Martin Amis - Heavy Water and Other Stories

Where was her son? Mother’s light-adapted eyes blinked indignantly at the dark. Then she saw him, kneeling, like a knight, by the inflated swimming pool. Softly she approached. There lay the heavy shadow of the turtle: with all its appendages retracted, the humped animal extended to the very perimeter of its confines. Now she saw that John’s hand was actually resting on the ridges of the creature’s back, and she pulled his hair and said,

“John, don’t, it’s—”

He looked up, and with a sobbing gasp he wheeled away from her into the alley and the air. My goodness, whatever had he been eating these last few days? Mother could only stand watching as John sicked himself inside out, jerked and yanked this way and that by ropes and whips of olive drab.

The following evening, somewhere in the Bay of Biscay, John disappeared.

He was sitting on his bunk as Mother rinsed his bottle in the bathroom. The connecting door leaned shut in the swell. She was chatting to him about one thing and another: you know, home, and the coziness of autumn and winter. Then she stepped into the cabin and said,

“Oh my darling, wherever have you gone?”

She went out into the corridor and the smell of ship. A passing officer dressed in white shorts looked at her with concern and reached out as if to keep her steady. She turned away from him guiltily. Up the steps she climbed, and wandered down Fun Alley after Fun Alley, from the Parakeet Lounge to the Cockatoo Rooms, from the Cockatoo Rooms to the Kingfisher Bar. She ascended the spiral staircase to the Robin’s Nest. Her John: wherever would he go?

Alone in the thin rain John faced the evening at the very stern of the ship, a hundred feet from the writhing furrows of its wake. Spreading his arms, he received the bloody javelin hurled at him by the sun. Then with his limbs working slowly, slowly attempting method, he tried to scale the four white bars that separated him from the water. And the sequence kept eluding him. The foot, the hand, the rung; the slip, the swing, the topple. It was the sequence, the order, that was always wrong: foot, slip, hand, swing, rung, topple…

But Mother had him now. Calmly she moved down the steps from the sundeck to the stern.

“John?”

“Go,” he said. “Go, go.”

She walked him down to the cabin. He came quietly. She sat him on the bunk. With her empty lips she started to sing a soothing lullaby. John wept into his hands. There was nothing new in Mother’s eyes as she reached for the bottle, and for the gin, and for the clean water.

New Statesman , 1978; rewritten, 1997

POP JONES WAS TELLINGthe child why he couldn’t watch the news that day.

“Special regulation, Ash. You have to be eighteen. It’s like an X-certificate.”

“I want to see the Martian.”

“Well you can’t. And he’s not strictly speaking a Martian. They think he must be some sort of robot.”

“He’s the man on Mars.”

“He, or it, is the janitor on Mars.”

And Pop Jones was the janitor on earth—more specifically, the janitor of Shepherds Lodge, the last nonprivatized orphanage in England. Remote, decrepit, overcrowded, and all male, the place was, of course, a Shangri-La of pedophilia. And Pop Jones was, of course, a pedophile, like everybody else on the staff. To use the (rather misleading) jargon, he was a “functional” pedophile—which is to say, his pedophilia didn’t function. Pop Jones was an inactive pedophile, unlike his hyperactive colleagues. He had never interfered with any of the boys in his care: not once.

The child, Ashley, a long-suffering nine-year-old, said, “They’re taking us to the beach. I want to stay and see the robot.”

“To the beach! Remember to take your starblock.”

“But I want to starbathe.”

“You’ll get starstroke out there.”

“I want a startan.”

“A startan? You’ll get starburn!”

No one called it the sun anymore: the nature of the relationship had changed. It was 25 June, 2049, and every television on earth would soon be featuring the live interview with the janitor on Mars.

Outside, the boys were being marshaled into queues under the awning as the first electric bus pulled up. Each of them clutched his white umbrella. Pop Jones was pleased to see that Ashley was wearing his starglasses and his starhat. All the children were flinching up at the sky. Each mouth wore a wary sneer.

The thing had been building for nine months.

On 30 September, 2048, at 12:45 P.M., West Coast time, Incarnacion Buttruguena-Hume, the most frankly glamorous of CNN’s main newscasters, received an encrypted message on her PDA. Incarnacion’s computer failed to recognize the cipher but then quickly cracked it. The message was written in the Blacksmith Code, unused for a century and considered obsolescent in World War II. It began, CKBIa TCaAIa-CaBTKaCa: Dear Incarnacion. Decoded, the message said:

FORGIVE THE INTRUSION, BUT I‘M GOING TO BE COMING IN ON YOUR AIRTIME TONIGHT. I HAVE NEWS FOR YOU. I’M THE JANITOR ON MARS. TALK TO PICK AROUND FIVE-THIRTY.

Pick was Pickering Hume, Incarnacion’s husband, who, noncoincidentally (it was soon supposed), worked in the public-relations and fund-raising departments of SETI—or Search for Extra-Terrestrial Intelligence. Incarnacion called Pick right away at his office in Mountain View. They discussed the transmission: which of their friends, they wondered, was responsible for it? But at 17:31 Pick called back. In a clogged whisper he told her that they were receiving a regularly repeated radio signal on the hydrogen line from the Tharsis Bulge on Mars, in straight Morse. The Morse from Mars was saying: PICK—CALL INCARNACION.

It was five-forty in Los Angeles. Within fifteen minutes the sat links were engaged and the floor of Incarnacion’s studio was filling up with astronomers, cosmologists, philosophers, historians, science-fiction writers, millennarians, Rapturists, UFO abductees, churchmen, politicians, and five-star generals, gathered for a story that just kept on breaking—that went twenty-four hours and stayed that way. On the stroke of six o’clock the screen turned a rusty red.

Pop Jones himself was watching, on that day, along with every other adult in the building, called to the Common Room by the Principal, Mr. Davidge. The screen went red, then white. And the message appeared, unscrolling upwards, B-movie style, in heroic, backward-leaning capitals. It said:

GREETINGS DNA, FROM HAR DECHER, THE RED ONE, AS YOUR EGYPTIANS CALLED OUR WORLD, OR NERGAL, AS YOUR BABYLONIANS HAD IT: THE STAR OF DEATH. GREETINGS FROM MARS. OUR TWO PLANETS HAVE MUCH IN COMMON. OUR DIURNAL MOTION IS SIMILAR. THE OBLIQUITY OF OUR RESPECTIVE ECLIPTICS IS NOT VERY DIFFERENT. YOU HAVE OCEANS, AN ATMOSPHERE, A MAGNETOSPHERE. SO DID WE. YOU ARE LARGER. YOU ARE CLOSER IN. WE COOLED QUICKER. BUT LIFE ON OUR PLANETS WAS SEEDED MORE OR LESS COINSTANTANEOUSLY—A DIFFERENCE OF A FEW MONTHS, WITH EARTH TAKING TECHNICAL SENIORITY. OUR WORLDS, AS I SAY, ARE SIMILAR, AND WERE ONCE MORE SIMILAR. BUT OUR HISTORIES RADICALLY AND SPECTACULARLY DIVERGE.

IT’S GONE NOW, VANISHED, ALL MARTIAN LIFE, AND I’M WHAT REMAINS. I AM THE JANITOR ON MARS. AND I HAVE BEEN WATCHING YOU, TRIPWIRED TO MAKE CONTACT AT THE APPROPRIATE TIME. THAT TIME HAS COME. LET’S TALK.

I’LL BE IN TOUCH WITH NASA ABOUT LAUNCH WINDOWS. ALSO SOME TIPS ABOUT CLIMBING YOUR GRAVITY WELL: A FUEL THING. AND A SUGGESTION ABOUT YOUR COSMIC-RAY PROBLEM AND WAYS OF REDUCING PAYLOAD. DUPLICATES OF ALL COMMUNICATIONS WILL GO TO CNN AND THE NEW YORK TIMES. LET’S PLAY THIS ONE STRAIGHT, PLEASE.

YOU NEVER WERE ALONE. YOU JUST THOUGHT YOU WERE. AND HOW COULD YOU EVER HAVE THOUGHT THAT? DNA, MAKE HASTE. I AM IMPATIENT TO SEE YOU WITH MY OWN EYES. COME.