Daniel Woodrell - The Outlaw Album - Stories

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The Outlaw Album: Stories: краткое содержание, описание и аннотация

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Twelve timeless Ozarkian tales of those on the fringes of society, by a “stunningly original” (
) American master. Daniel Woodrell is able to lend uncanny logic to harsh, even criminal behavior in this wrenching collection of stories. Desperation—both material and psychological—motivates his characters. A husband cruelly avenges the killing of his wife’s pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider’s house is set on fire by an angry neighbor.
There is also the tenderness and loyalty of the vulnerable in these stories—between spouses, parents and children, siblings, and comrades in arms—which brings the troubled, sorely tested cast of characters to vivid, relatable life. And, as ever, “the music coming from Woodrell’s banjo cannot be confused with the sounds of any other writer” (Donald Harington,
).

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All Mary does is scoot from her moccasins and jeans and blue undies. She keeps her shirt on and buttoned, the tails hanging over that pooch. Her lips get around on me some, visiting here and there, then I bend her over the couch, knees to the carpet, and slam her the doggy-way she wants it most times. Slap her ass as she has taught me while I slam, slam and slap, and she snickers, snickers, moans into the cushions. Fresh rug burns get added to the old on my knees and I collapse backwards after, stare at the ceiling, count the cobwebs and get the same tally as the visit before.

She says now I’m home for a while we should get married, and soon, before they send me back, but has only ever one time asked me about over there, how it was, what details I needed to get off my chest, what memories I might want to share with her, and I said, It’s all real sandy. Sand blows into everything. Makes soup even turn crunchy.

That’s it?

I think I miss the crunching.

“Put this in,” she says before my breathing is even righted, and tosses the movie my way. She raises herself to sit on the couch, then uses her blue undies to mop herself dry, catch my come seeping, and stuffs them dampened into her purse. “It’s got that guy in it I like.”

Somewhere in the flick I fell out of interest. It wasn’t funny, and the guy she liked so dodged bullets slower than pigeons and cracked wise at death, which never happened to him or his, and I yawned and went away. On the porch I stared up at the big oak in the yard. Tree frogs honked their raspy honks in unison, and fat brown bugs battered the porch light behind me. Mary’s car was under the spread limbs, and I saw that the windows had fogged. I crossed the dirt yard, opened the back door, and there slept Joe and Nora, undressed for bed but without a blanket to cover them. I pointed a finger and wrote Mary’s name in the fog above them, then rubbed their used wet breaths onto my face. They’d been there since she left the trailer and hit the first bar, and were probably asleep by the second roadhouse or the third. I picked both up at once, an arm under each, and neither child woke as I carried them inside. Mary looked over from her movie as I laid the kids on the empty end of the couch. She was smiling with her chin down and her eyes wide, and said, “See? I told you you loved them kids.”

* * *

In the story that happens to me so often, asleep or wide awake, I had got down on my hands and knees to collect red and white parts of Lt. Voorhees, from when his brain-housing unit came apart in his quarters, skull chunks denting the ceiling, teeth and ears splatted to the walls, brains a clotting spray—a story that happens to me whenever it wants to, and I can’t shunt it aside or stuff it in a box, but can only accept the sunken feelings it deals me time and again. A few times Dad showed up to help me collect the cracked bone and stringy glop, clumped hair, kneeling beside me in a foreign place, calling me “son” while we raised a wet pile. Some days I start hearing the final words Lt. Voorhees said before closing his door that night spoken over and over, at different volumes in my head, all day long, low to loud, Hope I dream about daylight again.

Hope I DREAM about daylight AGAIN.

HOPE I dream about DAYLIGHT again.

McArdle and Fuller fell by toward the next sundown, or the one after, drawn by boredom and word of my return, wanting to remember high school, with a box of beer and bowls of smoke to make it seem those years-ago days might happen again tomorrow if only we got wasted enough. I left the house with them in McArdle’s truck and we drove to the river, built a jolly campfire on a gravel beach. Their memories are cleaner than mine, the silly details yet shine for them, are easily found and spoken as jokes or boasts. My head cramps trying to only call up the faces from the hallways. I should be glad for this visit, I know, so I hunt dry wood up the slope, stack it on the fire to grow the flames, and say I am, I am glad to see you two, your faces make me feel home.

So-and-so got married, so-and-so moved away, so-and-so fell in the lake or was pushed, drunk as a skunk whichever. It takes only five minutes together before they lean close and ask the standard ghoul questions I expect from civilians, and I answer, Oh, you damned straight I did.

Then, Maybe more’n used to ride our school bus.

Then, Like tomatoes being busted open with hammers.

Then, Sometimes all you can do is shovel red sand into a body bag and send that home with a name on it.

The empties clatter into the fire, smokes mingle, dusk settles, there is laughter. I recall times together like this, drinking the day away in canoes on the river, chucking dry-ice bombs into blue holes and cheering the boom and spray, and as dark fell driving into town with more cold beer to circle the Sonic, round and round at half a mile an hour, biceps on display out the windows, hoping some town girls would of a sudden realize we were cute, kind of sexy, even, and want to go for a ride in the country, then switching to whiskey when none did.

I guess I joined to become more interesting than that.

Fuller had been our alpha, our main instigator, with showboat muscles and a habit of bruising you good in horseplay, then saying it was only a joke, bro, don’t be mad. In the firelight I can see he’d like to mess with me some again, as he did back when, give a demeaning Dutch rub, or clamp on a headlock ’til I croak “Uncle,” but he’s just not sure anymore, not sure I won’t go Kill! Kill! Kill! in my head, yank something deadly from my watch pocket, zip-cuff him to a sapling, and feed his ass to the fire a pound at a time. I can see the itch is in him, and the doubt, so I help him clear the confusion, saying, “After the desert, bro, the list of things you’re totally certain you’d never ever do gets a lot shorter.”

Ma’s breaths scrape together traveling her throat and have short hisses at their tail, plus something come undone in her chest clatters. Her sleep is a busy place and she speaks mushed words into the sheets, her legs walk to yesterday and back across the mattress, her eyelids totter as the eyeballs rush about in darkness, wanting to see everything they’ve ever seen again. The bed she chose for the dining room is small with no headboard, low to ground, a short fall if she rolled loose in her rambling and tumbled.

Another rough day before noon there was this cemetery in the sand, with row after row of markers for the dead, mud-colored or white, each big enough to hide behind, and a high dun wall around the whole place. We cleared one row then crept toward the next, each small distance electric with the idea that this gravestone ahead could be the one Ali Baba is hid behind and waiting, finger on the trigger or arm cocked to throw something that explodes. The air smelled of shit roasting in oil and carried that shrill music that made your skin tighten. One row at a time, crawling inch by inch, from marker to marker, the pressure building with each scoot forward, sweat dripping, hands turned white squeezing, and after several rows you heard some guys go empty, moan themselves into the dust, become still where they were, not about to move on. They make it ten, twenty, thirty rows, but can no longer imagine making it through all the rows. Each marker, each row, who knows what’s there, anything could be, you might soon become a chunky breeze exploded sideways or get shot through-and-through, and those possibilities nourished dread. Your own mind can gut you good so easy. With sprung nerves soldiers lay faces to the sand to avoid seeing ahead and had to be booted by sergeants.

Mary wanted to be a bride again and announced she soon would be while we all splashed in the river. Joe and Nora hopped on stick legs in the shallows above the one-lane bridge, and Ma sat in a folding chair with her feet under water and a scarf over her fuzz of hair. I had my goggles to hunt treasure spilled from tourist canoes upstream and had found a wristwatch with a rotted band. Mary wore a white T-shirt over her suit and said, “It’s official, y’all—me’n Darden are gettin’ hitched.”

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