J. Coetzee - Foe

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In an act of breathtaking imagination, J. M. Coetzee radically reinvents the story of Robinson Crusoe.
In the early eighteenth century, Susan Barton finds herself set adrift from a mutinous ship and cast ashore on a remote desert island. There she finds shelter with its only other inhabitants: a man named Cruso and his tongueless slave, Friday. In time, she builds a life for herself as Cruso’s companion and, eventually, his lover. At last they are rescued by a passing ship, but only she and Friday survive the journey back to London. Determined to have her story told, she pursues the eminent man of letters Daniel Foe in the hope that he will relate truthfully her memories to the world. But with Cruso dead, Friday incapable of speech and Foe himself intent on reshaping her narrative, Barton struggles to maintain her grip on the past, only to fall victim to the seduction and tyranny of storytelling itself.
Treacherous, elegant and unexpectedly moving, Foe remains one of the most exquisitely composed of this pre-eminent author’s works.

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’April 21th

‘You asked how it was that Cruso did not save a single musket from the wreck; why a man so fearful of cannibals should have neglected to arm himself.

‘Cruso never showed me where the wreck lay, but it is my conviction that it lay, and lies still, in the deep water below the cliffs in the north of the island. At the height of the storm Cruso leapt overboard with the youthful Friday at his side, and other shipmates too, it may be; but they two alone were saved, by a great wave that caught them up and bore them ashore. Now I ask: Who can keep powder dry in the belly of a wave? Furthermore: Why should a man endeavour to save a musket when he barely hopes to save his own life? As for cannibals, I am not persuaded, despite Cruso’s fears, that there are cannibals in those oceans. You may with right reply that, as we do not expect to see sharks dancing in the waves, so we should not expect to see cannibals dancing on the strand; that cannibals belong to the night as sharks belong to the depths. All I say is: What I saw, I wrote. I saw no cannibals; and if they came after nightfall and fled before the dawn, they left no footprint behind.

‘I dreamed last night of Cruso’s death, and woke with tears coursing down my cheeks. So I lay a long while, the grief not lifting from my heart. Then I went downstairs to our little courtyard off Clock Lane. It was not yet light; the sky was clear. Under these same tranquil stars, I thought, floats the island where we lived; and on that island is a hut, and in that hut a bed of soft grass which perhaps still bears the imprint, fainter every day, of my body. Day by day the wind picks at the roof and the weeds creep across the terraces. In a year, in ten years, there will be nothing left standing but a circle of sticks to mark the place where the hut stood, and of the terraces only the walls. And of the walls they will say, These arc cannibal walls, the ruins of a cannibal city, from the golden age of the cannibals. For who will belie.ve they were built by one man and a slave, in the hope that one day a seafarer would come with a sack of corn for them to sow?

‘You remarked it would have been better had Cruso rescued not only musket and powder and ball, but a carpenter’s chest as well, and built himself a boat. I do not wish to be captious, but we lived on an island so buffeted by the wind that there was not a tree did not grow twisted and bent. We might have built a raft, a crooked kind of raft, but never a boat.

‘You asked also after Cruso’s apeskin clothes. Alas, these were taken from our cabin and tossed overboard by ignorant sailors. If you so desire, I will make sketches of us as we were on the island, wearing the clothes we wore.

‘The sailor’s blouse and pantaloons I wore on board ship I have given to Friday. Moreover he has his jerkin and his watch-coat. His cellar gives on to the yard, so he is free to wander as he pleases. But he rarely goes abroad, being too fearful. How he fills his time I do not know, for the cellar is bare save for his cot and the coal-bin and some broken sticks of furniture.

‘Yet the story that there is a cannibal in Clock Lane has plainly got about, for yesterday I found three boys at the cellar door peering in on Friday. I chased them off, after which they took up their stand at the end of the lane, chanting the words: “Cannibal Friday, have you ate your mam today?”

‘Friday grows old before his time, like a dog locked up all its life. I too, from living with an old man and sleeping in his bed, have grown old. There are times when I think of myself as a widow. If there was a wife left behind in Brazil, she and I would be sisters now. of a kind.

‘I have the use of the scullery two mornings of the week, and am turning Friday into a laundryman; for otherwise idleness will destroy him. I set him before the sink dressed in his sailor clothes, his feet bare as ever on the cold floor (he will not wear shoes). “Watch me, Friday!, I say, and begin to soap a petticoat (soap must be introduced to him, there was no soap in his life before, on the island we used ash or sand). and tub it on the washing-board. “Now do , Friday!, I say, and stand aside. Watch and Do : those are my two principal words for Friday, and with them I accomplish much. It is a terrible fall, I know, from the freedom of the island where he could roam all day, and hunt birds• eggs, and spear fish, when the terraces did not call. But surely it is better to learn useful tasks than to lie alone in a cellar all day. thinking I know not what thoughts?

‘Cruso would not teach him because, he said, Friday had no need of words. But Cruso erred. Life on the island, before my coming, would have been less tedious had he taught Friday to understand his meanings, and devised ways by which Friday could express his own meanings, as for example by gesturing with his hands or by setting out pebbles in shapes standing for words. Then Cruso might have spoken to Friday after his manner, and Friday responded after his, and many an empty hour been whiled away. For I cannot believe that the life Friday led before he fell into Cruso’s hands was bereft of interest, though he was but a child. I would give mu.ch to hear the truth of how he was captured by the slave-traders and lost his tongue.

‘He is become a great lover of oatmeal, gobbling down as much porridge in a day as would feed a dozen Scotsmen. From eating too much and lying abed he is growing stupid. Seeing him with his belly tight as a drum and his thin shanks and his listless air, you would not believe he was the same man who ·brief months ago stood poised on the rocks, the seaspray dancing about him, the sunlight glancing on his limbs, his spear raised, ready in an instant to strike a fish.

‘While he works I teach him the names of things. I hold up a spoon and say “Spoon, Friday!” and give the spoon into his hand. Then I say “Spoon!” and hold out my hand to receive the spoon; hoping thus that in time the word Spoon will echo in his mind willy-nilly whenever his eye falls on a spoon.

‘What I fear most is that after years of speechlessness the very notion of speech may be lost to him. When I take the spoon from his hand (but is it truly a spoon to him, or a mere thing?-I do not know), and say Spoon , how can I be sure he does not think I am chattering to myself as a magpie or an ape does, for the pleasure of hearing the noise I make, and feeling the play of my tongue, as he himself used to find pleasure in playing his flute? And whereas one may take a dull child and twist his arm or pinch his ear till at last he repeats after us, Spoon , what can I do with Friday? “Spoon, Friday!” I say; “Fork! Knife!” I think of the root of his tongue closed behind those heavy lips like a toad in eternal winter, and I shiver. “Broom, Friday!” I say, and make motions of sweeping, and press the broom into his hand.

‘Or I bring a book to the scullery. “This is a book, Friday,” I say. “In it is a story written by the renowned Mr Foe. You do not know the gentleman, but at this very moment he is engaged in writing another story, which is your story, and your master’s, and mine. Mr Foe has not met you, but he knows of you, from what I have told him, using words. That is part of the magic of words. Through the medium of words I have given Mr Foe the particulars of you and Mr Cruso and of my year on the island and the years you and Mr Cruso spent there alone, as far as I can supply them; and all these particulars Mr Foe is weaving into a story which will make us famous throughout the land, and rich. too. There will be no more need for you to live in a cellar. You will have money with which to buy your way to Africa or Brazil, as the desire moves you, bearing fine gifts, and be reunited with your parents, if they remember you, and marry at last and have children, sons and daughters. And I will give you your own copy of our book, bound in leather, to take with you. I will show you how to trace your name in it, page after page, so that your children may see that their father is known in all parts of the world where books are read. Is writing not a fine thing, Friday? Are you not filled with joy to know that you will live forever, after a manner?”

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