Iris Murdoch - The Sea, the Sea

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The Man Booker Prize
Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

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No, I could not attach this ‘casting off’ to any ordinary or present cause. James’s decision belonged to a different pattern of being, to some quite other history of spiritual adventure and misadventure. Whatever ‘flaw’ had led, as James saw it, to his sherpa’s death belonged, it might be, to some more general condition. Religion is power, it must be, and yet that is its bane. The exercise of power is a dangerous delight. Perhaps James wanted simply to lay down the burden of a mysticism that had gone wrong, a spirituality which had somehow degenerated into magic. Had he been overwhelmed with disgust because he had had to use his ‘power’ to save my life, was that the last straw, and was it really all my fault after all? Had I proved to be, in the end, a thankless burden and a dangerous attachment? Here, and sadly, I understood the possible meaning of James’s last visit, James had come to make his peace with me, but it was for his sake, not for mine, in order to break a bond, not to perfect it. He knew it was our last talk, and that was why he was so relaxed, so open, so unprecedentedly frank and gentle. He came, not with any ordinary desire for reconciliation, but in order to rid himself of a last irritating preoccupation. Anxiety or guilt about his wretched cousin might cloud the conditions of the perfect departure upon which he had perhaps long been bent.

How did it go off, that severance, I wondered. Had he responded to the vision of ‘all reality’ which comes at the moment of death and by which one must instantly profit? Had he gone eagerly to that rendezvous and was he now, in what strange heaven of release, ‘set free’, whatever that might mean? Or else, aching and weak like the shade of Achilles, shut in some purgatory to expiate sins which I could not even imagine? Was he now wandering in a dark monster-ridden bardo, encountering simulacra of people he had once known and being frightened by demons? For in that sleep of death what dreams may come when we have shuffled off this mortal coil must give us pause. How did one get out of bardo ? I could not remember what James had told me. Why had I never asked him to explain? Would he meet me there, in the shape of some persistent horror, a foul phantom me, the creation of his mind? If so I prayed that when he achieved his liberation he might not forget me but come, in pity and in compassion, to know the truth. Whatever that might mean.

As I lay there, listening to the soft slap of the sea, and thinking these sad and strange thoughts, more and more and more stars had gathered, obliterating the separateness of the Milky Way and filling up the whole sky. And far far away in that ocean of gold, stars were silently shooting and falling and finding their fates, among those billions and billions of merging golden lights. And curtain after curtain of gauze was quietly removed, and I saw stars behind stars behind stars, as in the magical Odeons of my youth. And I saw into the vast soft interior of the universe which was slowly and gently turning itself inside out. I went to sleep, and in my sleep I seemed to hear a sound of singing.

I woke up and it was dawn. The billion stars had gone and the sky was a bland misty very light blue, a huge uniform over-arching cool yet muted brightness, the sun not yet risen. The rocks were clearly revealed, still indefinably colourless. The sea was utterly calm, glossy, grey, without even ripples, marked only by the thinnest palest line at the horizon. There was a complete yet somehow conscious silence, as if the travelling planet were noiselessly breathing. I remembered that James was dead. Who is one’s first love? Who indeed.

I pulled myself up, knelt, and began to shake my blankets and my pillow which were wet with dew. Then I heard, odd and frightening in that total stillness, a sound coming from the water, a sudden and quite loud splashing, as if something just below the rock were about to emerge, and crawl out perhaps onto the land. I had a moment of sheer fear as I turned and leaned towards the sea edge. Then I saw below me, their wet doggy faces looking curiously upward, four seals, swimming so close to the rock that I could almost have touched them. I looked down at their pointed noses only a few feet below, their dripping whiskers, their bright inquisitive round eyes, and the lithe and glossy grace of their wet backs. They curved and played a while, gulping and gurgling a little, looking up at me all the time. And as I watched their play I could not doubt that they were beneficent beings come to visit me and bless me.

Postscript:

LIFE GOES ON

THAT NO DOUBT is how the story ought to end, with the seals and the stars, explanation, resignation, reconciliation, everything picked up into some radiant bland ambiguous higher significance, in calm of mind, all passion spent. However life, unlike art, has an irritating way of bumping and limping on, undoing conversions, casting doubt on solutions, and generally illustrating the impossibility of living happily or virtuously ever after; so I thought I might continue the tale a little longer in the form once again of a diary, though I suppose that, if this is a book, it will have to end, arbitrarily enough no doubt, in quite a short while. In particular I felt I ought to go on so as to describe James’s funeral, although really James’s funeral was such a non-event that there is practically nothing to describe. Then I felt too that I might take this opportunity to tie up a few loose ends, only of course loose ends can never be properly tied, one is always producing new ones. Time, like the sea, unties all knots. Judgments on people are never final, they emerge from summings up which at once suggest the need of a reconsideration. Human arrangements are nothing but loose ends and hazy reckoning, whatever art may otherwise pretend in order to console us.

As I write this it is August, not the yellow Provençal August of the English imagination, but an ordinary cool London August with the wind beating down the Thames at the end of the street. For, yes, I am living in James’s flat. From a legal point of view it is my flat, but of course it remains really James’s. I dare not alter anything, I scarcely dare to move anything. The idols of ‘superstition’ surround me. I have ventured to put some of the odder ‘fetishes’ away in a cupboard, I hope they will not mind, and I took down the glass pendants in the hall because their tinkling disturbed my sleep. But the ornate wooden box with the captive demon inside is still perched on its bracket. (James never denied that there was a demon in it. He merely laughed when I asked him.) The innumerable Buddhas are still in their places, except for one that I gave to Toby Ellesmere because he seemed annoyed at not being mentioned in James’s will. The will left everything to me and, should I predecease him, to the British Buddhist Society. I gave them a Buddha too.

Another peevish shifty letter from the house agent today. Shruff End is up for sale. I never spent another night there after the night of the stars when the seals came in the morning. While sorting out my belongings for removal I stayed at the Raven Hotel. I could see the tower from my bedroom but not the house. No one seems to want to buy the place, perhaps because of the dampness, perhaps for other reasons. The Arkwrights at Amorne Farm, who have the key, said they would get the roof mended, but according to the agent have not done so. Fortunately I do not need the money urgently since James’s will has left me comfortably off.

I suppose I must describe James’s funeral as I said I was going to. There was something curiously blank about it. I did not have to organize it, thank heaven. It was organized by a Colonel Blackthorn who appeared for this purpose and then vanished. When I got to London on the day after the doctor’s letter I found Colonel Blackthorn and the doctor both actually in James’s flat. The colonel explained that he had organized the funeral (a cremation) because they had been unable to get in touch with me, but that if I wished for something different… I did not. I tried to talk to the doctor but he faded away while Blackthorn was still explaining to me how to get to the crematorium. ‘James’ had already mercifully been removed to the ‘chapel of rest’. I did not visit him.

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