Iris Murdoch - The Sea, the Sea

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The Man Booker Prize
Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core.

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‘But she does-’

‘Charles, either this is very fine, very noble, or else you’re mad.’

‘Dear Lizzie-I feel so full of love tonight because of her.’

‘You’ve got it to give away.’

‘Yes, but not to anybody. When you feel full to the brim with your own life, committed, given, complete, it makes you feel so free too. I don’t know what the future holds, Lizzie. I just know it’s all to do with her. But that makes other love in a way all the more real if it exists at all, because it’s pure, it’s unselfish, it’s for nothing. Will you love me for nothing, Lizzie, asking nothing, going nowhere, just because we’re us?’

‘Either this is wisdom or you’re cheating. You’re certainly drunk.’

‘Will you, Lizzie dear?’

‘Yes.’ She took my hands and began kissing them.

‘Lizzie. Lizzie, where are you?’ The voice of Gilbert.

It had become almost dark, though there was still a little light over the sea where the sunken sun was still illuminating the line of white clouds which shone like pale lamps over the waves which were racing landward. The tide was rising.

‘Lizzie, come back, we want you to sing Voi che sapete.

She was away from me in a moment, a long bare leg stretched. I could see Gilbert now, reaching his hand down to her from above. I stayed where I was.

What a weird uncanny simulacrum of happiness the evening was, like a masque put on by the spirit of melancholy. Would I be able not to go to that house, not to know what was happening, not to burst into their lives like a storm, like rain beating upon them, like thunder?

After a little while I came back towards Shruff End. It seemed to be unusually illuminated and looked like a doll’s house. Gilbert must have bought several more lamps at my expense. Some light fell onto the lawn. As I drew near to it Lizzie was still singing solo. Her true truthful small voice wandered in the air patterning it high up, making utterly still the group of men surrounding her. Perry, who was very drunk, was standing with folded arms near the kitchen door. He checked occasional swaying movements. Gilbert, smiling sentimentally, was sitting cross-legged. Titus was kneeling, his lips apart, his face concentrated with emotion and pleasure, his eyes wide. At first I could not see James. Then I discerned him just below me reclining on the grass. A family party.

Voi che sapete had been over for some time and Lizzie was now singing Roses in Picardy. This was a song which Aunt Estelle used to sing, accompanying herself on the piano in the drawing room at Ramsdens. There came to me, with the peculiar pain of that memory, the idea that James might have asked Lizzie to sing it. Then I remembered that I had told Lizzie I liked it, but not why. Lizzie was singing it for me.

Roses in Picardy was a bit much. As I climbed down onto the lawn James, sensing me, sat up. I sat down near him but would not look at him, though he was now looking at me. After a moment he reached out and touched me, and I murmured ‘Yes, yes’. The song ended.

After that, and until the terrible thing happened, the evening seemed quietly to break up, or to become diffused and gently chaotic like the later stages of a good party. Or perhaps it is all just confused in my memory. There was some light over the rocks, though I do not recall where it came from. Perhaps the clouds were still giving off light. A moon had made its appearance, randomly shaped and spotty, large and pale as a cloud itself. The fierce foam at the edge of the sea seemed luminous. I wandered looking for Lizzie, who had vanished. Everyone seemed to be walking about on the rocks, precariously holding glasses in their hands. An owl was hooting somewhere inland and the intermittent voices of my guests sounded equally distant, equally frail and hollow. I also wanted to find James, because I felt that perhaps I had been rude to him. I wanted to say something to him, I was not sure what, about Aunt Estelle. She had shone somehow upon my childhood. Che cosa è amor indeed. I went to the cliff and watched the waves pounding it. There was a soft growling of thunder. I could see the glowing whitenesses of the wave-crests out to sea. Gilbert’s babbling baritone started up not far off. Stay dainty nymphs and speak, shall we play barley-break, tra la la? Then later on, in another quarter, Titus also by himself could be heard rendering Jock of Hazeldean. There was something absurd and touching about the solipsistic self-absorption and self-satisfaction of these drunken singers. Then at last I heard Lizzie’s voice distantly singing Full Fathom Five. I listened carefully but could get no sense of direction, so loud was the accompaniment of the restless rushing sea. Then I thought, how strangely her voice echoes. It seems almost amplified. She must be singing inside the tower.

I was still fairly near the house and I set off through what was now a somewhat darker scene. The luminous clouds had been quenched, the moon was smaller and a little brighter, not yet quite radiant, in a near-midsummer sky which still had inklings of light. I could hear Lizzie’s voice singing, calling me, over and over again. Ding dong ding dong bell, ding dong ding dong bell … I stumbled along through the rocks, making the little detours which I now knew so well. I reached the bridge over Minn’s cauldron and paused there, as I always did, to look down into the smooth pit where the waves of the incoming tide were lashing themselves in a foaming self-destructive fury. A light seemed to rise here in the spray out of the sea itself. I looked down and it was like looking into a deep dark green glass. And then-suddenly-somebody came up behind me and pushed me in.

As I am writing this story it will be evident that I survived, and I cannot hope to convey what the experience was like, how long it was, how terrible, how hopeless: a primal experience of a total loss of hope. Falling, what the child fears, what the man dreads, is itself the image of death, of the defencelessness of the body, of its frailty and mortality, its absolute subjection to alien causes. Even in a harmless fall in the road there is a little moment of horror when the faller realizes that he cannot help himself ; he has been taken over by a relentless mechanism and must continue with it to the end and be subject to the consequences. ‘There is nothing more I can do.’ How long, how infinitely expansible, a second is when it contains this thought, which is an effigy of death. A complete fall into the void, something which I had often imagined on aeroplanes, is of course the most terrible thing of all. Hands, feet, muscles, all the familiar protective mechanisms of the body are suddenly useless. The enmity of matter is unleashed against the frail breakable crushable animal form, always perhaps an alien in this hard mineral gravitational scene.

It was as if each part of the body experienced its separate despair. My back and waist felt the dreadful imprint of the hands which with great sudden violence and indubitable intent propelled me over the edge. My hands reached out in vain for something to clasp. My feet, still touching the rock with which they were parting company, jerked in a weak useless spasm, a last ghostly attempt to retain balance. Then they were jerking in empty space and I was falling head downward, as if my head and shoulders were made of lead. At the same time I felt, or thought as a kind of final thought, the fragility of my head and even knew that my hands were now trying to protect it. My trunk twisted sickeningly, trying in vain to make sense of its position. I actually saw, in the diffused midsummer darkness-light, the creamy curling waves just below me, and the particular spiral of their movement in the confined space. Then I was in the water whose intense cold surprised me with a separate shock, and I made the instinctive swimmer’s movement of trying to right myself; but my body was aware that no swimming could take place in that vortex. I felt as if my neck were breaking as I looked up to see a dome of dark faintly translucent green, the wave above me. I was choking and swallowing water, absorbed in the one task of getting another breath. At the same time I was able to think: this is the end. I fought, my whole body fought, now flailing senselessly in a maelstrom of powers which seemed about to dismember me. Then my head struck violently against the smooth rock and I lost consciousness.

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