Jodi Picoult - Harvesting the Heart

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“In this breathless, startling novel, Jodi Picoult reveals the fragile threads that hold people together, or let them break apart. Her narrative, especially her sense of family, is reminiscent of a young Anne Tyler. Hers is a remarkable new voice, and it tells us a story that goes straight to the heart.” – -Mary Morris, author of A Mother’s Love and Nothing to Declare
“Picoult weaves a beautiful tale from threads of sympathetic characters into a pattern told from two points of view, then fringes it with suspense and drama.” – -The Charlotte Observer
“A brilliant, moving examination of motherhood, brimming with detail and emotion.” – -Richmond Timea-Dispatch
“Picoult’s depiction of families and their relationships over time is rich and accurate… Harvesting the Heart (is] a moving portrayal of the difficulties of marriage and parenthood.” – -Orlando Sentinel
“Picoult considers various forces that can unite or fracture families and examines the complexities of the human heart in both literal and figurative ways.” – -Library Journal
“Picoult brings her considerable talents to this contemporary story of a young woman in search of her identity… Told in flashbacks, this is a realistic story of childhood and adolescence, the demands of motherhood, the hard paths of personal growth and the generosity of spirit required by love. Picoult’s imagery is startlinwth peg and brilliant; her characters move credibly through this affecting drama.” – -Publishers Weekly
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The author of Picture Perfect "explores the fragile ground of ambivalent motherhood" (New York Times Book Review). Paige's mother left when she was five. When Paige becomes a mother herself, she is overwhelmed by the demands. Unable to forget her past, Paige struggles with the difficulties of marriage and motherhood.

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I was wearing red to the hospital benefit, and both Nicholas and I seemed starkly drawn against the fading beige lines of the bedroom. “You should wear red more often,” he said, running his hand over the bare curve of my shoulder.

“The nuns used to tell us never to wear red,” I said absentmindedly. “Red attracts boys.”

Nicholas laughed. “Let’s go,” he said, pulling my hand. “Fogerty’s going to be counting every minute I’m late.”

I didn’t care about Alistair Fogerty, Nicholas’s attending physician and, according to Nicholas, the son of God himself. I didn’t care about missing the sumptuous shrimp fountain at the cocktail hour. If the choice had been mine, I wouldn’t have gone. I didn’t like mingling with the surgeons and their wives. I had nothing to contribute, so I didn’t see why I had to be there at all.

“Paige,” Nicholas said, “come on. You look fine.”

When I married Nicholas, I truly believed-like a fool-that I had him and he had me and it was plenty. Maybe it would have been if Nicholas didn’t move in the circles he did. The better Nicholas became at his job, the more I was confronted with people and situations I didn’t understand: jacket-and-tie dinners at someone’s home; drunk divorcees leaving hotel keys in Nicholas’s tuxedo pockets; prying questions about the background I’d worked so hard to forget. I was not nearly as smart as these people, not nearly as savvy; I never got their jokes. I went, I mingled, because of Nicholas, but he knew as well as I did that we had been kidding ourselves, that I would never fit in.

When we had been married for a couple of years, I tried to do something about it. I applied to Harvard’s Extension School and signed up for two night courses. I picked architecture for me and intro to lit for Nicholas. I figured that if I knew Hemingway from Chaucer and Byron, I’d be able to follow the subtle artsy references that Nicholas’s friends batted across dinner conversations like Ping-Pong balls. But I couldn’t do it. I couldn’t stay on my feet all day at Mercy and have dinner ready for Nicholas and still have time to read about rococo ceilings and J. Alfred Prufrock. I was scared of my professors, who spoke so quickly they might as well have been lecturing in Swedish.

Mosob,¡size="3"›t of my classmates dabbled in schooling; nearly all had already graduated from somewhere. They didn’t have a future at stake, like me. I realized that at the rate I could afford to take courses, it would take nine years for me to get a college degree. I never told Nicholas, but I got an F on the only paper I ever wrote for one of those courses. I can’t remember if it was architecture or lit, but I will never forget the professor’s comments: Buried somewhere in this muck, he had written, you do have some qualified ideas. Find your voice, Ms. Prescott. Find your voice.

I had made some excuse to Nicholas and dropped out. To punish myself for being a failure, I took on a second job, as if working twice as hard could make me forget just how different my life had turned out from what I had imagined as a child.

But I had Nicholas. And that meant more than all the college degrees, all the RISD courses in the world. I hadn’t changed much in seven years-and I had no one to blame for that but myself-but Nicholas was very different. For a minute, I looked up at my husband and tried to picture what he’d been like back then. His hair had been thicker, and there wasn’t the gray that was coming in now, and the lines around his mouth weren’t as deep. But the biggest changes were in his eyes. There were shadows there. Once Nicholas had told me that when he watched a patient die, a little piece of him went as well, and that he’d have to work on that, or one day when he was close to retirement he’d have nothing left at all.

Harvesting the Heart - изображение 35

Mass General had been having a Halloween ball at the Copley Plaza for ages, although about ten years earlier, costumes had been traded for formal wear. I was sorry about that. I would have given anything for a disguise. Once, when Nicholas was a general surgical resident, we had gone to a costume party at the medical school. I had wanted to be Antony and Cleopatra, or Cinderella and Prince Charming. “No tights,” Nicholas had said. “I wouldn’t be caught dead.” In the end we had gone as a clothesline. Each of us wore a brown shirt and pants, and stretched between our necks was a long white cord, pinned with boxer shorts, stockings, bras. I loved that costume. We were literally tied together. Everywhere Nicholas went, I had followed.

On the drive into Boston, Nicholas quizzed me. “David Goldman’s wife,” he’d say, and I’d answer, Arlene. “Fritz van der Hoff?” Bridget. “Alan Masterson,” Nicholas said, and I told him that was a trick question, since Alan had been divorced the previous year.

We pulled off the Mass Pike and stopped at the corner of Dart-mouth. Copley Square danced around us, lit with the glitter and whirl of Halloween. Beside the car stood Charlie Chaplin, a gypsy, and Raggedy Andy. They held out their hands as we slowed, but Nicholas shook his head. I wondered what they had expected and what others had given. A sharp rap on my window surprised me. Standing inches away was a tall man dressed in britches and a waistcoat, whose neck ended in a bloody stump. He cradled the blushing oval of a face under his right arm. “Pardon me,” he said, and I think the face smiled, “I seem to have lost my head.” I was still staring at him, at his plumed green cape, as Nicholas sped away.

Although there were more than three hundred people in the Grand Ballroom of the Copley Plaza Hotel, Nicholas stood out. He was among the youngest="1¡the young, and he attracted attention for having come so far so fast. People knew he was being groomed; that he was the only resident Fogerty thought was good enough to do transplants. As we moved through the double doors, at least seven people came forward to talk to Nicholas. I gripped his arm until my fingers turned white. “Don’t leave me,” I said, knowing well that Nicholas would not make promises he couldn’t keep.

I heard words in a familiar foreign language: infectious endocarditis, myocardial infarction, angioplasty. I watched Nicholas in his element, and my fingers itched to draw him: tall, half in shadow, steeped in his own confidence. But I had packed away my art supplies when we moved, and I still did not know where they were. I had not sketched in a year; I had been too busy working at Mercy in the morning, at Dr. Thayer’s office in the afternoon. I had tried to get other jobs, in sales and management, but in Cambridge I was easily beat out by people with a college education. I had nothing to my name except Nicholas. I was riding on his coattails, which, ironically, I had paid for.

“Paige!” I turned to hear the very high voice of Arlene Goldman, a house cardiologist’s wife. After my last experience with Arlene, I had told Nicholas that I physically could not sit through a dinner party at their house, and so we’d declined invitations. But suddenly I was glad to see her. She was someone to cling to, someone who knew me and could justify my presence there. “So good to see you,” Arlene lied, kissing the air on both sides of my cheeks. “And there’s Nicholas,” she said, nodding in his general direction.

Arlene Goldman was so thin she seemed transparent, with wide gray eyes and sunny gold hair that came out of a bottle. She owned a personal shopping service, and her biggest claim to fame was being sent by Senator Edward Kennedy to choose his fiancee’s engagement ring at Shreve, Crump and Low. She wore a long peach-colored sheath that made her look naked. “How are you, Arlene,” I said quietly, shifting from foot to foot.

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