Мелисса П. - The Scent of Your Breath

He tells me he has the right to meet whomever he feels like and that isn’t why his love will shrink. He just says, “You’ve got to trust me.”

As for me, I have the right to die, to destroy myself, to feel my belly crumbling, to go mad and meet my ghosts, to become their puppet.

I have the right to yield to instinct. I have the right to cry and feel good as I do so. I also have the right to think that if he feels suffocated, clearly I’m no longer the delicate, flowing wave that softened and dissolved him. It means that I’m the storm now and he’s alone and he can’t find shelter anywhere.

Except with Viola and her normalcy.

Why do you beat your red-tipped wings like that, lovely dragonfly? Settled on that white wall with your black body you look like a word on a badly written page. Why do your wings swell each time you breathe? It’s as though you were brooding hatred, rancor, rage. You’ve settled just a few centimeters from his photograph…ah no, dragonfly, we don’t do that. I come over to you and take his photograph and put it to my chest and you look at me, disillusioned and in tears, as I dart glances back at you, likewise full of hatred, rancor, and rage. Are you going mad now? Your flight is uneven now and imprecise; I see you’re running out of breath. If I show you his photograph from a distance, what will you do, thank me?

I won’t kill you, don’t worry. I’d rather see you die slowly.

I know I shouldn’t have slid that horrible message under the door, dragonfly, but what do you expect me to do? It’s written in my blood that I must destroy everything that wants to destroy me.

Don’t say anything, because you don’t know anything. You don’t know what it is to be abandoned, you know nothing of the battle of love. Don’t you understand that each time you immerse your big green eyes in his you’re stripping me of part of my life, the air that I breathe? If you take away my breath, he won’t be able to love it anymore, he won’t be able to smell it.

My mother, the same mother I’m talking to now, told me that dragonflies must be killed and forgotten. But I want to see you suffer a little; I want to play with your life and keep you hanging on this thin little thread, like a sadistic Fate.

I’ll tell you about that time we went to the river. It was an amazing day, the rocks were sparkling and the plants showed no sign of death or decomposition, and everything was big, wonderful, strong.

I’ve always been used to swimming in the sea, battling with the waves, feeling that exciting fear filling me up when the blue was so dark and so deep that I couldn’t see anything. I’ve always confronted infinite spaces, with vague horizons. I liked it, but I didn’t love it. In my heart I wanted to swim in something visible, clear, with precise contours that I could see, that I could cling to.

So when Thomas suggested going to the river, I gave a leap of joy and kissed him and whispered in his ear, “Don’t chicken out — today I want to know that we’ll make love in the river,” and he said, “We’ll see,” as though it were a challenge.

Our lovemaking really was lovely and joyous and playful, with the water splashing off our warm bodies in a thousand glittering droplets. And I felt like a mermaid with her Triton; we were king and queen of the water, of that lonely place, that beauty.

Or I could tell you about that time when I was in a hotel, in some remote place in South America. I felt ill and I was shivering with cold, although my body was fine and my heartbeat was regular. Without a word he drew me to him and talked to me gently, and then my tears slowly melted on my skin and made way for my smile. And then he told me that I could, that night, forget who I was, what I was for the people out there. He whispered that I was the woman he loved and nothing more, that everything else was only a silly joke.

I could tell you that I love everything about him and I wouldn’t be lying.

Can you explain to me why the hell you have two little red dots on the ends of your two wings? Did you think you would pass unnoticed, did you want to show yourself off, did you want to look seductive?

When the keys rattle behind the door she understands that the time has come to go. This, I think, is just a warning.

In the corridor of our house was a giant stain, right beside my room. I thought it was the profile of Alfred Hitchcock, and every time I walked past it at night I started running with my eyes shut and then slipped under your covers, still shaking with fear. Or rather, first I watched you sleeping. I stood by your side of the bed and watched you for minutes at a time, moving my head as kittens do when drunk on their own curiosity. Tears came to my eyes because you filled me with tenderness, lying there like a little girl, with your serene and heedless eyelids. Then Hitchcock came back and imposed his shadow over my eyes and I fell back into darkness and desperation, in the certainty of being alone. Then I sought your warmth.

One night, as I was running with my eyes shut, I didn’t notice that the door to your bedroom was closed. I ran like an untamed horse, unaware of anything, aware only of the night and its shadows. So I crashed into the door handle and bumped my eye with greater violence than anything I had ever experienced, but I pretended everything was all right so as not to worry you. I slipped as always into your bed and went painfully to sleep. The next morning the blood was dry and dark on my cheeks. As you washed my face, concerned about what had happened to me, I looked at myself intensely in the mirror, and what I saw there was a divine, saintly figure. A bleeding child, a child that quenched itself with its own mucous membranes.

“Have you any idea how idiotic you’ve been?” he says to me, without losing his temper but with his eyes moving from one side of my face to the other.

“What was I supposed to do? She’s testing us,” I reply.

“But testing us with whom, with what?” he says, angry now.

“With you,” I snarl candidly.

“You know you’re an utter maniac?” he shrieks, his voice almost as high-pitched as a woman’s.

I defend what’s mine.

“That poor thing came to me in tears, saying that you left a threatening message under the door of the shop! You’re completely out of your mind!” he continues.

“Aha!…so…she went to see you…,” I exclaim furiously. “She came to see me, too, did you know that?”

“When?” he asks, startled.

“First, you tell me if you’ve fucked her. Or more simply: tell me if you’re in love with her or what…,” I say, pointing a finger at his chest.

“Fucking hell! Nothing like that, but how on earth can I get you to believe me?” He’s desperate and he puts his arms around me. “Why do you go on hurting yourself? Why do you think she means anything to me?”

I pull away from him and look him straight in the eyes.

“Because I can feel it,” I whisper.

After an incalculable period of time suspended between silence and complete impotence, he asks, “When did she come?”

“She left just before you got here. She flew out of the window,” I say, pointing to it.

“What the f—,” he exclaims.

“Dickhead. I didn’t kill her. She came in a different form, and I recognized her. She wanted to pull a fast one on me, the whore, but she didn’t succeed,” I say proudly.

He shakes his head and goes into the other room. Without a word.

Fear holds me by the hand now and my trembling never ceases. I’m trembling now as I write, I tremble when I’m eating, I tremble as I let the water flow over my body, I tremble as I look at him, as I stare at the sky, I tremble as flocks of birds make shapes and patterns in the Roman sky. I spend hours staring at them from the window, as they perform pirouettes and veer to the right and then to the left, making circles, whirlwinds, they look like hairy moles, then they plunge down, down, to the branches of the trees.