Jodi Picoult - Between the lines

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Between the lines: краткое содержание, описание и аннотация

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New York Times bestselling author Jodi Picoult and her teenage daughter present their first-ever novel for teens, filled with romance, adventure, and humor.
What happens when happily ever after.isn't?
Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book – one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah.
And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He's a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He's sure there's more for him out there in the real world, and Delilah might just be his key to freedom.
Delilah and Oliver work together to attempt to get Oliver out of his book, a challenging task that forces them to examine their perceptions of fate, the world, and their places in it. And as their attraction to each other grows along the way, a romance blossoms that is anything but a fairy tale.
***
“REAL FAIRY TALES are not for the fainthearted. Children get eaten by witches and chased by wolves; women fall into comas and are tortured by evil relatives. Somehow all that pain and suffering is worthwhile, though, when it leads to the ending: happily ever after. Suddenly it no longer matters if you got a B- on your midterm in French or you’re the only girl in the school who doesn’t have a date for the spring formal. Happily ever after trumps everything.
But what if ever after could change?”
JODIPICOULT.COM
WHAT HAPPENS WHEN
HAPPILY EVER AFTER…
ISN’T?
Delilah hates school as much as she loves books. In fact, there’s one book in particular she can’t get enough of. If anyone knew how many times she has read and reread the sweet little fairy tale she found in the library, especially the popular kids, she’d be sent to social Siberia…forever.
To Delilah, though, this fairy tale is more than just words on the page. Sure, there’s a handsome (well, okay, hot) prince, and a castle, and an evil villain, but it feels as if there’s something deeper going on. And one day Delilah finds out there is. Turns out, this Prince Charming is real, and a certain fifteen-year-old loner has caught his eye. But they’re from two different worlds, and how can it ever possibly work?
Together with her daughter, Samantha van Leer, #1 New York Times bestselling author Jodi Picoult has written a classic fairy tale with a uniquely modern twist. Readers will be swept away by this story of a girl who crosses the border between reality and fantasy in a perilous search for her own happy ending.

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Frump smiles slowly. “It would be my honor and my privilege, Your Highness,” he says. “My lady?” He holds out a paw, and after a reluctant moment, Seraphima takes it.

I watch them hurry across the meadow, a delusional princess who can’t distinguish reality from fiction, and a lovesick basset hound. Well, there have been stranger couples, I suppose. “Good luck,” I whisper to Frump, although I know he cannot hear me. “I’ll miss you, if I ever get out of here.”

Not if, I tell myself. When.

* * *

As I’m changing into clean clothes, I wonder about the seeming discrepancies of my life in this book. Why is it that I have a closet full of tunics and doublets I am never seen wearing during the course of the story, but Frump, who by text used to be a boy, is never seen in that form? Why is the barn where Socks lives stocked with geese and chickens and cows who play no other discernible role in the fairy tale but Seraphima doesn’t recognize that the part she plays isn’t necessarily who she is? These are contradictions I don’t understand and, to be honest, haven’t considered before. Before meeting Delilah, that is.

I am still mulling over this when I hear Frump call a fullbook alarm All - фото 44

I am still mulling over this when I hear Frump call a full-book alarm. “All fairy-tale personnel, report immediately to the stables,” he commands. “I repeat, this is an emergency-not a drill!”

On the way down the castle staircase, I nearly bump into the queen. “Oliver, dear,” she says. “Do you have any idea what’s happening?”

I don’t. But my heart is pounding and my hands are shaking… and I am hoping like mad this has nothing to do with me and Delilah. Has Rapscullio discovered the book is missing? Have the fairies figured out more from our earlier conversation? “I don’t know,” I tell the queen, “but I don’t like the sound of it.”

The sound actually gets worse as we approach the stables. There is a frantic snort and a series of low grunts. Overhead is the telltale sliver of light that indicates the book is about to be opened. But if that’s the case, why are we all just milling around?

Because I am a main character, I am able to push my way through the crowd to the open stable door. There, Frump paces back and forth on a clot of hay as chickens scurry and flap to get out of his way. “Frump, what’s this about?” I ask.

He turns. “Thank goodness you’re here.” He glances up at the slice of sky that is growing wider. “It’s Socks. He’s talking about a strike.”

“Strike? What did he strike?”

“No, he’s on strike. He refuses to come out of his stall for the next telling of the story.”

I hesitate. No one in this story has ever resisted the telling of it. That is, every time the book opens, characters scramble into position. I’m the only one I know of who’s ever defied it in any way-and I know from experience that the book will correct itself and yank Socks into position whether he likes it or not. But if I admit that out loud, I’ll create an even bigger stir, because everyone will realize that I have been actively resisting the book too.

“What’s the worst that could happen?” I say lightly. “So I’m missing a trusty steed. No one will ever notice.” No one will ever notice, I think, because the minute we’re all back on page one, Socks will have been dragged against his will to meet us where he belongs.

“We can’t take that chance. We’re trying to buy some time.” Frump jerks his chin up to the corner of the barn, where Orville teeters on a ladder, pointing his wand at the crack of light. “Obscurius manturius…” he intones, and a shower of sparks creates a gummy seal across the line of light, falling to the hayloft and igniting several small fires that Rapscullio, standing below, stomps out.

“Someone’s opening the book even now, Oliver,” Frump says. “I don’t know how long we can hold it shut.”

I am knocked sideways as the trolls lumber past me into Socks’s stall. “From the back, boys,” Frump orders. “Give him your best shove.”

I approach the open stall door. Socks is standing with his face in the corner, head ducked. “Socks?” I murmur. “What’s going on, buddy?”

“Just go away,” the pony sobs.

“Whatever it is, I’m sure we can work it out. I’m here for you. We’re all here for you.”

He tosses his mane. “I am a hideous, monstrous beast. Please let me wallow in my own misery.”

“I’m afraid I can’t do that, Socks. I mean, a lot of people are counting on you. We’ve got a story to tell. And you-you’re one of the stars of the show.”

He hesitates. “I… I am?”

“How else would I get anywhere?” I say. But there is a part of me wondering if I’m right about what will happen if Socks just stays in his stall. Will he be ripped into position on the page, like I was? Or will he do what I so badly crave: change the way this story goes?

“Ein… zwei… drei… stoß!” the trolls shout, and Socks whinnies as they shove at him, trying to make him budge.

“Frump,” Orville shrieks, “I’m afraid I can’t make this hold any longer!”

I glance up. By now, long streaks of light are falling on the floor of the barn. “We’re on it!” Glint calls. A battalion of fairies flutters up to the corner of the scene. Like an acrobatic circus troupe, they arch their bodies over the growing gap, their small faces twisted with determination as they struggle to keep the pages shut.

Stepping into the stall, I sink down to the ground so that I can shimmy underneath Socks. He immediately averts his nose. “I can’t. I can’t.”

“Socks,” I beg. “Please. At least tell me what the problem is so that I can fix it.”

“It’s too horrendously embarrassing.”

“As embarrassing as the time I fell overboard on the pirate ship?”

“Worse,” Socks groans. “I have… I have… Oh, I can’t say it out loud.”

“Chicken pox?” I guess. “Poison ivy? Heartburn?”

“A zit,” Socks bursts out. “A huge, red, swollen zit on my nose.”

Horses dont get zits Socks I say gently Oh great So now Im a - фото 45

“Horses don’t get zits, Socks,” I say gently.

“Oh, great. So now I’m a zoological abnormality with acne.”

“Let me look.” Gently, I pull his velvety muzzle down to my face. I scrutinize from nostril to nostril, finding no blemish of any kind. “Socks,” I say, “there’s nothing there.”

“You’re just saying that to make me feel better!” he wails. “I cannot go out in public with a big red clown nose, Oliver!”

There is a commotion as Captain Crabbe comes through the crowd. He is wearing his dentist’s coat and carrying a blue-paper-wrapped pack of sterilized instruments. “Did someone call for a surgical consult?” he asks.

Socks’s eyes widen. “Surgery! Who said anything about surgery?”

“Don’t worry, my little horseshoed friend. You’ll only feel a pinch,” Captain Crabbe promises.

He motions the trolls out of the way and stands directly behind Socks. As he unwraps the sterilized tools, several points of light shimmer from the corner of the scene onto Socks’s back, dappling his hide. “Frump,” Sparks grits out from the top edge of the page, “it’s T minus ten…”

Is Delilah wondering why the book is stuck? Is she attributing the trouble to humidity, faulty binding, a smear of jam?

Captain Crabbe brandishes the dental scraper, a blinding silver hook.

“Nine,” Ember says.

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