Уильям Голдман - The Princess Bride

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The Princess Bride: краткое содержание, описание и аннотация

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William Goldman's modern fantasy classic is a simple, exceptional story about quests—for riches, revenge, power, and, of course, true love—that's thrilling and timeless. Anyone who lived through the 1980s may find it impossible—inconceivable, even—to equate 
 with anything other than the sweet, celluloid romance of Westley and Buttercup, but the film is only a fraction of the ingenious storytelling you'll find in these pages. Rich in character and satire, the novel is set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin that's home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passions.”

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I spent that whole night thinking Buttercup married Humperdinck. It just rocked me. How can I explain it, but the world didn't work that way. Good got attracted to good, evil you flushed down the john and that was that. But their marriage—I couldn't make it jibe. God, did I work at it. First I thought that probably Buttercup had this fantastic effect on Humperdinck and turned him into a kind of Westley, or maybe Westley and Humperdinck turned out to be long-lost brothers and Humperdinck was so happy to get his brother back he said, 'Look, Westley, I didn't realize who you were when I married her so what I'll do is I'll divorce her and you marry her and that way we'll all be happy.' To this day I don't think I was ever more creative.

But it didn't take. Something was wrong and I couldn't lose it. Suddenly there was this discontent gnawing away until it had a place big enough to settle in and then it curled up and stayed there and it's still inside me lurking as I write this now.

The next night, when my father went back to reading and the marriage turned out to have been Buttercup's dream, I screamed I knew it, all along I knew it,' and my father said, 'So you're happy now, it's all right now, we can please continue?' and I said 'Go' and he did.

But I wasn't happy. Oh my ears were happy, I guess, my story sense was happy, my heart too, but in my, I suppose you have to call it 'soul,' there was that damn discontent, shaking its dark head.

All this was never explained to me till I was in my teens and there was this great woman who lived in my hometown, Edith Neisser, dead now, and she wrote terrific books about how we screw up our children —Brothers and Sisters was one of her books, The Eldest Child was another. Published by Harper. Edith doesn't need the plug, seeing, like I said, as she's no longer with us, but if there are any amongst you who are worried that maybe you're not being perfect parents, pick up one of Edith's books while there's still time. I knew her 'cause her kid Ed got his haircuts from my pop, and she was this writer and by my teens I knew, secretly, that was the life for me too, except I couldn't tell anybody. It was too embarrassing—barber's sons, if they hustled, maybe got to be IBM salesmen, but writers? No way. Don't ask me how, but eventually Edith discovered my shhhhhh ambition and from then on, sometimes, we would talk. And I remember once we were having iced tea on the Neisser porch and talking and just outside the porch was their badminton court and I was watching some kids play badminton and Ed had just shellacked me, and as I left the court for the porch, he said, 'Don't worry, it'll all work out, you'll get me next time' and I nodded, and then Ed said, 'And if you don't, you'll beat me at something else.'

I went to the porch and sipped iced tea and Edith was reading this book and she didn't put it down when she said, 'That's not necessarily true, you know.'

I said, 'How do you mean?'

And that's when she put her book down. And looked at me. And said it: 'Life isn't fair, Bill. We tell our children that it is, but it's a terrible thing to do. It's not only a lie, it's a cruel lie. Life is not fair, and it never has been, and it's never going to be!

Would you believe that for me right then it was like one of those comic books where the lightbulb goes on over Mandrake the Magician's head? 'It isn't!' I said, so loud I really startled her. 'You're right. It's not fair.' I was so happy if I'd known how to dance, I'd have started dancing. 'Isn't that great, isn't it just terrific?' I think along about here Edith must have thought I was well on my way toward being bonkers.

But it meant so much to me to have it said and out and free and flying—that was the discontent I endured the night my father stopped reading, I realized right then. That was the reconciliation I was trying to make and couldn't.

And that's what I think this book's about. All those Columbia experts can spiel all they want about the delicious satire; they're crazy. This book says 'life isn't fair' and I'm telling you, one and all, you better believe it. I got a fat spoiled son—he's not gonna nab Miss Rheingold. And he's always gonna be fat, even if he gets skinny he'll still be fat and he'll still be spoiled and life will never be enough to make him happy, and that's my fault maybe—make it all my fault, if you want—the point is, we're not created equal, for the rich they sing, life isn't fair. I got a cold wife; she's brilliant, she's stimulating, she's terrific; there's no love; that's okay too, just so long as we don't keep expecting everything to somehow even out for us before we die.

Look. (Grownups skip this paragraph.) I'm not about to tell you this book has a tragic ending, I already said in the very first line how it was my favorite in all the world. But there's a lot of bad stuff coming up, torture you've already been prepared for, but there's worse. There's death coming up, and you better understand this: some of the wrong people die. Be ready for it. This isn't Curious George Uses the Potty. Nobody warned me and it was my own fault (you'll see what I mean in a little) and that was my mistake, so I'm not letting it happen to you. The wrong people die, some of them, and the reason is this: life is not fair. Forget all the garbage your parents put out. Remember Morgenstern. You'll be a lot happier.

Okay. Enough. Back to the next. Nightmare time.

***

THE NEXT NIGHT she dreamed of giving birth to their first child and it was a girl, a beautiful little girl, and Buttercup said, "I'm sorry it wasn't a boy; I know you need an heir," and Humperdinck said, "Beloved sweet, don't concern yourself with that; just look at the glorious child God has given us" and then he left and Buttercup held the child to her perfect breast and the child said, "Your milk is sour" and Buttercup said, "Oh, I'm sorry," and she shifted to the other breast and the child said, "No, this is sour too," and Buttercup said, "I don't know what to do" and the baby said, "You always know what to do, you always know exactly what to do, you always do exactly what's right for you, and the rest of the world can go hang," and Buttercup said, "You mean Westley" and the baby said, "Of course I mean Westley," and Buttercup explained patiently, "I thought he was dead, you see; I'd given my word to your father" and the baby said, "I'm dying now; there's no love in your milk, your milk has killed me" and then the child stiffened and cracked and turned in Buttercup's hands to nothing but dry dust and Buttercup screamed and screamed; even when she was awake again, with fifty-nine days to go till her marriage, she was still screaming.

The third nightmare came quickly the following evening, and again it was a baby—this time a son, a marvelous strong boy—and Humperdinck said, "Beloved, it's a boy" and Buttercup said, "I didn't fail you, thank heavens" and then he was gone and Buttercup called out, "May I see my son now" and all the doctors scurried around outside her royal room, but the boy was not brought in. "What seems to be the trouble?" Buttercup called out and the chief doctor said, "I don't quite understand, but he doesn't want to see you" and Buttercup said, "Tell him I am his mother and I am the Queen and I command his presence" and then he was there, just as handsome a baby boy as anyone could wish for. "Close it," Buttercup said, and the doctors closed the door. The baby stood in the corner as far from her bed as he could. "Come here, darling," Buttercup said. "Why? Are you going to kill me too?" "I'm your mother and I love you, now come here; I've never killed anybody." "You killed Westley, did you see his face in the Fire Swamp? When you walked away and left him? That's what I call killing." "When you're older, you'll understand things, now I'm not going to tell you again—come here." "Murderer," the baby shouted. " Murderer! " but by then she was out of bed and she had him in her arms and was saying, "Stop that, stop it this instant; I love you," and he said, "Your love is poison; it kills," and he died in her arms and she started to cry. Even when she was awake again, with fifty-eight days to go till her marriage, she was still crying.

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