Jodi Picoult - Harvesting the Heart

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Harvesting the Heart: краткое содержание, описание и аннотация

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“In this breathless, startling novel, Jodi Picoult reveals the fragile threads that hold people together, or let them break apart. Her narrative, especially her sense of family, is reminiscent of a young Anne Tyler. Hers is a remarkable new voice, and it tells us a story that goes straight to the heart.” – -Mary Morris, author of A Mother’s Love and Nothing to Declare
“Picoult weaves a beautiful tale from threads of sympathetic characters into a pattern told from two points of view, then fringes it with suspense and drama.” – -The Charlotte Observer
“A brilliant, moving examination of motherhood, brimming with detail and emotion.” – -Richmond Timea-Dispatch
“Picoult’s depiction of families and their relationships over time is rich and accurate… Harvesting the Heart (is] a moving portrayal of the difficulties of marriage and parenthood.” – -Orlando Sentinel
“Picoult considers various forces that can unite or fracture families and examines the complexities of the human heart in both literal and figurative ways.” – -Library Journal
“Picoult brings her considerable talents to this contemporary story of a young woman in search of her identity… Told in flashbacks, this is a realistic story of childhood and adolescence, the demands of motherhood, the hard paths of personal growth and the generosity of spirit required by love. Picoult’s imagery is startlinwth peg and brilliant; her characters move credibly through this affecting drama.” – -Publishers Weekly
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The author of Picture Perfect "explores the fragile ground of ambivalent motherhood" (New York Times Book Review). Paige's mother left when she was five. When Paige becomes a mother herself, she is overwhelmed by the demands. Unable to forget her past, Paige struggles with the difficulties of marriage and motherhood.

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“How do you know that?” I say sulkily, a little upset that she can pin me down so easily.

“Because,” my mother says, “that’s what’s keeping me going.”

I tighten my grip on the arm of Robert’s chair. “Maybe I’m wasting my time,” I say. “Maybe I should just come back now.”

It would be so easy to be someplace where I am wanted, anyplace but here. I pause, waiting for her to take me up on the offer. But instead my mother laughs softly. “Do you know that your first word,” she says, “even before Mama and Dada, was goodbye?”

She’s right. It isn’t going to do me any good to just keep running. I sink back against the chair and close my eyes, trying to picture the hasizñ€†irpin stream I jumped with Donegal, the ribbons of clouds lacing the sky. “Tell me what I’m missing,” I say. I listen to my mother speak of Aurora and Jean-Claude, of the sun-bleached paint on the chipped wall of the barn, of a brisk seasonal change that creeps farther up the porch every night. After a while I don’t bother to concentrate on her actual words. I let the sound of her voice wash over me, making itself familiar.

Then I hear her say, “I called your father, you know.”

But I haven’t spoken to my father since I’ve been back, so of course I could not have known. I am certain I’ve heard her wrong. “You what?” I say.

“I called your father. We had a good talk. I never would have called, but you sort of encouraged me. By leaving, I mean.” There is silence for a moment. “Who knows,” she murmurs. “Maybe one day I’ll even see him.”

I look around at the mutated, hunkering shapes of chairs and end tables in the dark library. I rub my hands over my shoulders. I am beginning to feel hope. Maybe, after twenty years, this is what my mother and I can do for each other. It is not the way other mothers and daughters are-we will not talk about seventh-grade boys, or French-braid my hair on a rainy Sunday; my mother will not have the chance to heal my cuts and bruises with a kiss. We cannot go back, but we can keep surprising each other, and I suppose this is better than nothing at all.

Suddenly I really believe that if I stick it out long enough, Nicholas will understand. It’s just a matter of time, and I have a lot of that on my hands. “I’m a volunteer at the hospital now,” I tell my mother proudly. “I work wherever Nicholas works. I’m closer than his shadow.”

My mother pauses, as if she is considering this. “Stranger things have happened,” she says.

Harvesting the Heart - изображение 112

Max wakes up screaming, his legs bent close to his chest. When I rub his stomach, it only makes him scream harder. I think that maybe he needs to burp, but that doesn’t seem to be the problem. Finally, I walk around with him perched on my shoulder, pressing his belly flush against me. “What’s wrong?” Astrid says, her head at the nursery doorway.

“I don’t know,” I say, and to my surprise, uttering those words doesn’t throw me into a panic. Somehow I know I will figure it out. “It might be gas.”

Max squeezes up his face and turns red, the way he does when he’s trying to go to the bathroom. “Ah,” I say. “Are you leaving me a present?” I wait until he looks as if he’s finished, and then I pull down his sweatpants to change his diaper. There is nothing inside, nothing at all. “You fooled me,” I say, and he smiles.

I rediaper him and sit him on the floor with a Busy Box, rolling and turning the knobs until he catches on and follows. From time to time he screws up his face again. He seems to be constipated. “Maybe we’ll have prunes for breakfast,” I say. “That ought to make you feel better.”

Max plays quietly with me for a few minut="ñ€†tes, and then I notice that he isn’t really paying attention. He’s staring off into space, and the curiosity that flames the blue in his eyes seems to have dulled. He sways a little, as if he’s going to fall. I frown, tickle him, and wait for him to respond. It takes a second or two longer than usual, but eventually he comes back to me.

He’s not himself, I think, although I cannot put my finger on what the problem really is. I figure I will watch him closely. I tenderly rub his chunky forearms, feeling a satisfied flutter in my chest. I know my own son, I think proudly. I know him well enough to catch the subtle changes.

Harvesting the Heart - изображение 113

“I’m sorry I haven’t called,” I tell my father. “Things have been a little crazy.”

My father laughs. “I had thirteen years with you, lass. I think your mother deserves three months.”

I had written my father postcards from North Carolina, just as I had written Max. I’d told him about Donegal, about the rye rolling over the hills. I told him everything I could on a three-and-a-half-by-five-and-a-half-inch card, without mentioning my mother.

“Rumor has it,” my father says, “you’ve been sleepin’ with the enemy.” I jump, thinking he means Nicholas, and then I realize he is talking about living at the Prescotts’.

I glance at the Fabergé egg on the mantel, the Civil War Sharps carbine rifle hanging over the fireplace. “Necessity makes strange bed-fellows,” I say.

I wind the telephone cord around my ankles, trying to find a safe route for conversation. But there is little I have to say, and so much I want to. I take a deep breath. “Speaking of rumors,” I say, “I hear Mom called.”

“Aye.”

My mouth drops open. “That’s it? ‘Aye’? Twenty-one years go by, and that’s all you have to say?”

“I was expectin’ it,” my father says. “I figured if you had the fortune to find her, sooner or later she’d return the favor.”

“The favor?” I shake my head. “I thought you wanted nothing to do with her. I thought you said it was too late.”

For a moment my father is silent. “Paige,” he says finally, “how did you find her to be?”

I close my eyes and sink back on the leather couch. I want to choose my words very carefully. I imagine my mother the way she would have wanted me to: seated on Donegal, galloping him across a field faster than a lie can spread. “She wasn’t what I expected,” I say proudly.

My father laughs. “May never was.”

“She thinks she’s going to see you someday,” I add.

“Does she now,” my father answers, but his thoughts seem very far away. I wonder if he is seeing her the way he did the first time he met her, dressed in her halter top and carrying her practice suitcase. I wonder if he can remember the tremor in his voice when he asked her to marry him, or the flash across her eyes as she said yes, or even the ache in his throat when he knew she was gone from his life.

It may be my imagination, but for the breadth of a moment everything in the room seems to sharpen in focus. The contrasting colors in the Oriental carpet become more striking; the towering windows reflect a devil’s glare. It makes me question if, all this time, I haven’t really been seeing clearly.

“Dad,” I whisper, “I want to go back.”

“God help me, Paige,” my father says. “Don’t I know it.”

Harvesting the Heart - изображение 114

Elliot Saget is pleased with my gallery at Mass General. He is so convinced that it is going to win some kind of humanitarian Best of Boston award that he promises me the stars on a silver platter. “Well, actually,” I say, “I’d rather watch Nicholas in surgery.”

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