Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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A dead man’s throat.

When the cap had melted Sparrow asked, ‘What do I do now, Frankie?’ Frankie put a hand to his mouth, coughed the little dry addict’s cough and pointed to his arm. ‘Tie it.’

Sparrow took the tie off the bedpost and bound it about the naked biceps.

‘Tighter,’ Frankie begged. ‘Tight as you can pull it.’

When it was tight as a vise Sparrow took the tie’s dangling end and, involuntarily, daubed the tears out of Frankie’s eyes. ‘You’re sweatin’ awful hard,’ he pretended.

Frankie sniffled. Sweat or tears, it made no difference, all that mattered was to make the sickness stop.

‘It kills me in the heart, how you are now,’ Sparrow couldn’t keep from saying. ‘It just ain’t like bein’ Frankie no more.’

‘That’s the hardest thing of all for me to be, Solly,’ Frankie told him with a strange gentleness. ‘I’m gettin’ farther away from myself all the time. It’s why I have to have a charge so bad, so I can come back ’n be myself a little while again. But it’s a longer way to go every time. It keeps gettin’ harder ’n harder. It’s gettin’ so hard I can’t hardly afford it.’ He laughed thinly. ‘I can’t hardly afford to be myself no more, Solly, with the way Piggy-O is peggin’ the price up on me. I got to economize ’n be just Mr Nobody, I guess.’ He looked at Sparrow curiously. ‘Who am I anyhow, Solly?’

He really didn’t know any longer. From one day to the next, he no longer knew. For he answered himself in an oddly altered little voice, a voice Sparrow had never before heard. ‘Meet Sergeant McGantic, Solly – the guy they give the stripes to ’cause he got the golden arm. It’s all in the wrist ’n he got the touch, it’s why they had to give him the stripes. See them little red pinholes, Solly – it’s the new kind of stripes us sergeants are pinnin’ on the arm these days. The new way of doin’ things we got, you might call it. You know who I am? You know who you are? You know who anybody is any more?’

‘I don’t know, Frankie.’

‘Tell me just one thing you do know then.’

Sparrow watched closely to see whether Frankie was putting on a bit of an act, to get at something he still wanted to find out. It was hard to tell. ‘I’ll tell you if I know, Frankie,’ he offered.

‘Then tell me just this – why do some cats swing like this?’

Solly didn’t know that either. He didn’t know what to make of the answer any more than he’d known what to make of the question. Yet Frankie was laughing, weakly on and on, just as if he’d said something funny. While that naked arm looked far too white to have any gold left in its veins.

‘You know the heartaches, Solly, I’ll say that for you,’ Frankie took breath long enough to say. ‘You always knew the heartaches. Why don’t you learn the good kicks too?’ Then the weak laughter began again, with something almost convulsive in it now, as though he lacked the strength to laugh but somehow felt he had to – till it ran into tears of such a barbed despair that Sparrow called to him like calling to someone far away, ‘Be yourself, Frankie!’ For a second he thought he was going to have to slap him to bring him back.

Frankie came back to himself, brushed the sweat off his forehead with the back of his arm and began flattering Sparrow. The punk heard the false note clearly now. ‘It ain’t just knowin’ the heartaches you’re good for, Solly. You know how to do a thing, too. I’ll say that much for a kid like you.’ Cause you’re the one kid knows how to fix the old junkie when Old Junkie needs a little fix.’ He shook his head like a drunk. ‘Wh oo f! Old Junkie’s spinnin’ like never before. Hit the main stem ’n make me right.’

Across the disheveled bed a new deck lay scattered. ‘He must of been shufflin’ a few hands to hisself just to keep in shape,’ Sparrow deduced and told Frankie, ‘I don’t know if I can find it, Frankie, it ain’t my line of work.’ But felt Frankie’s hand, cold as a surgeon’s glove, guiding his fingers. ‘There. Press. Slow. Now .’

Frankie clenched his fist tightly to bring out the vein. Above the elbow a little inflamed knot began to point right at the needle. ‘Operation McGantic,’ Sparrow heard him murmur.

Sparrow saw the blood spray faintly, tingeing the morphine pink – and pressed while his own eyes went blind. ‘It feels like I’m puttin’ it right into your poor heart,’ he thought. As the needle came out a slow trickle of blood followed halfway to the elbow.

Frankie lay sprawled loosely with his eyes shuttered; but with the first faint flush touching the pallor of his cheeks. As the pale morphine had been tinged by the suffering blood.

‘How’s my complexion?’ he asked teasingly, without opening his eyes at all.

‘Your complexion’s awright, Frankie. But you can’t deal on that stuff. Remember “Steady hand ’n steady eye. It’s all in the wrist ’n you got the touch”? Remember, Frankie?’

‘It’s all above the elbow now,’ Frankie answered, scratching his calf indolently. ‘I’m out of the slot,’ he assured Sparrow with a fresh confidence in his voice. The stuff was starting to hit, his eyes were dew-bright and the glow of health was on his cheeks. ‘Didn’t I tell you I got a chance to start beatin’ the tubs at a hundred-fifty a week? Krupa been askin’ around at the Musicians’ Club where can he get in touch with me, I guess some guys told him about that night at St Wenceslaus when I got everybody goin’ like fools the way I was in the groove. I may take it, I’ll have to see what he got.’ He went right into some little old tune or other, rapping his knees with his knuckles, tongue between his teeth and his neck waggling an imagined rhythm.

‘You got to gimme whatcha got,

You got to gimme whatcha got…’

‘That’s the best way to do, Frankie,’ Sparrow agreed earnestly. ‘Don’t let them get you cheap.’ After all it’s quite a trick to lose your strength and get a better job into the bargain. ‘Maybe you could get me somethin’ to do with one of them orchester leaders,’ Sparrow offered his services as innocently as he was able. ‘It sort of looks like I’m in that line now anyhow.’

Frankie yawned hugely. ‘Come here ’n scratch my back.’ And while Sparrow scratched his back he turned and twisted, with an animal’s ice-cold joy. ‘I’ve said it a hundred times,’ he told Sparrow after the punk had been permitted to leave off scratching at last, ‘this one time and I’ll kick it for keeps.’ He bent over to scratch his ankles and toes right to the nails.

‘And?’ Sparrow wanted to know.

Frankie looked up at him from where he bent his head over his shoeless feet. ‘I’m hooked, ain’t I?’

He sat up then, making a deck of the scattered cards in complete absent-mindedness, his hands straying blindly for the cards while his eyes searched, on the other side of the pane, for something far out upon the shoreless waters of the night.

‘I can’t do much for you in that line, Solly,’ he decided, still riffling the deck idly. ‘About the only thing I have open is a watcher’s job.’

‘A lookout, you mean, Frankie?’ It was time to start taking Frankie seriously again, he was coming down out of the clouds. ‘I’d sure like steerin’ better’n what I’m doin’ tonight. I’d rather have a square job than what I’m doin’ tonight.’

‘It’s not steerin’ exactly. It’s watchin’. Indian-watchin’, I think they call it. A little different but you’ll pick it up. It’s a new angle that’s just comin’ on.’

‘I’ll take anythin’, Frankie. Me ’n Vi ’r quits. Who’ll tell me what to do?’

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