Junot Díaz - The Brief Wondrous Life of Oscar Wao

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This is the long-awaited first novel from one of the most original and memorable writers working today.
Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukú—the curse that has haunted the Oscar’s family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim.
Díaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss. A true literary triumph,
confirms Junot Díaz as one of the best and most exciting voices of our time.

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See Maritza: French-kissing on the front stoop of her house, getting in or out of some roughneck’s ride, being pushed down onto the sidewalk. Oscar would watch the French-kissing, the getting in and out, the pushing, all through his cheerless, sexless adolescence. What else could he do? His bedroom window looked out over the front of her house, and so he always peeped her while he was painting his D&D miniatures or reading the latest Stephen King. The only things that changed in those years were the models of the cars, the size of Maritza’s ass, and the kind of music volting out the cars’ speakers. First freestyle, then III Will-era hiphop, and, right at the very end, for just a little while, Hector Lavoe and the boys.

He said hi to her almost every day, all upbeat and faux-happy, and she said hi back, indifferently, but that was it. He didn’t imagine that she remembered their kissing—but of course he could not forget.

THE MORONIC INFERNO

High school was Don Bosco Tech, and since Don Bosco Tech was an urban all-boys Catholic school packed to the strakes with a couple hundred insecure hyperactive adolescents, it was, for a fat sci-fi-reading nerd like Oscar, a source of endless anguish. For Oscar, high school was the equivalent of a medieval spectacle, like being put in the stocks and forced to endure the peltings and outrages of a mob of deranged half-wits, an experience from which he supposed he should have emerged a better person, but that’s not really what happened—and if there were any lessons to be gleaned from the ordeal of those years he never quite figured out what they were. He walked into school every day like the fat lonely nerdy kid he was, and all he could think about was the day of his manumission, when he would at last be set free from its unending horror. Hey Oscar, are there faggots on Mars?—Hey, Kazoo, catch this . The first time he heard the term moronic inferno he knew exactly where it was located and who were its inhabitants.

Sophomore year Oscar found himself weighing in at a whopping 245 (260 when he was depressed, which was often) and it had become clear to everybody, especially his family, that he’d become the neighborhood parigiiayo.↓

≡ The pejorative parigiüayo , Watchers agree, is a corruption of the English neologism ‘party watcher’. The word came into common usage during the First American Occupation of the DR, which ran from 1916 to 1924. (You didn’t know we were occupied twice in the twentieth century? Don’t worry, when you have kids they won’t know the U.S. occupied Iraq either.) During the First Occupation it was reported that members of the American Occupying Forces would often attend Dominican parties but instead of joining in the fun the Outlanders would simply stand at the edge of dances and watch . Which of course must have seemed like the craziest thing in the world. Who goes to a party to watch? Thereafter, the Marines were parigüayos—a word that in contemporary usage describes anybody who stands outside and watches while other people scoop up the girls. The kid who don’t dance, who ain’t got game, who lets people clown him—he’s the parigüayo.

If you looked in the Dictionary of Dominican Things, the entry for parigüayo would include a wood carving of Oscar. It is a name that would haunt him for the rest of his life and that would lead him to another Watcher, the one who lamps on the Blue Side of the Moon.

Had none of the Higher Powers of your typical Dominican male, couldn’t have pulled a girl if his life depended on it. Couldn’t play sports for shit, or dominoes, was beyond uncoordinated, threw a ball like a girl. Had no knack for music or business or dance, no hustle, no rap, no G. And most damning of all: no looks. He wore his semi-kink hair in a Puerto Rican afro, rocked enormous Section 8 glasses—his ‘anti-pussy devices,’ Al and Miggs, his only friends, called them—sported an unappealing trace of mustache on his upper lip and possessed a pair of close-set eyes that made him look somewhat retarded. The Eyes of Mingus. (A comparison he made himself one day going through his mother’s record collection; she was the only old-school dominicana he knew who had dated a moreno until Oscar’s father put an end to that particular chapter of the All-African World Party.) You have the same eyes as your abuelo, his Nena Inca had told him on one of his visits to the DR, which should have been some comfort—who doesn’t like resembling an ancestor?—except this particular ancestor had ended his days in prison.

Oscar had always been a young nerd—the kind of kid who read Tom Swift, who loved comic books and watched Ultraman —by high school his commitment to the Genres had become absolute. Back when the rest of us were learning to play wallball and pitch quarters and drive our older brothers’ cars and sneak dead soldiers from under our parents’ eyes, he was gorging himself on a steady stream of Lovecraft, Wells, Burroughs, Howard, Alexander, Herbert, Asimov, Bova, and Heinlein, and even the Old Ones who were already beginning to fade—E. E. ‘Doc’ Smith, Stapledon, and the guy who wrote all the Doc Savage books—moving hungrily from book to book, author to author, age to age. (It was his good fortune that the libraries of Paterson were so under funded that they still kept a lot of the previous generation’s nerdery in circulation.) You couldn’t have torn him away from any movie or TV show or cartoon where there were monsters or spaceships or mutants or doomsday devices or destinies or magic or evil villains. In these pursuits alone Oscar showed the genius his grandmother insisted was part of the family patrimony. Could write in Elvish, could speak Chakobsa, could differentiate between a Slan, a Dorsai, and a Lensman in acute detail, knew more about the Marvel Universe than Stan Lee, and was a role-playing game fanatic. (If only he’d been good at videogames it would have been a slam dunk but despite owning an Atari and an Intellivision he didn’t have the reflexes for it.) Perhaps if like me he’d been able to hide his otakuness maybe shit would have been easier for him, but he couldn’t. Dude wore his nerdiness like a Jedi wore his light saber or a Lensman her lens. Couldn’t have passed for Normal if he’d wanted to.↓

≡ Where this outsized love of genre jumped off from no one quite seems to know. It might have been a consequence of being Antillean (who more sci-fi than us?) or of living in the DR for the first couple of years of his life and then abruptly wrenchingly relocating to New Jersey—a single green card shifting not only worlds (from Third to First) but centuries (from almost no TV or electricity to plenty of both). After a transition like that I’m guessing only the most extreme scenarios could have satisfied. Maybe it was that in the DR he had watched too much Spider-Man , been taken to too many Run Run Shaw kung fu movies, listened to too many of his abuela’s spooky stories about el Cuco and la Ciguapa? Maybe it was his first librarian in the U.S., who hooked him on reading, the electricity he felt when he touched that first Danny Dunn book? Maybe it was just the zeitgeist (were not the early seventies the dawn of the Nerd Age?) or the fact that for most of his childhood he had absolutely no friends? Or was it something deeper, something ancestral?

Who can say?

What is clear is that being a reader⁄fanboy (for lack of a better term) helped him get through the rough days of his youth, but it also made him stick out in the mean streets of Paterson even more than he already did. Victimized by the other boys punches and pushes and wedgies and broken glasses and brand-new books from Scholastic, at a cost of fifty cents each, tom in half before his very eyes. You like books? Now you got two! Har-har! No one, alas, more oppressive than the oppressed. Even his own mother found his preoccupations nutty. Go outside and play! she commanded at least once a day. Pórtate como un muchacho normal.

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