Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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Frankie gave him the grin. ‘I’ll tough it out, Doc.’

After that Frankie slipped into a life like the life of the barracks he had known for three years. Orders were given matter-of-factly without threats; and were obeyed complacently. Most of the men kept themselves as clean as if preparing for retreat each evening and most, out of sheer boredom, attended services in the pink-and-white chapel on Sunday morning. And each good soldier counted his two days off a month, for good behavior, like money in the bank and well earned.

All but Applejack Katz, with a long-term lease on the cot next to Frankie’s own: a man who daily risked his good-conduct time for the sake of a certain jar fermenting under the ventilator. He’d bought cider from one of the kitchen workers and, at every meal where boiled potatoes were served, stole the skins and made Frankie steal them too. He added the potato skins to the cider after lights out and was only waiting for a chance to snatch a few white-bread crusts. ‘When we get them crusts it’ll only take a week after that,’ he promised Frankie. He leaned across the cot to add a low warning word:

‘I seen you come out of the infirmary your first morning, Dealer. My advice to you is look out for the major. He’s a psycho. What he’ll do to you is to get you so square you’ll never have another day’s pleasure in your life.’

Katz glanced about the dormitory with a look so swift and furtive Frankie was reminded, with a troubling pang, of Sparrow Saltskin.

‘Listen. They sent me to a psycho eight years ago. I was forty-five then ’n if I’d worked two full weeks in my life I don’t remember where. If anyone had told me, eight years ago, I’d go to work for eight hours a day six days a week and stick at it over two years I would of give him hundred to one against it.’ N I would of lost.’ Cause that’s just how square I got.

‘For two years I was off the booze, off the women, off the horses, off the dice. I even got engaged to get married in a church. All I done that whole time was run a freight elevator up ’n down, up ’n down. It scares me when I think of it now: I come near losin’ everything.’

Applejack lay back in the very real relief of one snatched from the eternal fires, at the last possible moment, straight up into Salvation Everlasting. He gave a low laugh, mocking and wise.

‘Now they’re after me to go back to that same psycho. “He done me so much good that other time,” they try to tell me, “he almost cured my new-rosis.” Sure the fool almost cured my “new-rosis.” If I went back he might cure it altogether – and what would I have left? All the good times I ever had in my life was what my little old new-rosis made me have. Them whole two years on the square I didn’t have one good time. I like my little old new-rosis. It’s all I got ’n I’m holdin’ onto it hard. My advice to you is hold onto yours: lay off them psychos. Look out for the major. When guys like you ’n me get square we’re dead.’

Katz had a record that read like a Southern Pacific Railroad schedule. He’d made every stop between Jeff City and Fort Worth and had fashioned applejack out of white-bread crusts and potato skins in every one. Of his fifty-odd years fifteen had been spent between walls and he recounted each one in terms of applejack. Sometimes it had been hard to make and had turned out badly, in other places it had been easy and had turned out fine: his life was the definitive work on the science of making applejack under the eyes of prison guards.

He remembered certain jugs as if remembering certain people: the El Paso County Jug, recalled with joy and a certain tenderness, that he had kept filled, through a kitchen connection, night and day for six blissful months. The Grant’s Pass Jug, recalled with bitterness and doubt, that had been spirited out of his cell in the night and never seen again.

But applejack wasn’t Katz’s only interest. He had half a dozen minor projects going, involving the bartering of nutmeg for Bull Durham, of Bull Durham for nutmeg and of emory for the manufacture of something he called a ‘glin wheel,’ a sort of homemade cigarette lighter. It was also his daily concern, while working beside Frankie on the mangle roller, to steal the paraffin wax off the rollers for the making of candles, which he sold clandestinely to the harder cons upstairs.

The cons up there were either in bug cells or deadlock. They were the privates who went for stronger brew than applejack. These no longer cared: these were the truly unsaved. Over the hump for redemption and the hour for turning back lost forever: too late, forever too late. So they hurried forward all the faster into the darkness.

They talked in terms of police administrations and remembered in terms of police cars. ‘That was the year the aces had black Cadillacs with a bell on the side – or was that the year they had them speedy orange Fords?’

One night some pale castoff, a twenty-year-old so far gone in narcoticism that nothing but the one big bitter fix of death could cure him, was placed among the good soldiers either by error or just to see how long he could stand it there.

It didn’t take long for the panic to start. One look at the stolid faces about him, he knew he was in the wrong tier and the horrors shook him like an icy wind.

‘Bond me out! Don’t touch me!’

The junkie wants a bondsman though he doesn’t own a dime. His life is down to a tight pin point and the pupils of his eyes drawn even tighter: nothing is reflected in them except a capsule of light the size of a single quarter grain of morphine. He has mounted the walls of all his troubles with no other help than that offered by the snow-white caps in the brown drugstore bottle. A self-made man.

But all the drugstores are closed tonight.

‘Bond me out! Bond me out!’

And the flood of shameless tears. By the time the major shuffled in, yawning, with the hypo, the junkie was throwing a regular circus for the boys, tossing himself about on the floor. It took four men to hold him down to give him his charge at last.

‘I think he ate somethin’ didn’t agree with him,’ Applejack observed after the youth was carried out. Such exhibitions seemingly required this flat, cold sort of mirth. The only laughter that broke the monotony here was that same hard-bitten glee: ‘The service is gettin’ pretty bad when a man has to knock his skull on the floor to get a charge of M. I remember a time when all you had to do was hold your breath for half an hour.’

Yet such pale youths felt as devout about their addiction as others might of some crotchety religious conviction or other. ‘I’m just the type got to have it, that’s all. It’s how I’m built. Don’t ask me why - how do I know? It’s just something , cousin. It’s there.

Frankie Machine understood too well. Standing at the sheet roller on his eleventh morning, it hit him so hard and so fast he went down beside the machine while the sheets, unguided, twisted and tore themselves to shreds at the very moment that his own entrails were tearing at his throat and his very bones were twisting. He heard his own voice crying as shrill as a wounded tomcat’s down the icy corridors of his anguish.

He lay eight hours in a 104 fever before the major pulled him out of it with dolaphine.

‘If you get sick on me like that again you won’t even get paregoric off me,’ were the first words he could distinguish, and blinked the sweat out of his eyes to see the major studying him. ‘Next time I’m lettin’ you sweat it out, soldier.’

Back at the sheet roller two mornings later, Frankie felt he’d already sweated it out. All that remained of his sickness was a couple days of the chuck horrors, of which Nifty Louie once had told. ‘It feels like I got a tape snake or somethin’,’ he complained to Applejack Katz, ‘every two hours the bottom falls out of my gut ’n I feel like I could eat myself through a cow on the hoof.’

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