Douglas Kennedy - The Pursuit of Happiness

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Manhattan, Thanksgiving eve, 1945. The war is over, and Eric Smythe's party was in full swing. All his clever Greenwich Village friends were there. So too was his sister Sara, an independent, outspoken young woman, starting to make her way in the big city. And then in walked Jack Malone, a U.S. Army journalist just back from a defeated Germany, a man whose world view was vastly different than that of Eric and his friends. This chance meeting between Sara and Jack and the choices they both made in the wake of it would eventually have profound consequences, both for themselves and for those closest to them for decades afterwards. Set amidst the dynamic optimism of postwar New York and the subsequent nightmare of the McCarthy era, "The Pursuit of Happiness" is a great, tragic love story; a tale of divided loyalties, decisive moral choices and the random workings of destiny.

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I sat down at my desk. I put my head in my hands. I had missed the press agent's calls. We had lost the interview with Garfield. And now I was about to be fired.

I knew this was going to happen. Now it had happened. I'd let irrationality triumph - and I was about to pay a huge price for it. Yet again, I heard my father's voice in my head: There's no use crying over a mistake, young lady. Simply accept the consequences with dignity and grace - and learn from your infraction.

So I stood up, and smoothed out my hair, and took a deep breath, and walked slowly down the corridor, ready to face my punishment. I knocked twice on the door. Leland McGuire: Features Editor was stenciled on to the frosted glass.

'Come in', he said.

As soon as I was halfway through the door, I was already talking.

'Mr McGuire, I am so terribly sorry...'

'Please shut the door behind you, Sara, and sit down'.

His tone was cool, detached. I did as ordered, sitting in the hard wood chair facing his desk, my hands neatly folded in my lap - like a recalcitrant schoolgirl called into the headmistress's study. Only in this instance, the authority figure sitting in judgment of me could destroy my livelihood, my career.

'Are you all right, Sara?' he asked.

'I'm fine, Mr McGuire. Just fine. If I could simply explain...'

'You are not fine, Sara. In fact, you haven't been fine for weeks, have you?'

'I cannot tell you how sorry I am about missing Mr Glick's calls. But it's only three thirty. I can ring him right back, and get all the info on Garfield...'

Leland cut me off.

'I've reassigned the Garfield interview. Lois Rudkin will be handling it. Do you know Lois?'

I nodded. Lois was a recent graduate of Mount Holyoke, who'd joined our department in September. She was also quite the ambitious young journalist. I knew she looked upon me as her direct inter-office competition... even though I refused to play those games (believing, perhaps foolishly, that good work would always win out). I realized what was coming next: Leland had decided that there was need for only one woman writer in Features, and Lois was that writer.

'Yes', I said quietly, 'I know Lois'.

'Talented writer'.

Had I wanted to be fired on the spot, I could have said, And I've seen the charm offensive she's launched on you. Instead, I just nodded.

'Do you want to tell me what's going on, Sara?' he asked.

'Have you not been happy with my work, Mr McGuire?'

'I have no serious complaints. You write reasonably well. You are prompt. Barring today, you are basically reliable. But you also look exhausted all the time, and completely distracted - to the point where, work-wise, you appear to be just going through the motions. And I'm not the only one in the office who's noticed...'

'I see', I said, sounding non-committal.

'Has something terrible happened?'

'No - nothing terrible'.

'Is it... a matter of the heart?'

'It could be'.

'You obviously don't want to talk about this...'

'I'm sorry...

'Apologies are not necessary. Your private life is your private life. Until it begins to affect your working life. And though the old newspaperman in me rebels against the idea of company boosterism, my superiors at Time and Life believe that everyone who works here should be a "team player", with a real commitment to the magazine. And in your case, I'm afraid that you are widely regarded as somewhat remote - to the point where certain people also consider you haughty and patrician'.

This was news to me - and I was deeply distressed by it.

'I certainly do not try to be haughty, sir'.

'Perception is everything, Sara - especially within a company environment. And the perception among your colleagues at Life is that you'd rather be elsewhere'.

'Are you going to fire me, Mr McGuire?'

'I'm not that brutal, Sara. Nor have you done anything that merits the ax. At the same time, however, I would like you to consider working for us independently... from home, perhaps'.

Later that night - drinking rough red wine with Eric in his apartment - I filled my brother in on the remainder of my conversation with Leland McGuire.

'So after he dropped that bombshell about thinking I should work from home, he offered me his terms. He'd keep me on full salary for six months - for which I'd be required to write a story every two weeks. I would no longer be considered a Time and Life staffer - just a freelance, so I'd have no benefits'.

'Believe me, there are huge benefits in not having to go to an office in the morning'.

'That thought has crossed my mind. But I've also been wondering how I'd adjust to working on my own'.

'You've said you wanted to write fiction for a long time. Surely, this would now give you the chance...'

'I've given up on that idea. I'm not a writer...'

'You're just twenty-four years old. Don't dismiss yourself as a lost literary cause. Especially when you haven't really tried'.

'Well, there's a little problem with my fiction writing career: I can't get started'.

'You could sing that'.

'Very funny... But not only am I a failed writer; I am also - according to Leland McGuire - something of a failure as a team player'.

'Who wants to be a "team player"?'

'It's easier than being considered haughty or detached or patrician. I'm not really that patrician, am I?'

Eric laughed.

'Put it this way: you wouldn't be mistaken as a Brooklynite'.

I gave him a sour smile. 'Thanks for that'.

'I'm sorry. That was thoughtless'.

'Yes. It was'.

'Still no news from him?'

'You know I would have said something...'

'I know. And I haven't wanted to ask you...'

'Because... let me guess... you think I'm a romantic fathead - who's lost her heart to a rogue after just one night of dumb passion'.

'True - but I would actually thank your Brooklyn Irish rogue for forcing you out of Time and Life. Neither of us is a team player, S. Which means we'll always be outside of the mainstream. And, believe me, that's no bad thing... if you can handle that. So, consider this an opportunity to discover if you are your own best company. My hunch is: you'll really take to working by yourself. You have that remote temperament, after all'.

I punched him lightly in the shoulder.

'You are impossible', I said.

'But you give me such wonderful opportunities to be impossible'.

I breathed a sad sigh.

'I'm not going to hear from him again, am I?'

'Reality finally dawns'.

'I keep wondering if... I don't know... maybe he had an accident, or was transferred to somewhere so remote that he can't be contacted'.

'Then again, he could be on a top-secret spying assignment with Mata Hari - even though the French took the liberty of shooting her in nineteen seventeen'.

'All right, all right'.

'Get over him, S. Please. For your own sake'.

'God knows I want to. It's just... he won't go away. Something happened that night. Something so inexplicable, yet fundamental. And though I keep trying to convince myself that it's all folly, I simply know: he was it'.

The next morning, I cleared out my desk at Life. I walked down the corridor and popped my head into Leland's office.

'I just came to say goodbye', I said.

He didn't motion for me to come in or sit down, nor did he stand up. He seemed a bit nervous in my presence.

'Well, it's not really a goodbye, Sara. We'll still be working together'.

'Have you thought about my first freelance assignment?'

He avoided my eyes. 'Not yet - but I will be in touch within a couple of days to discuss a few things with you'.

'So I should expect a call from you?'

'Of course, of course - as soon as we've put this week's issue to bed. Meanwhile, you might as well enjoy a couple of days off'.

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