Daniel Woodrell - The Outlaw Album - Stories

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The Outlaw Album: Stories: краткое содержание, описание и аннотация

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Twelve timeless Ozarkian tales of those on the fringes of society, by a “stunningly original” (
) American master. Daniel Woodrell is able to lend uncanny logic to harsh, even criminal behavior in this wrenching collection of stories. Desperation—both material and psychological—motivates his characters. A husband cruelly avenges the killing of his wife’s pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider’s house is set on fire by an angry neighbor.
There is also the tenderness and loyalty of the vulnerable in these stories—between spouses, parents and children, siblings, and comrades in arms—which brings the troubled, sorely tested cast of characters to vivid, relatable life. And, as ever, “the music coming from Woodrell’s banjo cannot be confused with the sounds of any other writer” (Donald Harington,
).

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Mr. Edward H. Chambliss, during a phone call in winter of 1994: “That nigra Blue was the best rider and hand hereabouts in them days, and him’n your granddaddy trained that horse up together real well. Real well.”

My father, as the whistling breaths from his oxygen tubes kept the cat scared, and after the dog had smelled the near future on his master and run into the woods, never to return, the week of his death, 1993: “Son, I heard the water pump squeakin’ in the yard late that night. That old pump, gushin’ water for quite a spell, so late, and voices.”

Black families had been recruited in Oxford, Mississippi, and brought to town by Dr. Brumleigh in 1910. The doctor owned vast fruit orchards just east of town, several hundred acres, and brought fourteen complete families north to work them for him. A bare clutch of rudimentary houses were built for the families on a gullied slope out of view from the square in the still largely forsaken northeastern reaches of town. The orchard failed within a decade. The blacks remained in homes that were soon too small, unsnug, and uneven against the sky. New rooms were made of what was easily found—wood scraps from backyards and trash piles, sheets of crumpled metal blown free by storms, chicken wire, river stones, with foundation stumps of almost the right size tipping the floors slightly this way and that. There were no romantic entryways or cozy embellishments. Windows cracked at angles as the houses relaxed further into the dirt.

Mr. Micah Kerr, beside Howl Creek, holding a cane pole while watching his bobber not bob, around 1969: “Them days, boy, furniture’d really start a-fallin’ of a Saturday night over on Nigger Hill, there. Somebody’d a-get to fussin’ with somebody else ’til furniture started flyin’ and a-fallin’, and that fussin’d go on and on ’til the makin’ up started, which was usually louder.”

My oldest living relative, who had, with great single-mindedness, remarried in less than a year, at her spacious new home, late 1993: “Don’t write that. Why write that? There wasn’t any murder like that. It never happened. Never happened. And please listen good to me for once—they’re not all dead yet.”

The horse was, in most versions of the story, a bangtail grown powerful from running the sand bottoms of the Jacks Fork. Sometimes the horse had been stolen out of Sallisaw by one of the Grieve brothers, or a sly stranger who gave a false name on sale day and promptly left town. The horse was always dun, a bitter gelding, with a crisp stride and endless stamina. A horse worth fighting over.

Mr. Willie Johnstone, bourbon in hand, at a fish fry of redear perch on the Eleven Point, 1995: “I guess your granddaddy and ol’ Blue was with the horse most days in them years. The lunch whistle’d blow at the mill’n lots of times you’d pretty quick see William Sidney walkin’ the path yonder above Eccleston’s, the path that’s gone now but used to be the nigh cut through those woods that were there and came out into a backyard on the Hill. Fetchin’ ol’ Blue, I guess, to work that horse for the lunch hour in a field somewhere over there. I can still see him in my head, his shape goin’ up that path—your granddaddy walked about like you do, kid, sort of hunched, like he was halfway duckin’ from somethin’ all the time.”

Mrs. E. H. Chambliss, with her eyes closed and her hands clasped, on a porch swing in July 1995: “Oh, them two loved that horse. Which is sad, ’cause I think the horse is what killed him, really. The heartbreak, don’t you know?”

Mr. Tom Finney, after my father’s funeral, while carving a ham: “Shit, boy, his name wasn’t Greenvoe—wherever’d you get that from? And he wasn’t much of a horse, neither, if I’m rememberin’ the horse you mean. Used to stop on the far half of the track and drop horse apples in the midst of a goddamn race—that sound like a great champ to you?”

Mr. Ronnie Thigpen, at his daughter’s home near Egypt Grove, with the television blaring world news and a rack of medicine bottles on the table at his side, 1994: “There had been a drunk hobo run over by a train’n broken apart a month or so earlier, so when I seen all this blood’n splintered wood’n stuff, I thought, Uh-oh, another drunk hobo forgot to jump. Then I seen it was a nigger, a nigger from town, there, that had forgot to jump. So I told the man at the train depot there was a sort of familiar-lookin’ nigger dead in the weeds over by the tracks, and I guess he flagged a deputy.”

My oldest living relative, while picking cherries from her yard trees, 1996: “That’s ’cause you got the name wrong. His name wasn’t Blue—it was Ballou . Folks misheard his last name and thought it was his first name, so that’s what he got called. His wife used to be around, did housework and the like, and her name was Ballou. Look for him under Ballou.”

Summer had its fangs out sharp and long that year, sucking the joy from every sunny hour. The heat led to erupting meannesses between intimates, bursts of spite that bubbled the truth up top to be hurled from one sweated sopping side of the bed to the other, never to be truly forgotten or gotten over. Howl Creek, a rumpled, dissolute puddling of water, became the nearest splashing place, and many folks of both sexes took small relief in the darkness there. A fainting quiet fell over the darkened town, and headaches ebbed in the silence, until an approaching train would release a rallying moan into the night. The railroad tracks ran beside the creek and the moan stirred sleep all across town.

Sheriff Solomon Combs, in a ledger found under a basement staircase at the courthouse, dated August 4, 1938: “Ballou. Colored. First name not sure. Drunk and hit by a train hauling timber. Deceased. Accident.”

Mrs. E. H. Chambliss, waiting for hot rolls at the Ramada Inn buffet, on Easter Sunday, 1996: “The horse. I’m sure anything that might’ve happened, or maybe didn’t, was about that horse.”

Mr. Tom Finney, in the parking lot outside Kenny’s Walleye Restaurant, summer 1996: “That worthless pony is probably still lollygaggin’ on the far turn to spread horse apples, Danny. Hurry’n you can maybe still catch a glimpse of ’im yet, dawdling along the rail with his ass to the finish line and his tail in the air.”

Someone official must’ve carried the news to the Hill. Knocking on doors to raised houses made of things not meant to be nailed together, but that stood for years, invalid structures patched further with odds and ends as passing seasons brought rot to the wood and old nails fell away. In the shade and fine dust beneath the houses, dogs have belly-dragged in and out until belly-shaped draws have been wiggled into the dirt. Kids follow dogs, and on the Sundays of most seasons muffled playing voices rise from the shaded crawl spaces and catch the wind to fly. Knock, knock—You Blue’s wife? These li’l girls his kids? Well, he won’t be home no more. Jumped in front of a timber train. Must’ve been drunk. You can bury the boy over at Sadie’s.

Mr. Edward H. Chambliss, with his chin in the air and his ancient fists balled, on his front porch, early 1997: “William Sidney always was my best friend, goddamn you, Danny. And best friend don’t mean nothin’ if you won’t stand for each other when the bad time comes. You might oughta keep clear of me. You might oughta do that. And don’t call my wife, neither.”

My oldest living relative, on the phone, early 1997: “These were not men lamed by any sorts of doubts about anything they did. Or might do yet— hear me?”

An uncle who’d had two ships blown wide and sunk beneath him in the Pacific, and came home with what they called “shell shock”—a cracked and occasionally cascading state of mind that was accompanied by a delicate lacing of public shame—on the phone from Australia, where he’d emigrated in 1955: “I knew Blue from when I ran errands for the men out at Cozy Grove, the bar there. I never saw him with a horse. He wasn’t much higher’n a belt buckle, but he was stronger’n Limburger cheese. He’d carry feed sacks from town for a nickel. I never heard of Dad doin’ much of anything with horses, neither, but go broke bettin’ on ’em. You knew Dad was born well-to-do, didn’t you? Had all that land once out by JJ Highway. Lost everything before I was born on moonshine and ladies in red and mighty slow horses, and never even said sorry, either.”

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