Alice Sebold - The Lovely Bones

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The Bram Stoker Awards
My name was Salmon, like the fish, first name, Susie. I was fourteen when I was murdered on December 6, 1973. My murderer was a man from our neighborhood. My mother liked his border flowers, and my father talked to him once about fertilizer'
This is Susie Salmon, speaking to us from heaven. It looks a lot like her school playground, with the good kind of swing sets. There are counsellors to help newcomers to adjust, and friends to room with. Everything she wants appears as soon as she thinks of it – except the thing she wants most: to be back with the people she loved on earth.
From heaven, Susie watches. She sees her happy suburban family implode after her death, as each member tries to come to terms with the terrible loss. Over the years, her friends and siblings grow up, fall in love, do all the things she never had the chance to do herself. But life is not quite finished with Susie yet.
The Lovely Bones is a luminous and astonishing novel about life and death, forgiveness and vengeance, memory and forgetting. It is, above all, a novel which finds light in the darkest of places, and shows how even when that light seems to be utterly extinguished, it is still there, waiting to be rekindled.

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Eventually my father built a balsa wood stand to replace me. Lindsey and Buckley didn’t share my fascination. After trying to create enough enthusiasm for all three of them, he gave up and retreated to his den. One ship in a bottle was equal to any other as far as the rest of my family was concerned.

But as he cleaned that day he talked to me.

“Susie, my baby, my little sailor girl,” he said, “you always liked these smaller ones.”

I watched him as he lined up the ships in bottles on his desk, bringing them over from the shelves where they usually sat. He used an old shirt of my mother’s that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles – rows and rows of them we had collected for our future shipbuilding. In the closet were more ships – the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over after years. Then there was the one that had burst into flames in the week before my death.

He smashed that one first.

My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father’s, his dead child’s. I watched him as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottles, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed – a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.

He left the room and went down the two doors to my bedroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.

“Daddy?” Buckley said. My brother held the doorknob with his hand.

My father turned but was unable to stop his tears. He slid to the floor with the sheets still in his fists, and then he opened up his arms. He had to ask my brother twice, which he had never had to do before, but Buckley came to him.

My father wrapped my brother inside the sheets that smelled of me. He remembered the day I’d begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.

“You are so special to me, little man,” my father said, clinging to him.

Buckley drew back and stared at my father’s creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father’s cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.

My father draped the sheets around Buckley’s shoulders and remembered how I would fall out of the tall four-poster bed and onto the rug, never waking up. Sitting in his study in his green chair and reading a book, he would be startled by the sound of my body landing. He would get up and walk the short distance to my bedroom. He liked to watch me sleeping soundly, unchecked by nightmare or even hardwood floor. He swore in those moments that his children would be kings or rulers or artists or doctors or wildlife photographers. Anything they dreamed they could be.

A few months before I died, he had found me like this, but tucked inside my sheets with me was Buckley, in his pajamas, with his bear, curled up against my back, sucking sleepily on his thumb. My father had felt in that moment the first flicker of the strange sad mortality of being a father. His life had given birth to three children, so the number calmed him. No matter what happened to Abigail or to him, the three would have one another. In that way the line he had begun seemed immortal to him, like a strong steel filament threading into the future, continuing past him no matter where he might fall off. Even in deep snowy old age.

He would find his Susie now inside his young son. Give that love to the living. He told himself this – spoke it aloud inside his brain – but my presence was like a tug on him, it dragged him back back back. He stared at the small boy he held in his arms. “Who are you?” he found himself asking. “Where did you come from?”

I watched my brother and my father. The truth was very different from what we learned in school. The truth was that the line between the living and the dead could be, it seemed, murky and blurred.

Four

In the hours after I was murdered, as my mother made phone calls and my father began going door to door in the neighborhood looking for me, Mr. Harvey had collapsed the hole in the cornfield and carried away a sack filled with my body parts. He passed within two houses of where my father stood talking to Mr. and Mrs. Tarking. He kept to the property line in between two rows of warring hedge – the O’Dwyers’ boxwood and the Steads’ goldenrod. His body brushed past the sturdy green leaves, leaving traces of me behind him, smells the Gilberts’ dog would pick up and follow to find my elbow, smells the sleet and rain of the next three days would wash away before police dogs could even be thought of. He carried me back to his house, where, while he went inside to wash up, I waited for him.

After the house changed hands, the new owners tsk-tsked at the dark spot on the floor of their garage. As she brought prospective buyers through, the realtor said it was an oil stain, but it was me, seeping out of the bag Mr. Harvey carried and spilling onto the concrete. The beginning of my secret signals to the world.

It would be some time before I realized what you’ve undoubtedly already assumed, that I wasn’t the first girl he’d killed. He knew to remove my body from the field. He knew to watch the weather and to kill during an arc of light-to-heavy precipitation because that would rob the police of evidence. But he was not as fastidious as the police liked to think. He forgot my elbow, he used a cloth sack for a bloody body, and if someone, anyone, had been watching, maybe they would have thought it strange to see their neighbor walk a property line that was a tight fit, even for children who liked to pretend the warring hedges were a hideout.

As he scoured his body in the hot water of his suburban bathroom – one with the identical layout to the one Lindsey, Buckley, and I shared – his movements were slow, not anxious. He felt a calm flood him. He kept the lights out in the bathroom and felt the warm water wash me away and he felt thoughts of me then. My muffled scream in his ear. My delicious death moan. The glorious white flesh that had never seen the sun, like an infant’s, and then split, so perfectly, with the blade of his knife. He shivered under the heat, a prickling pleasure creating goose bumps up and down his arms and legs. He had put me in the waxy cloth sack and thrown in the shaving cream and razor from the mud ledge, his book of sonnets, and finally the bloody knife. They were tumbled together with my knees, fingers, and toes, but he made a note to extract them before my blood grew too sticky later that night. The sonnets and the knife, at least, he saved.

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