Iris Murdoch - The Bell

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"A distinguished novelist of a rare kind." – Kingsley Amis
A lay community of thoroughly mixed-up people is encamped outside Imber Abbey, home of an order of sequestered nuns. A new bell is being installed when suddenly the old bell, a legendary symbol of religion and magic, is rediscovered. And then things begin to change. Meanwhile the wise old Abbess watches and prays and exercises discreet authority. And everyone, or almost everyone, hopes to be saved, whatever that may mean. Originally published in 1958, this funny, sad, and moving novel is about religion, sex, and the fight between good and evil.

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She was alone now on the balcony. The crowd were mostly collected along the banks of the lake on either side of the causeway. The bell, moving slowly and smoothly, was going up the very slight slope from the bank to the causeway and came more fully into view. The sun shone, gilding its white canopy and gilding the white robes of the Bishop. The wind, less boisterous now, fretted the satin ribbons and ruffled the pale flowers with which the trolley was heaped. The Bishop walked stiffly, head a little bowed, leaning on his crook. The white surplices of the choir boys fluttered about them as they importantly raised their sheets of music. The bell was now on the causeway, moving more slowly over the slightly uneven stones. The other figures were following. The mist lay quiet over the water, still reaching to the top of the causeway, so that the procession, as they strung out on to the lake, looked as if they were walking on air. Dora leaned well forward to see better.

The choir broke into song. The more ambitious music was being reserved for the climax at the Abbey gate. Meanwhile, Father Bob’s wishes had been over-ridden by local sentiment:

Lift it gently to the steeple,

Let our bell be set on high,

There fulfil its daily mission

Midway “twixt the earth and sky.

As the birds sing early matins

To the God of Nature’s praise,

This its nobler daily music

To the God of Grace shall raise.

And when evening shadows soften

Chancel cross and tower and aisle,

It shall blend its vesper summons

With the day’s departing smile.

The singing continued. The Morris dancers, walking gingerly two by two, had by now left the shore, and the little girls were following, looking very cold in their white satin dresses. The bell was moving very slowly indeed and had almost reached the middle of the causeway where the wooden section was set in, commemorating the brave nuns of the sixteenth century. Dora’s glance strayed to the crowd. She could not see Noel now. She spotted Patchway, who had declined to join the procession, and was standing stolidly at the back of the crowd in a place where he obviously couldn’t see. Then something began to happen. Dora looked back quickly to the centre of the scene. A quick sigh went up. The choir boys’ song faltered. The bell had stopped on the wooden boarding in the middle of the causeway and the workmen seemed to be scuffling round it. The Bishop had motioned the choir to move back. The procession was at a standstill. Raggedly the music ceased; and then in the murmur that followed a loud grinding sound was heard. The bell seemed to be tilting slightly to one side. An excited buzz arose from the crowd. Then very slowly the wooden supports sagged, the wooden surface sloped, the trolley inclined, and the bell, poised for a moment at an almost impossible angle, plunged sideways into the lake, taking the trolley with it.

The thing happened so quickly that Dora could hardly believe her eyes. There was the procession, still standing strung out on the causeway in the sun. There was the sagging hole in the centre, with two of the workmen marooned on the far side of it. The invisible water could be heard surging and gurgling. The bell had utterly vanished. A cry went up from the crowd which was half a groan and half a cheer. Those who had come for a show were getting their money’s worth.

Dora ran down the steps and on towards the lake. Father Bob Joyce was hustling the procession back off the causeway, while at the shore end dozens of people were trying to push their way on. Someone, Dora could not see who, had fallen in. Shouts arose, and one of the choir boys was crying. The Bishop, conspicuous in the sun, was still standing where the bell had been, looking down into the water and talking to one of the workmen. The mist was clearing a little and the lake could be seen still churning away under the wooden piers, strewn with a circle of white flowers. Nothing of the bell or the trolley was visible above the surface. Several people by now had pushed past the Bishop and jumped the gap to survey the scene from the other side. The Abbey gates were unobtrusively closing once more.

Dora was fairly near to the lake by now, on the right-hand side of the causeway. At what had happened she felt intense horror mingled with excitement. She felt partly as if she must be responsible for this new disaster, and partly as if its magnitude made her own escapade pardonable by comparison. She came to the back of the crowd, watching her chance to get a nearer view. Then someone pushed very roughly past her. Dora said later that if it had not been for that violent shove she would not have paid attention and not have started to wonder. She looked to see who the rude person was who had pushed her and saw that it was Catherine. Having got past her and out into the open Catherine began to walk away along the path that led beside the lake towards the wood. Dora looked back to the spectacle on the causeway. Then she turned thoughtfully to stare after Catherine who was some distance away by now and walking fast. No one had paid any attention to her departure.

It was very unusual, to say the least of it, for Catherine to push people out of her way; and what Dora had seen of Catherine’s face was also rather unusual. Naturally she would be upset; but she had looked strange and distracted beyond measure. Dora hesitated. She was surrounded by people but no one that she knew was within sight. After a moment she began to pick her way back across the grass and followed along the path which Catherine had taken, keeping her in sight. Catherine quickened her pace and plunged into the wood. Dora began to run. Catherine had certainly looked very odd. All the same it was no business of Dora’s. Yet she felt anxious and wanted to be sure that all was well.

Once in the wood she began to catch up. The path was thickly strewn with twigs and branches brought down by the storm. Catherine could be seen stumbling on ahead. Then she fell heavily, and by the time she had got up Dora was almost beside her. Dora called “Catherine, wait for me. Are you all right?”

Catherine was wearing an old-fashioned tennis dress, now scored with dirty marks from her fall. She brushed it down and began to walk on more slowly, ignoring Dora. She seemed to be crying. Dora, unable to walk abreast of her on the narrow path, followed, plucking at her arm and asking her if she was all right.

After a moment or two Catherine, brushing Dora off, paused and half-turning said “I am all right alone.” Her face had an odd staring look.

“I’m so sorry,” said Dora, not knowing whether to leave her or not.

“You see,” said Catherine, “it was because of me. You didn’t know, did you? It was a sign.” She began to walk on.

Dora, seeing her face thought: Catherine has gone mad. This was the thought which had struck her at once when she had been rudely pushed aside, but which had seemed too fantastic to entertain. Catherine had seemed quite normal on the previous day. Surely people don’t go mad suddenly. Dora, who had had no experience of mad people, stood frozen with fear and horror while the white figure of Catherine disappeared along the path.

When she had vanished between the trees Dora’s instinct was to rush back to the Court for help. But then she decided that is was more important to pursue Catherine and persuade her to return. In that condition she might wander away into the woods and not be found. Dora was also moved by a desire not to make a fool of herself or make any more trouble. She might after all be quite wrong about Catherine, and to raise a false alarm when there was so much else for everyone to think about would be more than tiresome. She hurried forward and soon saw Catherine’s white dress ahead of her.

It then occurred to Dora that they would soon be in the vicinity of the barn, and that Paul might still be there. This encouraged her and she ran on, once more calling Catherine’s name. Catherine paid no attention and when Dora caught up with her the second time she seemed to be murmuring things to herself. Looking at that flushed distracted face Dora felt no doubt that her first instinct had been right. She seized Catherine’s dress and at the same time began to shout for Paul. They came out into the open space by the ramp, Catherine hurrying and Dora holding on to her and shouting. There was no response from the barn. Paul must have left it; as it turned out later he had gone back by the concrete road to the Court to telephone a London colleague. Dora and Catherine were alone in the wood.

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