah noticed she was wearing her new yellow dress. ‘Desmond told Freddy, Freddy told Jane. You know how those kids are.’ She paused and ran her wide-eyed gaze over everything. ‘Basic but homely.’ She raised her brows when she saw the tangle of sheets on the bed and turned back to Robbie, smiling as she assessed his state of undress. ‘I haven’t interrupted anything?’

Hannah inhaled.

‘I was sleeping,’ said Robbie.

‘At quarter to four?’

He shrugged, found his shirt and put it on.

‘I wondered what you did all day. Here was I thinking you’d be busy writing poetry.’

‘I was. I do.’ He rubbed his neck, exhaled angrily. ‘What do you want?’

Hannah winced at the harshness of his voice. It was Emmeline’s mention of poetry: Robbie hadn’t written in weeks. Emmeline didn’t seem to notice any unkindness. ‘I wanted to know if you were coming tonight. To Desmond’s place.’

‘I told you I wasn’t.’

‘I know that’s what you said but I thought you might have changed your mind.’

‘I haven’t.’

There was a silence as Robbie glanced back toward the door and Emmeline looked longingly around the flat. ‘Perhaps I could-’

‘You have to go,’ said Robbie quickly. ‘I’m working.’

‘But I could help out,’ she used her purse to lift the edge of a dirty plate, ‘tidy up or-’

‘I said no.’ Robbie opened the door.

Hannah watched as Emmeline forced her lips into a breezy smile. ‘I was joking, darling. You didn’t really think I’d have nothing better to do on a lovely afternoon than clean house?’

Robbie didn’t say anything.

Emmeline strolled toward the door. Straightened his collar. ‘You’re still coming to Freddy’s?’

He nodded.

‘Pick me up at six?’

‘Yeah,’ said Robbie, and he closed the door behind her.

Hannah came out of the bathroom then. She felt dirty. Like a rat slinking out of its hidey-hole.

‘Perhaps we should leave it a while?’ said Hannah. ‘A week or so?’

‘No,’ said Robbie. ‘I’ve told Emmeline not to drop around. I’ll tell her again. I’ll make sure she understands.’

Hannah nodded, wondered why she felt so guilty. She reminded herself, as she always did, that it had to be this way. That Emmeline wasn’t being harmed. Robbie had long ago explained that his feelings were not romantic. He said she’d laughed and wondered why on earth he ever imagined she thought otherwise. And yet. Something in Emmeline’s voice, a strain beneath the practised flippancy. And the yellow dress. Emmeline’s favourite…

Hannah looked at the wall clock. There was still half an hour before she had to leave. ‘I might go,’ she said.

‘No,’ he said. ‘Stay.’

‘I really-’

‘At least a few minutes. Give Emmeline time to find her way.’

Hannah nodded as Robbie came toward her. He ran a hand over each side of her face to grip the back of her neck, then pulled her lips to his.

A sudden, jagged kiss that caught her off balance and silenced, utterly, the niggling voices of misgiving.

An afternoon in December, when they were sitting one each end of a deep bath, Hannah said, ‘I won’t be able to meet for two weeks.’ She ran a washcloth over his hand. ‘It’s Teddy. He has guests from America for the next fortnight and I’m expected to play the good wife. Take them places, entertain them.’

‘I hate to think of you like that,’ he said. ‘Fawning all over him.’

‘I certainly don’t fawn all over him. Teddy wouldn’t know what was happening if I did.’

‘You know what I mean,’ said Robbie. ‘Living with him, sleeping with him.’

‘We don’t,’ said Hannah. ‘You know we don’t.’

‘But people think you do,’ said Robbie. ‘They think you’re a pair.’

She reached to take his fingers in the soapy water that was fast becoming cool. ‘I hate it too,’ said Hannah. ‘I’d do anything so that I never had to leave you.’

‘Anything?’

‘Almost anything.’ She stood, shivered when the cold air hit her wet skin. She climbed out of the bath and wrapped herself in a towel. Sat on a wooden seat by the window. ‘Arrange to see Emmeline sometime next week; let me know when and where we can meet, after New Year?’

He slid deeper beneath the water so that only his head was visible. ‘I want to break it off with Emmeline.’

‘No,’ said Hannah, looking up suddenly. ‘Not yet. How will we see each other? How will I know where to find you?’

‘Wouldn’t be a problem if you lived with me. We’d always be able to find one another. We wouldn’t be able to lose each other.’

‘I know, I know.’ She pulled her slip over her head. ‘But until then… how can you think of breaking it off?’

‘You were right. She’s becoming too attached.’

‘No,’ said Hannah. ‘She’s ebullient. It’s just her way. Why? What makes you say that?’

Robbie shook his head.

‘What is it?’ said Hannah.

‘Nothing,’ said Robbie. ‘You’re right. It’s probably nothing.’

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