Paul Bowles - The Delicate Prey - And Other Stories

The trip across the island was beautiful, and would have been highly enjoyable if my imagination had not played me a strange trick at the very outset. We stopped in Orange Walk for gasoline, and while that was being seen to, I got out and went to the corner store for some cigarettes. Since it was not yet eight o’clock, the store was still closed, and I hurried up the side street to the other little shop which I thought might be open. It was, and I bought my cigarettes. On the way back to the corner I noticed a large black woman leaning with her arms on the gate in front of her tiny house, staring into the street. As I passed by her, she looked straight into my face and said something with the strange accent of the island. It was said in what seemed an unfriendly tone, and ostensibly was directed at me, but I had no notion what it was. I got back into the car and the driver started it. The sound of the words had stayed in my head, however, as a bright shape outlined by darkness is likely to stay in the mind’s eye, in such a way that when one shuts one’s eyes one can see the exact contour of the shape. The car was already roaring up the hill toward the overland road when I suddenly reheard the very words. And they were: “Keep your boy at home, mahn.” I sat perfectly rigid for a moment as the open countryside rushed past. Why should I think she had said that? Immediately I decided that I was giving an arbitrary sense to a phrase I could not have understood even if I had been paying strict attention. And then I wondered why my subconscious should have chosen that sense, since now that I whispered the words over to myself they failed to connect with any anxiety to which my mind might have been disposed. Actually I have never given a thought to Racky’s wanderings about Orange Walk. I can find no such preoccupation no matter how I put the question to myself. Then, could she really have said those words? All the way through the mountains I pondered the question, even though it was obviously a waste of energy. And soon I could no longer hear the sound of her voice in my memory: I had played the record over too many times, and worn it out.

Here in the hotel a gala dance is in progress. The abominable orchestra, comprising two saxophones and one sour violin, is playing directly under my window in the garden, and the serious-looking couples slide about on the waxed concrete floor of the terrace, in the light of strings of paper lanterns. I suppose it is meant to look Japanese.

At this moment I wonder what Racky is doing there in the house with only Peter and Ernest the watchman to keep him company. I wonder if he is asleep. The house, which I am accustomed to think of as smiling and benevolent in its airiness, could just as well be in the most sinister and remote regions of the globe, now that I am here. Sitting here with the absurd orchestra bleating downstairs, I picture it to myself, and it strikes me as terribly vulnerable in its isolation. In my mind’s eye I see the moonlit point with its tall palms waving restlessly in the wind, its dark cliffs licked by the waves below. Suddenly, although I struggle against the sensation, I am inexpressibly glad to be away from the house, helpless there, far on its point of land, in the silence of the night. Then I remember that the night is seldom silent. There is the loud sea at the base of the rocks, the droning of the thousands of insects, the occasional cries of the night birds—all the familiar noises that make sleep so sound. And Racky is there surrounded by them as usual, not even hearing them. But I feel profoundly guilty for having left him, unutterably tender and sad at the thought of him, lying there alone in the house with the two Negroes the only human beings within miles. If I keep thinking of Cold Point I shall be more and more nervous.

I am not going to bed yet. They are all screaming with laughter down there, the idiots; I could never sleep anyway. The bar is still open. Fortunately it is on the street side of the hotel. For once I need a few drinks.

Much later, but I feel no better; I may be a little drunk. The dance is over and it is quiet in the garden, but the room is too hot.

As I was falling asleep last night, all dressed, and with the overhead light shining sordidly in my face, I heard the black woman’s voice again, more clearly even than I did in the car yesterday. For some reason this morning there is no doubt in my mind that the words I heard are the words she said. I accept that and go on from there. Suppose she did tell me to keep Racky home. It could only mean that she, or someone else in Orange Walk, has had a childish altercation with him; although I must say it is hard to conceive of Racky’s entering into any sort of argument or feud with those people. To set my mind at rest (for I do seem to be taking the whole thing with great seriousness), I am going to stop in the village this afternoon before going home, and try to see the woman. I am extremely curious to know what she could have meant.

I had not been conscious until this evening when I came back to Cold Point how powerful they are, all those physical elements that go to make up its atmosphere: the sea and wind-sounds that isolate the house from the road, the brilliancy of the water, sky and sun, the bright colors and strong odors of the flowers, the feeling of space both outside and within the house. One naturally accepts these things when one is living here. This afternoon when I returned I was conscious of them all over again, of their existence and their strength. All of them together are like a powerful drug; coming back made me feel as though I had been disintoxicated and were returning to the scene of my former indulgences. Now at eleven it is as if I had never been absent an hour. Everything is the same as always, even to the dry palm branch that scrapes against the window screen by my night table. And indeed, it is only thirty-six hours since I was here; but I always expect my absence from a place to bring about irremediable changes.

Strangely enough, now that I think of it, I feel that something has changed since I left yesterday morning, and that is the general attitude of the servants—their collective aura, so to speak. I noticed that difference immediately upon arriving back, but was unable to define it. Now I see it clearly. The network of common understanding which slowly spreads itself through a well-run household has been destroyed. Each person is by himself now. No unfriendliness, however, that I can see. They all behave with the utmost courtesy, excepting possibly Peter, who struck me as looking unaccustomedly glum when I encountered him in the kitchen after dinner. I meant to ask Racky if he had noticed it, but I forgot and he went to bed early.

In Orange Walk I made a brief stop on the pretext to McCoigh that I wanted to see the seamstress in the side street. I walked up and back in front of the house where I had seen the woman, but there was no sign of anyone.

As for my absence, Racky seems to have been perfectly content, having spent most of the day swimming off the rocks below the terrace. The insect sounds are at their height now, the breeze is cooler than usual, and I shall take advantage of these favorable conditions to get a good long night’s rest.

Today has been one of the most difficult days of my life. I arose early, we had breakfast at the regular time, and Racky went off in the direction of Saint Ives Cove. I lay in the sun on the terrace for a while, listening to the noises of the household’s regime. Peter was all over the property, collecting dead leaves and fallen blossoms in a huge basket and carrying them off to the compost heap. He appeared to be in an even fouler humor than last night. When he came near to me at one point on his way to another part of the garden I called to him. He set the basket down and stood looking at me; then he walked across the grass toward me slowly—reluctantly, it seemed to me.