Jodi Picoult - Harvesting the Heart

Anna Maria Santana, whom I had never met, was born and died on March 30, 1985. OUR FOUR HOUR ANGEL, the tombstone reads, still fairly new among the grave markers in the Cambridge graveyard I had last walked through when I was pregnant. I do not know why I didn’t notice Anna Maria’s grave back then. It is tidy and trimmed, and violets grow at the edges. Someone comes here often to see their little girl.

It does not pass my notice that Anna Maria Santana died at just about the same time I conceived my first child. Suddenly I wish I had something to leave-a silver rattle or a pink teddy bear-and then I realize that both Anna Maria and my own baby would have been eight now, growing out of baby gifts and into Barbies and bicycles. I hear my mother’s voice: You were stuck in my mind at five years old. Before I knew it, you were all grown up.

Something has to come to a head soon. Nicholas and I can’t keep stepping around each other, moving closer and then ripping apart as though we’re following a strange tribal dance. I have not even attempted going to Mass General today, and I do not plan to go to the Prescotts’ to see Max. I can’t push Nicholas any more, because he is at the breaking point, but that makes me restless. I won’t just sit around and let him decide my future the way I used to. But I can’t make him see what I want him to see.

I am in the graveyard to clear my mind-it worked for my mother, so I hope it will work for me. But seeing Anna Maria’s tombstone doesn’t help much. I have told Nicholas the truth about leaving, but I still haven’t really come clean. What if, when I get home, Nicholas is standing on the porch with open arms, willing to pick up where we left off? Can I let myself make the same mistakes all over again?

I read a “Dear Abby” column years ago in which a man had written about having an affair with his secretary. It had been over for years, but he had never told his wife, and although they had a happy marriage, he felt he should reveal what had happened. I was surprised by Abby’s answer. You’re opening a can of worms, Abby wrote. What she do fiother, bes not know she cannot be hurt by.

I do not know how long I can wait. I would never take Max and flee in the night, like I know Nicholas is thinking. I couldn’t do it to Max, and I especially couldn’t do it to Nicholas. Being with Max for three months has softened him around the edges. The Nicholas I left in July would never have crept around a corner on his hands and knees, pretending to be a grizzly bear to entertain his son. But practically, I cannot keep sleeping on the front lawn. It’s mid-October, and already the leaves have come off the trees. We’ve had a frost at night. Soon there will be snow.

I walk to Mercy, hoping to get a cup of coffee from Lionel. The first familiar face is Doris’s, and she drops two blue-plate specials at a booth and comes to hug me. “Paige!” She cries into the kitchen pass-through: “Paige is back again!”

Lionel runs in front and makes a big show of sitting me at the counter on a cracked red stool. The diner is smaller than I have remembered it, and the walls are a sickly shade of yellow. If I did not know the place, I would not feel comfortable eating here. “Where’s that precious baby?” Marvela says, leaning in front of me so that her earbobs sway against the edges of my hair. “You got to have pictures, at least.”

I shake my head and gratefully accept the cup of coffee that Doris brings. Lionel ignores the small line that has formed by the cash register and sits down beside me. “That doctor boy of yours came in here some months back. Thought you’d up and run off, and come to us for help.” Lionel stares straight at me, and the line of his jagged scar darkens with emotion. “I tell him you ain’t that kind of person,” he says. “I know these things.”

He looks for a moment as if he is going to hug me, but then he remembers himself and hoists his frame off the neighboring stool. “What you lookin’ at?” he snaps at Marvela, who is wringing her hands beside me. “We got us a business, sweet pea,” he says to me, and he stomps toward the cash register.

When the waitresses and Lionel have settled back into their routines, I let myself look around. The menus haven’t changed, though the prices have. They have been rewritten on tiny fluorescent stickers. The men’s bathroom is still out of order, as it was the last day I had worked there. And tacked above the cash register, dangling above the counter, are all the portraits I drew of the customers.

I cannot believe Lionel hasn’t thrown them out. Surely some of the people have died by now. I scan the portraits: Elma the bag lady; Hank the chemistry professor; Marvela and Doris and Marilyn Monroe; Nicholas. Nicholas. I stand up, and then I crawl onto the countertop to get a closer look. I crouch with my hands pressed against Nicholas’s portrait, feeling the stares of the customers. Lionel and Marvela and Doris, true friends, pretend they do not notice.

I remember this one very well. In the background I had drawn the face of a little boy, sitting in a twisted tree and holding the sun. At first I thought I’d drawn my favorite Irish legend, the one about Cuchulainn leaving the sun god’s palace when his mother went home to her original husband. I did not understand why I would have drawn this particular scene, something from my own childhood, on Nicholas’s portrait, but I thought it s iÁ€†had something to do with my running away. I had stared at the drawing, and I imagined my father telling me the story while he smoked a bayberry pipe. At the time, I could easily see my father’s hands, studded with glue and bits of twine from his workshop, waving in the air as he mimicked the passage of Cuchulainn back to ordinary earth. I wondered if Cuchulainn missed that other life.

Months afterward, when Nicholas and I were sitting in the diner and looking at his portrait, I told him the story of Dechtire and the sun god. He laughed. When I’d drawn it he had seen something completely different in the picture. He said he’d never even heard of Cuchulainn, but that as a kid he believed that if he climbed high enough he could truly catch the sun. I guess, he said, in a way, we all do.

I unlock the house and spend a full hour pulling dirty socks and Onesies and fuzzy blanket sleepers from unimaginable places: the microwave, the wine rack, a soup tureen. When I have gathered a pile of laundry, I start a wash. In the meantime I dust the living room and the bedroom and scrub the white counters in the bathroom. I scour the toilet and vacuum the skin-colored rugs and try my best to get the jelly stains off the ivory tiles in the kitchen. I change the sheets on the bed and the ones in Max’s crib, and I empty his diaper pail and spray perfume into the carpet so that some of the smell is masked. All the while, the TV is on, tuned to the soap operas I watched when my mother’s ankle was first broken. I tell Devon to leave her husband and I cry when Alana’s baby is stillborn and I watch, riveted, a love scene between a rich girl named Leda and Spider, a street-smart hustler. I am just setting the table for two when the telephone rings, and out of force of habit, I pick it up.

“Paige,” the voice says. “I can’t tell you how glad I am to find you.”

“It’s not what you think,” I say, hedging, while I try to figure out who is on the other end.

“Aren’t you coming to see Max? He’s been waiting all day.”

Astrid. Who else would call? I don’t have any friends in this city. “I-I don’t know,” I say. “I’m cleaning the house.”