James Cabell: The Eagle's Shadow

Even I am but a worm, Miss Hugonin, though the press has been pleased to speak most kindly of me. Even you—ah, no!" cried Mr. Jukesbury, kissing his finger-tips, with gallantry; "let us say a worm who has burst its cocoon and become a butterfly—a butterfly with a charming face and a most charitable disposition and considerable property!"

Margaret thanked him with a smile, and began to think wistfully of the Ladies' League accounts. Still, he was a good man; and she endeavoured to persuade herself that she considered his goodness to atone for his flabbiness and his fleshiness and his interminable verbosity—which she didn't.

Mr. Jukesbury sighed.

"A naughty world," said he, with pathos—"a very naughty world, which really does not deserve the honour of including you in its census reports. Yet I dare say it has the effrontery to put you down in the tax-lists; it even puts me down—me, an humble worker in the vineyard, with both hands set to the plough. And if I don't pay up it sells me out. A very naughty world, indeed! I dare say," Mr. Jukesbury observed, raising his eyes—not toward heaven, but toward the Eagle, "that its conduct, as the poet says, creates considerable distress among the angels. I don't know. I am not acquainted with many angels. My wife was an angel, but she is now a lifeless form. She has been for five years. I erected a tomb to her at considerable personal expense, but I don't begrudge it—no, I don't begrudge it, Miss Hugonin. She was very hard to live with. But she was an angel, and angels are rare. Miss Hugonin," said Petheridge Jukesbury, with emphasis, " you are an angel."

"Oh, dear, dear !" said Margaret, to herself; "I do wish I'd gone to bed directly after dinner!"

Above them the Eagle brooded.

"Surely," he breathed, "you must know what I have so long wanted to tell you—"

"No," said Margaret, "and I don't want to know, please. You make me awfully tired, and I don't care for you in the least . Now, you let go my hand—let go at once!"

He detained her. "You are an angel," he insisted—"an angel with a large property. I love you, Margaret! Be mine!—be my blushing bride, I entreat you! Your property is far too large for an angel to look after. You need a man of affairs. I am a man of affairs. I am forty-five, and have no bad habits. My press-notices are, as a rule, favourable, my eloquence is accounted considerable, and my dearest aspiration is that you will comfort my declining years. I might add that I adore you, but I think I mentioned that before. Margaret, will you be my blushing bride?"

"No!" said Miss Hugonin emphatically. "No, you tipsy old beast—no!"

There was a rustle of skirts. The door slammed, and the philanthropist was left alone on the terrace.

In the living-hall Margaret came upon Hugh Van Orden, who was searching in one of the alcoves for a piece of music that Adèle Haggage wanted and had misplaced.

The boy greeted her miserably.

"Miss Hugonin," he lamented, "you're awfully hard on me."

"I am sorry," said Margaret, "that you consider me discourteous to a guest in my own house." Oh, I grant you Margaret was in a temper now.

"It isn't that," he protested; "but I never see you alone. And I've had something to tell you."

"Yes?" said she, coldly.

He drew near to her. "Surely," he breathed, "you must know what I have long wanted to tell you—"

"Yes, I should think I did !" said Margaret, "and if you dare tell me a word of it I'll never speak to you again. It's getting a little monotonous. Good-night, Mr. Van Orden."

Half way up the stairs she paused and ran lightly back.

"Oh, Hugh, Hugh!" she said, contritely, "I was unpardonably rude. I'm sorry, dear, but it's quite impossible. You are a dear, cute little boy, and I love you—but not that way. So let's shake hands, Hugh, and be friends! And then you can go and play with Adèle." He raised her hand to his lips. He really was a nice boy.

"But, oh, dear!" said Margaret, when he had gone; "what horrid creatures men are, and what a temper I'm in, and what a vexatious place the world is! I wish I were a pauper! I wish I had never been born! And I wish—and I wish I had those League papers fixed! I'll do it to-night! I'm sure I need something tranquillising, like assessments and decimal places and unpaid dues, to keep me from screaming . I hate them all—all three of them—as badly as I do him! "

Thereupon she blushed, for no apparent reason, and went to her own rooms in a frame of mind that was inexcusable, but very becoming. Her cheeks burned, her eyes flashed with a brighter glow that was gem-like and a little cruel, and her chin tilted up defiantly. Margaret had a resolute chin, a masculine chin. I fancy that it was only at the last moment that Nature found it a thought too boyish and modified it with a dimple—a very creditable dimple, by the way, that she must have been really proud of. That ridiculous little dint saved it, feminised it.

Altogether, then, she swept down upon the papers of the Ladies' League for the Edification of the Impecunious with very much the look of a diminutive Valkyrie—a Valkyrie of unusual personal attractions, you understand— en route for the battle-field and a little, a very little eager and expectant of the strife.

Subsequently, "Oh, dear, dear !" said she, amid a feverish rustling of papers; "the whole world is out of sorts to-night! I never did know how much seven times eight is, and I hate everybody, and I've left that list of unpaid dues in Uncle Fred's room, and I've got to go after it, and I don't want to! Bother those little suitors of mine!"

Miss Hugonin rose, and went out from her own rooms, carrying a bunch of keys, across the hallway to the room in which Frederick R. Woods had died. It was his study, you may remember. It had been little used since his death, but Margaret kept her less important papers there—the overflow, the flotsam of her vast philanthropic and educational correspondence.

And there she found Billy Woods.

XII

His back was turned to the door as she entered. He was staring at a picture beside the mantel—a portrait of Frederick R. Woods—and his eyes when he wheeled about were wistful.

Then, on a sudden, they lighted up as if they had caught fire from hers, and his adoration flaunted crimson banners in his cheeks, and his heart, I dare say, was a great blaze of happiness. He loved her, you see; when she entered a room it really made a difference to this absurd young man. He saw a great many lights, for instance, and heard music. And accordingly, he laughed now in a very contented fashion.

"I wasn't burglarising," said he—"that is, not exactly. I ought to have asked your permission, I suppose, before coming here, but I couldn't find you, and—and it was rather important. You see," Mr. Woods continued, pointing to the great carved desk. "I happened to speak of this desk to the Colonel to-night. We—we were talking of Uncle Fred's death, and I found out, quite by accident, that it hadn't been searched since then—that is, not thoroughly. There are secret drawers, you see; one here," and he touched the spring that threw it open, "and the other on this side. There is—there is nothing of importance in them; only receipted bills and such. The other drawer is inside that centre compartment, which is locked. The Colonel wouldn't come. He said it was all foolishness, and that he had a book he wanted to read. So he sent me after what he called my mare's nest. It isn't, you see—no, not quite, not quite," Mr. Woods murmured, with an odd smile, and then laughed and added, lamely: "I—I suppose I'm the only person who knew about it."

Mr. Woods's manner was a thought strange. He stammered a little in speaking; he laughed unnecessarily; and Margaret could see that his hands trembled. Taking him all in all, you would have sworn he was repressing some vital emotion. But he did not seem unhappy—no, not exactly unhappy. He was with Margaret, you see.