Daniel Woodrell - Winter's Bone

“I guess you’ll be needin’ to get some money laid by. I could scare somethin’ up for you, girl, learn you how to earn around here.”

“I won’t touch crank. Crank ain’t for me. Nobody gets better from that shit.”

“There’s other stuff to do, too, if you’ll do it.”

“You boys sit still a minute. I’ll turn the TV on. Sit.”

The picture was fluttery, lines dashing about and warping, but the program was explained by a news announcer’s words, and Teardrop sat on the couch to watch. The boys sat at one end, slurping water, Teardrop at the other, and they sort of saw but mostly heard about big events off in other corners of the Ozarks.

The main news, the news of the world, was just beginning when headlights approached on the rut. Mike Satterfield parked beside the truck and came across the snow, swiping at his long brown hair. He carried a blue plastic sack and had a pistol strapped to his leg. She let him inside without any greeting but a nod. He saw Teardrop on the couch, said, “I know you, don’t I?”

“Yup. Mike, ain’t it? Crick’s boy. I’ve known ol’ Crick since my whiskers came in fuzzy.”

“Is that when you posted your first bond?”

“Before that, even. He used to do my daddy sometimes.”

Satterfield studied Ree more closely in the weak light, said, “Looks like you earned this with blood, kid.” He handed the blue sack to her. “This is yours.”

The sack was fat with crinkled bills.

“How’s it mine?” He sat sideways to the window and sundown, and his eyes threw tiny sparks of color. His chin hair was one step lighter than his head hair and his knuckles were stout and he smelled like town. “Ain’t it his?”

“The fella with no name? He never gave a name and, hell, I couldn’t say for sure the man was ever even all the way awake, but he was sure ’nough good news for you-all when he put this down on Jessup.”

Teardrop stood straight up and walked outside.

Ree said, “Ain’t it still his, though?”

“Ol’ no-name ain’t hardly gonna come back for it, not the way things happened. We took our cut from the cash, and there’s this much left. That makes it yours.”

The boys sensed something special had occurred and stood at Ree’s side with their boxing gloves on her shoulder. They peeked into the bag, and Harold said, “Does this mean you’re leavin’?”

Teardrop’s pacing steps thudded on the porch planks.

Satterfield said, “I don’t know how you did it, kid. How you got out there’n run down the proof and all. Not many could do that. You’re somethin’, kid.”

Words weren’t forming for her, they skittered away, but finally she snatched a few and said them. “Bred’n buttered. I told you that.”

“Does this money mean you’re leavin’?”

Satterfield leaned to her, swatted his hair, shook her hand. “Listen, kid, you ain’t old enough to hire legal’n all that, I know, but if you could get around, drive to town’n places, we’d sure use you. We go the bail for most every Dolly this side of the Eleven Point, you know. Almost all of you-all get bonded out by us. You’d be like gold to me.”

Shadows were long across the yard as Satterfield left. Birds gathered all about in the trees and made their shrill evening noise. She stood on the porch, watching him drive away, then turned to Teardrop. The color of him had changed, paled, paled everywhere but his scar. His hands were jammed deep inside the pockets of his slashed leather jacket. She said, “What? What’s the matter?”

“I know who now.”

“Huh?”

“Jessup. I know who.”

Without hesitation or thought she sprang to him, spread her arms and held him tightly, smelled the raw scent of him, the sweat and smoke, the roiling blood and spirit of her own. She felt she was holding somebody doomed who was already vanishing even as she squeezed her arms around his neck. The shadows had the creek, the valley, the yard, the house. The shadows were over them and she wept, wept against her uncle’s chest. She wept, snuffled, wept, and he hugged her, hugged her ’til her backbone creaked, then broke away. He went down the steps three at a time, hustled to his truck without a backward glance, and was gone.

She sat on the top step trying to dry her eyes with a sleeve. The birds had so much to say at dusk and said it all together. She laid two fingers high on her nose and pinched a yellow splat to the yard. Ice hung in glaring jags from the roof, poised like a line of spears above the steps. Snow on the steps had been beaten flat by winter boots and become hardened and slick. The boys sat on both sides of her, leaned their heads to her chest, rested boxing gloves in her lap.

Harold said, “Does this mean you’re leavin’? That money?”

“I ain’t leavin’ you boys. Why do you think that?”

“We heard you once, talkin’ ’bout the army and places we wouldn’t be. Are you wantin’ to leave us?”

“Naw. I’d get lost without the weight of you two on my back.”

They sat quietly, the shadows deepening, lights shining in windows across the creek.

Sonny said, “What’ll we do with all that money? Huh? What’s the first thing we’ll get?”

Fading light buttered the ridges until shadows licked them clean and they were lost to fresh nightfall. The birds quieted as the last light darted away. Ree stood and stretched. Twilight dimmed the snow, but icicles overhead held that gleam.

“Wheels.”

DANIEL WOODRELL was born in the Missouri Ozarks, left school and enlisted in the Marines the week he turned seventeen, received his bachelor’s degree at age twenty-seven, graduated from the Iowa Writers’ Workshop, and spent a year on a Michener Fellowship. Winter’s Bone is his eighth novel. His five most recent novels were selected as New York Times Notable Books of the Year, and Tomato Red won the PEN West Award for fiction in 1999. He lives in the Ozarks near the Arkansas line with his wife, Katie Estill.

The Death of Sweet Mister

Tomato Red

Give Us a Kiss: A Country Noir

The Ones You Do

Muscle for the Wing

Woe to Live On (reissued as Ride with the Devil )

Under the Bright Lights

Copyright © 2006 by Daniel Woodrell

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review.

Little, Brown and Company

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First eBook Edition: August 2007

The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

ISBN: 0-316-00737-4